About G83D
G83D is an industry leading developer of stereoscopic 3D solutions and technologies. We have developed advanced proprietary software and patented technologies, resulting in a highly economical and superior quality stereoscopic 3D solution. With endorsements from James Cameron and Lightstorm Entertainment, we believe that converting existing 2D films into 3D versions will give movie lovers an enhanced experience viewing their favourite films.
General Job Duties and Responsibilities:
· Create, discover, research, and implement novel approaches to high-quality stereoscopic 3D conversion and rendering.
· Build relationships and collaborate with academic partners.
· Support stereoscopic conversion production team by solving technical problems, and making workflow improvements.
· Stay current with industry developments, read journals, attend conferences.
· Suggest and integrate 3D display technologies.
Development Environment:
· C/C++, Python, Objective-C, Linux, Mac OS X, Qt, Cocoa, OpenGL
· Maya, Nuke, Silhouette, Tactic, Git
Qualifications:
· Deep knowledge of 3D rendering including the foundation math and algorithms, contemporary real-time and non-realtime techniques, pipelines, GPU programming (OpenGL/Direct3D) and hardware shading.
· Proficient in C/C++, Python.
· Enjoys working in a multi-disciplinary, creative team environment.
Submission Process:
In you are interested in this position, please submit your resume and cover letter torecruiting@gener8.com.
Overview of some of the different game design programs across the country, as well as what skills, materials & advice students nee…
Any ideas/solutions around?
Thanks,
.p!
I graduated from The Art Institute of Vancouver a while back for VFX. Here’s my demo:
And by the way: a HUGE THANKS to all members of VFXTalk. This reel could NOT have been possible had it not been for the support in this forum.
I graduated as a 2D generalist (i guess), but the thing is, I am deeply into tracking and matchmoving, and I want to specialize in that.
After graduation, which was like in mid-March, I took a contract job as a junior compositor working on game cinematics. Now that is done, I am wanting to look for another job.
The problem is however, during my time working for this, I’ve gained more knowledge about the principles of matchmoving. So much that i feel that’s the only thing I can do comfortably. I mean before this, I was pretty good with roto, but now i don’t even know if I can do that well…
I want to be able to say “yeah i can do roto/jr compositing work”, but now I am terribly hesitant about it.
So i ask the VFXTalk community: what do you think of my reel, and my skills shown in this reel? What do you all feel i should work on?
Thank you all again.
http://www.youtube.com/watch?v=9ZE8X0tmUOo
How to shooting plates for still make real ? any ideas.
Thanks.
I like this idea. London based SHOWstudio and Nick Knight are sequentially releasing 30, A4 posters as free downloads. When combined together these posters will form a giant poster of a Lady Gaga photo taken by Nick Knight; a unique visual ‘remix’ of the original cover art. A new poster will be available for […]
Despite his hectic commercial career, Edouard Salier always seems to find the time for passion projects (see Massive Attack’s ‘Atlas Air‘ and ‘Splitting the Atom‘ as some recent examples) that are delivered with the same scope and precision as his more healthily funded films.
This piece is, what is evolving to be, classic Salier. Abstract, iconic and visually reduced narratives balanced with lush, textural details that tackle tales of mythic proportion. Take a few minutes out from your Friday to take a journey through the history of civilization as realized via Edouard and a pack of wild Buffalo.
(credits coming soon)
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
