Feb
21
Feb
21
Rockband Beatles – Intro & Outro
Posted in: 3d, Animazione 2d, Animazione 3d, animazione tradizionale, Francesca Cutini, Gods of Design, Motiongraphics, passion pictures, Pete Candeland, StranieriDopo l’uscita di “Across the Universe” è ormai chiaro che i testi dei Beatles si prestano perfettamente ad interpretazioni visionarie dal gusto surreale.
Accade lo stesso nei due nuovi video realizzati da Pete Candeland per l’agenzia Passion Pictures, in cui si ripercorre idealmente la storia e l’evoluzione dei Fab Four, dagli esordi in bianco e nero negli scantinati […]
Feb
21
Wayne Robson Mudbox Training
Posted in: 1Now Mudbox Master Wayne Robson training videos are available in CGArena store, which helps you in learning the Mudbox in detail.
Feb
21
New Images added in References Library
Posted in: 1More than 60 images are added in the Flower and Plants category of References Library. These are high quality images.
Feb
21
Carpet Texture Collection
Posted in: 1This collection contains 120 textures of carpets. 30 different textures 7500 px wide and every texture is created in four differen…
Feb
21
CG Portfolio: Koray Kocaturk
Posted in: 127 years old artist from Turkey whose specialisation in Modeling, Texturing and can be easily seen in their artwork.
Feb
20
Technicolor India in association with DreamWorks Animation SKG is seeking talented and motivated individuals to join the DreamWorks Dedicated Unit at Technicolor, India.
We are hiring for mid and senior level positions in Animation, Layout, FX, Lighting and Matte Painting Departments. Artists will have an opportunity to work on several features and other projects from DreamWorks Animation. If you are a good communicator, with professional experience in CGI animation/VFX industry, who enjoys creative and technical challenges and is excited by the idea of exploring new horizons – then this will be the great opportunity you are looking for!
We will be hosting presentations and networking events as well as conducting individual interviews on these dates:
We are hiring for mid and senior level positions in Animation, Layout, FX, Lighting and Matte Painting Departments. Artists will have an opportunity to work on several features and other projects from DreamWorks Animation. If you are a good communicator, with professional experience in CGI animation/VFX industry, who enjoys creative and technical challenges and is excited by the idea of exploring new horizons – then this will be the great opportunity you are looking for!
We will be hosting presentations and networking events as well as conducting individual interviews on these dates:
Events and Locations:
March 11-13: London
March 14/15: Paris
May 3-6: FMX, Stuttgart
Please contact us at euroroadshow.dwdedicatedunit@technicolor.com with your resume and reel before March 6th, if you would like to attend – specifying the location you prefer.
Click here to view Job Descriptions: http://www.technicolor.com/en/hi/ani…mation/careers
Click her to view our Studio Reel: COMING SOON!
Feb
20
Hi friends,
please tell me about the main qualities of each match moving softwares which differ from other. Somebody telling that PFtrack is good for object track and syntheyes is better for nodel shots. So am bit confused about these kind of things .
any one please help me to get an idea ??????? :confused:
- Boujou
- PFtrack
- syntheyes
- 3DEqualizer
- Matchmover
Feb
20
Hi all, I’m a little new to Nuke so I may have overlooked this in the manual or missed a forum post but I’ve looked everywhere and I can’t find the answer. I’ve made up a 3D set with lights, animated cameras and a readgeo. Now due to the way certain things in Nuke work I’ve had to make sure that the whole set is placed in positive space, which I thought I did. However it turns out that some of the set is running into negative space and since I’ve duplicated my basic setup a number of times (Different angles e.t.c) and have a lot of keyed cameras (and lights in specific places relative to the read geometry) is there any way I could reposition the world zero point to put everything back into positive space? Or is this a classic gotcha?
Feb
20
Lumen-escent: the VFX of I Am Number Four
Posted in: 1Lumen-escent: the VFX of I Am Number Four
Visual effects supervisor Greg McMurry oversaw 800 shots for I Am Number Four, the story of an alien fugitive on the run from other-worldly pursuers. Here’s my article at fxguide which takes a look at some of the key effects scenes from the film.
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