im doing a telefilm with a handycam
i have a shot in that… A guy follows some smoky character….
suddenly that smoke changes into a human character….
i have a doubt in shooting it….
Should i shoot both persons at the same time or via seperate shots and use roto???
and moreover how to create that smoke effect in combustion????
or is there anyother softwares which are best to do this shot….
ur answers would be more helpfull….
am a newbie combustion artist…. juz nw learning the basics in combustion….
but i had planned to shoot a movie (45 mins telefilm) using handycam
i need to create blood effect in a particular outdoor shootin footage…
but i dont know how to do it… could anyone tell me how to create blood effects in combustion?
orelse could anyone get me the tutorial link for that….
it would be much helpfull…
We’ve added two new speakers to the F5 lineup: 1st Avenue Machine and Elan Lee.
You probably know 1st Ave. from their numerous postings on Motionographer. Ever since they busted onto the scene with their distinctive blend of storytelling and high-end CG, they’ve been on everyone’s radar. Lately, they’ve expanded their operations to include new directorial voices and an even broader scope of projects.
Elan Lee is considered by many to be one of the foremost Alternate Reality Gaming designers in the world. He has been featured in WIRED magazine, The New York Times, Entertainment Weekly, and the Wall Street Journal for his ground-breaking ideas in entertainment and gaming.
Check out the full lineup of speakers on the F5 site. We’ve done our best to present a mix of top talent from across a range of related disciplines. The best artists aren’t easily pigeonholed; the same should be true for the best events.
Posted on Motionographer
The french team of directors Stéphane Leloutre & Tim Miltat worked with the 3D shop Sabotage Studio in Paris to bring the characters of Olivier Bucheron aka Zamak to live.
His characters chase a Peugeot 3008 until there is a scene in the end with boxes which feels a bit like being from a different spot. Two Left Hands threw in some Stop Motion Goodness for that part. Overall the animation is really nice, the 3D work is up to the job.
The real treat in the spot is seeing Zamak’s characters moving and interacting. The original designs are apparently made with ZSpheres. Very cool.
He has a little making of of the spot on his blog.
Credits
Produced by Gery Bouchez, Lorin Horwitz
Compositing Camille Delamarre
Supervisor Clement Choblet, Jerome Lionard
3D by Yves Bosson, Jeremie Morcomble, Cedric Poligne, Gregory Thomas, Margaux Durand-Rival, Ludovic Mannoni, Florian Durand, Laurent Wach, Blandine Le Cointe
2D by Lenaic Favard, Florian Senand, Michael Rouayroux, Emmanuel Pichereau
Stop Motion by Two Left Hands
Didier Lefouest
Posted on Motionographer
The Bruce Willis of new asks the camera “Would Walter Willis have got to play the leading man?” This spot also features appearances from Elle Macpherson, Alice Cooper and Ringo Starr.
The second of the two spots, ‘Name Change – Ringo’ begins with black and white footage from ‘60s Beatles-mania. Using the same background footage as before it cuts to a shot of the current Ringo Starr asking “Would any of this have happened to me if I’d have still been Richard Starkey?” Other stars featuring in this spot are rock star Alice Cooper, Dame Edna doing stand up and Bruce Willis.
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Lead Flame, Barnes, said: “Our work on AVIVA was divided into two totally separate films. Both projects were generally shot, edited and posted together. We were all keen to allow each of the five vignettes to have a different look and feel. The most interesting era to recreate was the Alice Cooper early 70s tube-camera. The production company managed to track down an old 30+ year old studio camera which gave the image that blown out, electronic studio feel. Once the old footage was sourced and transferred the modern day stars were composited into each scenario.” |
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Barnes added: “In ’I am John’ each character finds themselves in one scenario, with their alter-ego delivering a line to camera. Each split screen shot features a moving camera usually tracking into position. This was carefully choreographed on set to provide consistency and then tracked together at The Mill in flame. In between many of the scenarios are short time-lapse sequences which add pace and visual interest. These were all shot alongside the main production on a Digital SLR stills camera. This allowed the director to concentrate on the principle filming while a very small ‘second-unit – of one – shot extra material in and around the set.” |
CREDITS
Agency: AMV BBDO
Creatives: Mike Durban & Tony Strong
Producer: Anita Sasdy
Production Company: Serious Pictures
Director: Vaughan Arnell
DP: Nicola Pecorini
Producer: Donnie Masters
Editing Company: The Quarry
Editor: Bruce Townsend
Post Production: The Mill
Producer: Liz Browne & Andrew Salem
Telecine: Paul Harrison
Lead Flame: Barnes & Ben Turner
Flame Assist: Paul Wilmot
After Effects: Bob Wolf & Dominic Burgess
How to create a new geometry from the existing geometry using the mesh extraction technique in ZBrush
Prime Focus provides the visual effects shots for Bollywood film Chandni Chowk to China and co-produced by Warner Bros
Hecate is the Greek goddess of the crossroads. She is usually seen with two ghost hounds that were said to serve her.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
