Digi by Graphik Boutique

Ben Miners updates Graphik Boutique with some great new work for Digi Sports.

Camille Marotte : Reel.09

Nice reel from motion designer Camille Marotte.

Hecq vs. Exillion ~ Spheres Of Fury :: Colonel Blimp & Chris Hewitt

Tim Brown of Colonel Blimp & Christopher Hewittteam up for the the new release from Hecq Vs Exillion. Titled “Spheres Of Fury”.

cubanhaze update

Paul Cayrol updates his portfolio with new projects: cubanhaze.

HOKUSAI ON ROIDS.

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DISCLAIMER: This photographic image of the “Foretoken” must not be mistaken for Hokusai’s The Great Wave of Kanagawa. It’s almost better. Ikeda Manabu, is a Tokyo based artist armed with an imagination and talent for crafting details and prowess, bestowed from the art gods themselves. Within the tight confinement of his canvases, each square inch of space tells unique miniature narratives weaved together for a much broader epic story. To get a better idea of these fabled details, make the jump for close ups of this awe-inspiring piece.

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Video Sign.

Abbiamo il piacere di presentarvi Video Sign. L’immagine coordinata delle televisioni nel mondo, un volume a cura di Mirko Pajé e Carlo Branzaglia, dal 20 ottobre in libreria.

Dopo Video Logo e Video Identity, Video Sign propone un’analisi della corporate identity attraverso una selezione di casi di studio internazionali e una collezione di interviste ad agenzie e professionisti del settore. Un volume riccamente illustrato, che permette di comprendere l’importanza degli elementi grafici per comunicare l’identità della rete all’utente televisivo.

Da questo link potete vedere una preview in PDF di 20 pagine, così potete farvi un’idea di cosa si tratta.

Consigliamo a tutti l’acquisto, noi ce l’abbiamo già in libreria.

Tata Docomo’s Cat

It isn’t often that we see purely graphic animations like these spots for Tata Docomo, part of a new branding effort by Wolff Olins for a merger between two telecommunications networks in India. But in these new mnemonic animations, the elementary shapes which make up the logo come to life to become more than just a static mark. The geometric forms are modular and recombinant, reminiscent of building blocks, Colorform sets or Ed Emberly drawings: which like like the new logo can be arranged and re-arranged in many different ways. And in each of these animations the shapes are funny, playful and cheerful: characteristics that the new brand wants to embody and let its customers embrace. Simply made and charming, but not simple.

We’re not sure who is directly responsible for these animations, but they’re lovely: Balance, Over Water, Seesaw, Squash, Shree Ganesha Hindi

See more on the branding here at Brand New.

Posted on Motionographer

GPUs: the next frontier in film – Moore’s Law Redundant.

Quote:

Technology and movie-making have always gone hand in hand but the latest breakthroughs are changing the very nature of the process.
Those in the industry say that thanks to the role of graphics processing units (GPUs), the director’s vision can be more fully realised.

It also means that special effects teams are involved in the making of the movie at a far earlier stage.

In the past, their creations would be done in post-production and not be seen for weeks or even months after a movie has wrapped.

All that is changing thanks to the GPU, according to leading industry players like Richard Kerris, chief technology officer of Lucasfilm, part of Industrial Light and Magic (ILM).

The GPU is a specialised graphics processor that creates lighting effects and transforms objects every time a 3D scene is redrawn. These tasks are mathematically intensive and in the past were done using the brains of a computer known as the central processing unit or CPU.

ILM was started by Star Wars director George Lucas, and is the biggest special effects studio in the business and behind blockbusters like E.T., Star Trek, Terminator, Harry Potter, Transformers and M Night Shyamalan’s soon-to-be-released fantasy The Last Airbender.

"The advent of the GPU is really the next big frontier for us. We have seen hundreds of times improvements over the last few months. This is taking Moore’s Law out the window," Mr Kerris told BBC News.

"Back in the day, the simplest of special effects rendering took a lot of computing power and a 500-square-foot room back then that really wouldn’t operate our phone systems today.

"But, the talent and the understanding of what could be done out of that was able to produce movies like Terminator. It was cutting-edge stuff and getting a computer that was the size of a small automobile to render out simulations of a twister was pretty groundbreaking then," said Mr Kerris.


Continued:
http://news.bbc.co.uk/1/hi/technology/8300310.stm

Assigning already created node to variable

I’ve got a gizmo which contains numerous nodes, and want to create a python script button which needs to access some of those nodes.. I just can’t figure out how to assign a node to a variable, unless I create it at the same time. Anyone?

cricket bating animations for game.

hi every one sharing my work for a cricket game for web. it will be going

online soon and its gona be free and multiplayer.

http://www.youtube.com/watch?v=gY94UuCnbMk

animation is done at the rate of approxy 1 shot per day.

:niceone: