SENIOR FLAME ARTIST POSITION

MOTOR//Flame Artists a high-end post-production facility located in Montreal (Canada) specializing in commercials, is currently looking for a Senior Flame Artist to fill a permanent position. Please contact info@motorvfx.com

Making of 9sqrm Production

To have an idea, great idea, and brilliant idea is that difference if the audience only notices your presence, give you standing o…div class=”feedflare”
a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=PCLb7rmhQjI:xrKCfMT2Exk:yIl2AUoC8zA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=yIl2AUoC8zA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=PCLb7rmhQjI:xrKCfMT2Exk:7Q72WNTAKBA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=7Q72WNTAKBA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=PCLb7rmhQjI:xrKCfMT2Exk:V_sGLiPBpWU”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=PCLb7rmhQjI:xrKCfMT2Exk:V_sGLiPBpWU” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=PCLb7rmhQjI:xrKCfMT2Exk:qj6IDK7rITs”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=qj6IDK7rITs” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=PCLb7rmhQjI:xrKCfMT2Exk:gIN9vFwOqvQ”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=PCLb7rmhQjI:xrKCfMT2Exk:gIN9vFwOqvQ” border=”0″/img/a
/divimg src=”http://feeds.feedburner.com/~r/Cgarena-GetAttentionInCG/~4/PCLb7rmhQjI” height=”1″ width=”1″/

Autodesk at Siggraph 2010

See AREA TV for Guest presentations, Interviews form the show floor, MasterClasses and more at Siggraph 2010div class=”feedflare”
a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=Skv71vIYQl8:L4KaSGQPNng:yIl2AUoC8zA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=yIl2AUoC8zA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=Skv71vIYQl8:L4KaSGQPNng:7Q72WNTAKBA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=7Q72WNTAKBA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=Skv71vIYQl8:L4KaSGQPNng:V_sGLiPBpWU”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=Skv71vIYQl8:L4KaSGQPNng:V_sGLiPBpWU” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=Skv71vIYQl8:L4KaSGQPNng:qj6IDK7rITs”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=qj6IDK7rITs” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=Skv71vIYQl8:L4KaSGQPNng:gIN9vFwOqvQ”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=Skv71vIYQl8:L4KaSGQPNng:gIN9vFwOqvQ” border=”0″/img/a
/divimg src=”http://feeds.feedburner.com/~r/Cgarena-GetAttentionInCG/~4/Skv71vIYQl8″ height=”1″ width=”1″/

Exploding star reconstructed in 3D

Astronomers have put together the first three-dimensional reconstruction of an exploding star (known as a supernova).div class=”feedflare”
a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=H2pWtc4agE0:0jelit2UIqs:yIl2AUoC8zA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=yIl2AUoC8zA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=H2pWtc4agE0:0jelit2UIqs:7Q72WNTAKBA”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=7Q72WNTAKBA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=H2pWtc4agE0:0jelit2UIqs:V_sGLiPBpWU”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=H2pWtc4agE0:0jelit2UIqs:V_sGLiPBpWU” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=H2pWtc4agE0:0jelit2UIqs:qj6IDK7rITs”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?d=qj6IDK7rITs” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?a=H2pWtc4agE0:0jelit2UIqs:gIN9vFwOqvQ”img src=”http://feeds.feedburner.com/~ff/Cgarena-GetAttentionInCG?i=H2pWtc4agE0:0jelit2UIqs:gIN9vFwOqvQ” border=”0″/img/a
/divimg src=”http://feeds.feedburner.com/~r/Cgarena-GetAttentionInCG/~4/H2pWtc4agE0″ height=”1″ width=”1″/

George Lucas Among 40 Billionaires to Donate Half Their Money

Quote:

Forty US billionaires pledged today (Wednesday) to give at least half of their wealth to charity, either during their lifetimes or after death. This will be huge boost to nonprofit company, which suffered from the economic downturn.

The list of those taking the pledge includes Bill Gates, Warren Buffett, T. Boone Pickens, Michael Bloomberg and George Lucas, the man behind "Star Wars" and "Indiana Jones" movies who is said to be worth $3.5 billion. Lucas is the only person in Hollywood to do this.

The pledge idea came about in a series of private meetings that Gates, Buffett and other philanthropists had over the past year on the future of charitable giving. Bloomberg, like several others on the list, said he made the pledge because he has more money than he could ever use himself.

Buffett is the second richest man in world with a worth around $60 billion. The 79-year-old has already announced that he will donate 99% of his money to charity after his death.


http://www.worstpreviews.com/headline.php?id=18550

newbie matte question

Hi all,

I have rendered out an image from cinema 4d together with a matte for that image, but In Nuke, when I merge the image with a background using the matte as a mask, I get a little white edge around my object. As if the matte is slightly too large… Does anybody know what’s going on?

Greetz,
HW

Attached Thumbnails

Click image for larger version

Name:	Picture 1.png
Views:	N/A
Size:	114.1 KB
ID:	10188
 

Yan City – ‘The Past Meets The Future’ by Spinifex

[NEWS=”http://www.cgnews.com/wp-content/uploads/yfilm_house_thumb.jpg”]26703[/NEWS]The principals of Spinifex Group, worldwide leaders in creating and delivering cutting-edge experience media projects, are very proud to continue their collaborations with Director Han Lixun, famous for the print-block segment of the Beijing Olympics Opening Ceremony, and Yvonne Ho, producer on the Beijing Olympic Games, in creating the cinematic multimedia feature attraction at the heart of Yan City, which just opened in China’s Chun Zhu Province.

