Rotopaint subfolders won’t stay closed

I’m painting alot and using many sub-folders to stay organized. What is annoying, is the folders keep un-folding when ever I paint and reveals this ungodly long list which bugs the crap out of me. Any prefs or ideas to stop this?

This is a minor thing but anything to lessen frustration while painting is worthwhile imo.

Stereoscopic workflow

Hallo, what is the right workflow in Stereo project (with stereo footage) ?
My wild guess is:
degrain
undistort
align
track
compositing
distort(optional)
regrain
am i right? or track going before alignment?

Nuke Compositors, BarXseven VFX (Montreal)

BarXseven VFX in Montreal, is in need of compositors to work on a Major Motion picture. We are looking for enthusiastic artists with an eye for detail to join our team.

Please send cv’s, and a link to your showreel, to jobs@barxseven.com

Maya artists, BarXseven VFX (Montreal)

BarXseven VFX in Montreal, is in need of Maya artists to work on a Major Motion picture. We are looking for enthusiastic artists with an eye for detail to join our team.

Please send cv’s, and a link to your showreel, to jobs@barxseven.com

VFX Help

Hey all,
I am a compositor, currently working on a movie that I can’t use for my demo reel. I want to put together a solid reel, especially with some VFX. I don’t have the time to do all of the VFX work myself. Would anyone be willing to give me some VFX plates that I can use with my own footage to create a decent compositing reel with? It doesn’t matter what it is, as long as I can use it to composite into my footage! I can film around what the VFX is. Anything would be more than helpful!
Cheers!

Matt
😎

Realflow Fluids Job

We’re looking for a freelance Realflow artist to help us with a few shots on a series of commercials. To start 18th- 26th July.

Please contact us if interested with your reel and rate and we can provide more details. Ideally, need to work onsite.

Email info@seedanimation.com

Line Producer @ Double Negative Singapore

Double Negative is a full-service VFX facility capable of handling projects from initial design through on-set supervision and production to post-production. All key post-production technologies are available in-house to allow for maximum flexibility. Our R&D Department is constantly developing groundbreaking software to ensure we remain at the cutting edge of global VFX.

We are currently in production on John Carter Of Mars, Total Recall and The Dark Knight Rises.

* Job Title: Line Producer (Singapore)
* Department: Production
* Location: Singapore
* Reports To: Producer / Executive Producer

Key Purpose of the Job

To provide and frequently adapt a detailed plan for the delivery of a project to the visual effects producer, supervisors and individual artists and liaising with the London office central schedule to ensure efficient allocation of Singapore based artists.

Needs To Do

* Responsible for the company schedule in Singapore, working with central scheduling, producers and department heads in London and Singapore to allocate crew
* Forward planning and liaising with the central schedule in London to allocate crew in the future
* Setting up regular cinesync/telephone conferences with London
* Liaising with supervisors and leads to coordinate work going in and out of the building
* Working with HR, department heads and supervisors in London and Singapore to identify recruitment needs
* Ensure the visual effects team understand goals and deadlines running dailies and doing daily rounds
* Work with the coordinators to ensure the actuals of what has happened on shots and tasks are recorded
* Adapting the schedule to reflect the changing needs of the client and the company and to reflect the impact of how artists are actually doing based on info supplied by coordinators
* Communicating the schedule to the artists
* Sending deliverables to London

Needs To Know

* Project management experience with MS Project or similar essential
* Office, particularly Excel
* Strong management skills
* Experience of working as a producer within a production driven environment
* Understanding of VFX processes
* Excellent communication, analytical and problem solving skills

Needs To Be

* Proven track record in project management
* Skilled at quick analysis, problem solving and decision making in order to meet daily/weekly challenges with solutions as well as the capacity to see longer term strategic goals in terms of resourcing and demands of upcoming projects
* Able to communicate effectively between offices internationally
* Capable of organising and coordinating people
* Capable of motivating and leading teams with enthusiasm
* Calm, organised and methodical in approach to work able to remain so under pressure and when working to tight deadlines

If you are interested in this position please apply online at www.dneg.com/jobs

We look forward to hearing from you!

3d animator

hai guys,

i am looking for an job as a 3d animator.
i am good in handling tools in maya and 3dsmax.
i am looking for an company to show my skill and talent.:cool:

BlueBolt London is looking for an experienced VFX Producer

VFX Producer – permanent, salary dependent on experience, London
BlueBolt is looking for a VFX Producer to join their busy office in Westminster. If you have the skills and experience we’re looking for get in touch.

Skills:
* The ideal candidate will have proven experience as a Producer on feature film projects in a VFX facility.
* Proven ability to manage and cater for client expectations is essential.
* Business acumen and an ability to balance financial responsibilities and negotiations in what can be a very demanding environment.
* Thorough understanding of CG production pipelines and post production in general is essential.
* Outstanding organisational skills and attention to detail coupled with exceptional people skills and the ability to work within a team environment.
* Strong skills in communication – both written and verbal.
* Good working knowledge of Filemaker Pro and Excel.

This role requires you to:
* Carry significant responsibilities both internal and external to the facility, from the bidding process through to driving a production schedule and managing a budget. Being effective in this role is crucial to a well-organised project.
* Form a partnership with a projectÂ’s VFX Supervisor to carefully manage both the client relationship and internal team priorities while always ensuring the best standard of work is being produced at all times.
* Represent BlueBolt as one of the key client liaisons on a project, handling this responsibility and relationship with diplomacy and professionalism.
* Work closely with the Production Co-ordinator to create and drive a schedule of deliverables and accurate resource requirements over the project duration.
* Manage show budget and finances.

Please apply to vacancies@blue-bolt.com with VFX producer in the subject, supplying a CV and a cover letter detailing your suitability for the role.

Nuke “playblast”, 3d viewer to image sequence ?

Hello,

I’m doing a camera mapping in Nuke and would like to know if there is a way to "playblast", or render directly what i see in the 3d viewer within a image sequence ?

Thanks

-seb