Selecting faces problem

This is going to be a hard one to describe. When I want to select a face or faces of a polygon in face mode, all I get is a red outline when is wireframe, and nothing when it’s shaded. I know things are getting selected because I can manipulate them even though I can’t see what I selected. What I want to see is that nice blue outline and face dot when I’m in face mode and the orangish ability to highlight. But right now I have none of that.
I’m using 2010 by the way.

Thanks to anyone who can help me out of this strange mess 🙂

Nuova release di Kromotion

Nuova release di Kromotion

I nostri amici francesi di Kromotion hanno appena pubblicato il redesign del loro portale, ricco di contenuti e di recensioni.
Ricordiamo che Kromotion è il portale francese dedicato alla motiongraphics, abbiamo già parlato di loro in questo articolo
Consiglio a tutti una visita!

Bookmarking vertex selections

Hi,

I would like to bookmark some specific vertex selections i make in Maya. How do i do that?

Generally speaking how do i save component-level selections?

Thank you

VFX COMPOSITOR – 5 years of experience

http://andreadepaula.com

Looking for challenge as a compositor, in short or long term project.

snow keying

Hi!

I´m trying to key a 2k footage with snow fall in it. I don´t know which keyer is prefered to do it. Maybe there is a little trick about the workflow.

thx for input

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Bent Creates Diet Dr Pepper’s “Unbelievable” Contest

[NEWS=”http://www.cgnews.com/wp-content/uploads/drpepper_santa_thumb.jpg”]22689[/NEWS]The characters shine in a hilarious new stop-motion spot for Diet Dr Pepper, part of the soft drink brand’s Unbelievable campaign directed by Bent Image Lab’s Ken Lidster in conjunction with Deutsch/LA. Contest is a follow-up to the first spot done in the 50s-inspired animation style, which premiered last month.

The :15 spot returns to the “I Exist!” support group for mythical characters in the middle of a competition to decide who is the most unbelievable figure in the room: Santa Claus or the guy who delivers a “satisfying diet drink.” As the characters, Sasquatch, Alien, Leprechaun and the Tooth Fairy look on, the Easter Bunny declares a tie.

“There’s only one way to settle this!” the Tooth Fairy exclaims, pouring a glass of Diet Dr Pepper for Sasquatch. Just watch it to find out what Sasquatch thinks.

“It’s been a lot of fun to develop these characters”, Lidster said. “We have worked very closely with Deutsch/LA to develop these well known celebrities. So when creative director Chris Ribeiro gave us another great script, we felt that we really knew the cast’s personalities, exactly what they would do. Animating the subtle expressions that make them so real came naturally. The characters really took on lives of their own.”

“The support group is just a brilliant setting,” Lidster said. “It allows us to find out what really makes some of the world’s most beloved mythical characters tick. It’s clear they’ve needed an outlet for their existential fears for some time, and we hope to keep the ‘I Exist!’ group going long enough to help them out.”

Bent created duplicates of the sets and triples of the nine-inch-high characters to streamline production. They then shot the stop-motion on high-resolution digital cameras. Certain shots, such as the soda pour, were done on one of the studio’s in-house Red cameras, using the Red Ultra Prime lenses.

“You can really see Ken’s mastery of character development here with all the non-verbals going on,” said Bent Partner/EP Ray Di Carlo. “The whole Bent team’s attention to subtle detail helped make this animation so much fun. But it all starts with a great idea and a funny script to play off of. On this project the agency provided both. We’re very happy to have such a creative working relationship with Deutsch.”

Bent Image Lab is a Portland Oregon-based production company and creative laboratory, known for melding art, design and storytelling. It is a place where the brightest ideas are driven with an artist’s passion and realized through the use of cutting edge technology.

Established in 2002, BENT specializes in wildly creative spots and videos that range from the frenetic to the deeply moving. Saturday Night Live, Coca-Cola, Zune, Lux Soap, Aflac, Budweiser, FOX, Guitar Hero, HP, PBS, Radiohead’s Thom Yorke, Live Earth, and film directors Todd Haynes and Gus Van Sant, are just a few of the high-profile clients that have called on BENT for some of their quirky, highly-original work.

BENT’s long list of spots, music videos, animated films and promos has earned impressive recognition from top film festivals and industry shows, including SXSW, the Clios, Cannes, Sundance, the Chicago Film Festival, AICP/MoMA, the Rosey awards, the Broadcast Design Awards, the Tribeca Film Festival, the Rotterdam Film Festival and the Florida Film Festival.


The Creds:

Client: Diet Dr Pepper
Spot Title: Unbelievable – Contest
Air Date: November 2009

Agency: Deutsch, LA
President/Chief Creative Officer: Eric Hirshberg
SVP/Group CD: Chris Ribiero Sr.
Designer: Marius Gedgaudas
Sr. Producer: Tracy Jones
SVP/Group Account Director: Valencia Gayles
Account Director: Helen Murray

Production Co: Bent Image Lab, Portland, OR
Director: Ken Lidster
Executive Producer: Ray Di Carlo
Senior Producer: Tsui Ling Toomer
Producer: Kara Place
Coordinator: Ryan Shanholtzer
Director of Photography: Mark Eifert
Product Shoot Director of Photography: Jay Wesley Jones
Stage Manager: Jim Birkett
Art Director/ Set Designer: Curt Enderle
Art Department Director: Solomon Burbridge
Art Department: Greg Fosmire, Marty Easterday, Kimi Kaplowitz, Mary Blankenburg, Daniel Miller, Huy Vu, Jayme Hansen, Kate Fenker, Brandi Cochrane
Storyboard Artist: Steve Hess
Character Design: Brett Superstar, Steve Hess, Monique Ligons, Colin Batty
Principal Animators: Jerold Howard, Jeff Riley
Editorial Supervisor: JD Dawson
After Effects Supervisor: Tarn Fox
Composite Artists (After Effects): Orland Nutt, Brian Kinkley
Composite Artists (2D): Traci Cook

Post Production Co: Mission Control, Portland, OR
Colorist: Mike Quinn

Audio Post: Lime Studios

RELATED LINKS:
www.bentimagelab.com

Nuke 5.2v3cn11 has been released

Nuke 5.2v3cn11 has been released.




http://www.aboutnuke.org/viewthread.php?tid=448

Save copy of script

I’m wondering if there is any way to save a copy of the current script with the help of python, without actually saving the main script?
Basically the same functionality as the autosave feature.

Tracking issue with motion blur & frame Blending

Hi!..
I m Stuck with a bad footage having a lot of frame blending & Motion blur. I shot it with a JVC Everio HD handycam. Footage Specifications

1. RES 1920 x 1080
2. FPS 25
3. Pixel aspect Ratio 1.0

I m uploading some frames.

There is no pull down, Frame rate conversion. Video is directly converted int seq with 25 fps

Is there any Plugin that can fix this. I can’t re shoot this.
I hv used Furance Frame repair, krnos. its hardly Working.

required output: Camera is flying in the air & dolly into the CG Car with live character in it.

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Motion Blur tips??

Hi.. I am rotoscoping a footage of siliconimaging.com…There is this really great motion blur..I am using eyeon fusion for this rotoscope..But i used the double poly option to have that blur..But no good…I am a newbie to motion blurs….

Ive inserted a sample image…Left side of the image is what i did with the double poly option..but i want to create that blur like the one on the right side..is it possible to exactly get that blur..

i used the motion blur option in the polyline option but the matte is getting softened overall..Please help me i wanna really become a good rotoscope artist….

Also any tips or tutorials on rotoscoping motion blurs would be a great help…

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