This latest spectacular high-tech storytelling achievement, uniting the talents of Director Han with those of Spinifex Group creative director Richard Lindsay and his colleagues, builds upon their joint efforts during the historic Opening Ceremony of the 2008 Beijing Olympic Games, wherein Spinifex was distinguished as one of the only non-Chinese production company involved.

“A state-of-the-art vision for the Water Show Spectacle provides a beginning to a whole new way of Chinese storytelling using new digital technologies,” said Director Han.

The magnificent Yan City attraction features a stunning re-creation of the ancient city, a museum, a world-class zoo, a philosophers’ garden, and a theme park. Each night, thousands of visitors will simultaneously experience a spectacular, 45-minute water show, which features Spinifex’s multimedia rendering of “The Past Meets the Future.” The content begins on the 250-meter-wide wall of the museum, then appears on a unique 100-meter-wide retractable scrim array, floating on a man-made lake. The content is choreographed to a wide variety of state-of-the-art show effects, including fireworks, water screens, laser and fog machines, and surround sound.

According to Lindsay, the first challenge for Spinifex was to concept the story, and the storytelling techniques, to artfully treat the ancient Chinese Spring/Autumn period. “Through our experiences on the Beijing Olympics, we proved we could romantically bring ancient storytelling to life using modern techniques,” said Lindsay.

“This is where we came to greatly appreciate Director Han’s strengths in theatre, lighting, innovative sets and mechanics. The brief he gave us for this project was to reflect on the ancient philosophies of Spring/Autumn with an abstract, spirited, and very romantic treatment. As we progressed, he looked to us to help express the nature and storytelling aspects of the show using large format projection across various, large-scale screens.” he continued.

To address the need to cover a long period of history in sweeping fashion, Spinifex proposed a stylistic approach that allowed the visual storytelling to be both abstract and dramatic. Typical for the group’s assignments, where the end-product is most often a one-of-a-kind immersive experience, the deliverables were custom tailored to suit the unique venue.

As mentioned, the viewing experience of “The Past Meets the Future” involves the presentation moving across different media: The content first appears in 16:9 HD format, until the screen grows in width to a 7:1 ratio, displaying 7k images. Building upon its track record for presenting audiences with stories that seamlessly make historical use of digital technologies, Spinifex designed this project’s cinematic content to expand and maximize the changing presentation media.

According to the Spinifex production leads, art director Jamie Tuffrey and motion director Matt Lock, the project represented a unique challenge in delivering to the clients’ high expectations within a conservative budget. Live-action production involved a single day of production on green screen, where the source footage was then composited into the digital world, comprised of matte paintings, visual FX and limited 3D elements.

“We decided not to go into a full 3D world, but rather to create the scenes with clever use of 2D motion graphics and matt painting,” said Lock. Working with Director Yang Qingsheng, with whom Spinifex also collaborated on numerous projects, such as the Beijing Olympics, Shanghai World Expo and Hennessey, original footage was captured on the Red Digital Cinema camera at 4K, which allowed great latitude in the composite. China was chosen for the location due to Director Yang’s expertise in Chinese culture, and the ready availability of costumes and props.

To create the project’s ambitious slate of original design elements and animated content, including swords, arrows and flags, Spinifex 3D lead Pepin Portingale and his fellow artists used Autodesk 3ds Max. Matt Lock handled the project’s complex motion design, compositing and VFX challenges, finishing the HD content using Adobe After Effects as the predominant compositing platform.

“We are very thankful to Director Han and everyone involved for making us part of this amazing project,” added Lindsay. “We have deep respect for China and its people, and we feel very fortunate to have contributed to such a world-class show. We are very proud to know that, for every person who goes to Yan City now and in the future, ‘The Past Meets the Future’ will help them to fully experience its wonders.”

Sydney-based Spinifex Group is a creative communications company that partners with agencies, event companies and corporate clients worldwide to blend creativity and technology into experiences that are impactful, relevant and enduring. A true concept-to-completion creative group, Spinifex nurtures original ideas from production to delivery in an environment of innovation and uncompromising integrity, combining time-honored storytelling traditions with the tools of the digital age. Diverse, inventive, and often entrusted with stories of cultures not our own, our creative interpretations continue to be celebrated by local and international audiences alike.

With recent projects ranging from immersive interactive experiences to global broadcast events and epic big screen corporate communications extravaganzas, we are very proud to have resolved some of the most ambitious and complex storytelling challenges of our times, with historical results.

www.spinifexgroup.com

Brand New School: Cartoon Network

The Cartoon Network received a full-on Brand expansion courtesy of Brand New School: “It’s a brand new Cartoon Network. After months of drawing, erasing, snacking, singing, dreaming, painting on dogs, arm-wrestling, and above all animating, we’re finally ready to share our top-to-bottom brand expansion of the 18-year-old network. Our graphic overhaul included everything from redrawing […]

The Mill / Colonel Blimp: Skream ~ Listening to the records on my wall

New music video for Skream’s track Listening to the records on my wall from The Mill who teamed up with Colonel Blimp director David Wilson. “The video uses a mixture of live action and stop motion to retell one of the biggest stories of all time – the creation of man and woman. David’s […]

See No Evil: Tuesday August 10th

See No Evil presents an evening with Mate Steinforth. Creative director of Germany based design/animation Sehsucht, and former designer & director at PSYOP. Mate arrives in London to share his inspirational work and the thoughts. Tuesday August 10th, Kick Bar ~ London.