Brickyard VFX Boston’s office is seeking senior level Nuke compositors for 2k film pipeline. Candidates must be able and willing to help lead junior level staff as well as final composite shots. Housing is provided and openings are immediate.
Please send all inquiries to compositing@brickyardvfx.com
so for pc(windows os) there are shake v2.56 nuke 5.0v2 and after effect and i know shake and nuke are node base and after effect layer is base…so do u have any idea to start with which ones ? why?
thnx
:happydevi:happydevi:happydevi
I’m using 4:1:1 footage from miniDV.
Would anyone know of a good operator in nuke to remove what they call "DV artifacts"?
In After Effects I used the Median effects.
I’m not sure what this would be in Nuke.
fxguide podcast with Iloura’s Peter Webb about Australia. Includes before and after pics.
Almost a month ago Amnesty International released this piece, directed by Kim Gehrig, to mark the 60th Anniversary of the Universal Declaration of Human Rights. The idea and execution are simple. Involvement in Amnesty International allows you to make a direct impact on the variety of issues on which they focus. This is illustrated by inserting average folks into archival footage of human rights atrocities.
Produced by Academy Films, “You Are Powerful” was premiered at the 2008 Secret Policeman’s Ball which has consistently curated visually and conceptually powerful work over the years. Notorious for attracting top talents as contributors, this project was no exception. With an assumptive “charity-sized” budget, Mother (London) conceived of this idea and was supported by an all-star team of companies and individuals (see below) to bring it to life.
Agency: Mother, London
Producer: Ed Sayer
Production Company: Academy Films, London
Director: Kim Gehrig
Producer: Lucy Gossage
DP: Mattias Montero
Post/Effects: Smoke & Mirrors, New York/London
CD: Sean Broughton @ SMNY
Flame Artist: Marios Theodosi @ Smoke & Mirrors, London
Managing Director: Jo Morgan @ SMNY
EP: Celest Gilber @ /SMNY
Producers: Belinda Grew, Paul Schleicher @ Smoke & Mirrors, London
Producer: Lauren Shawe @ SMNY
Post/Effects: Rushes/Framestore
Editor: Joe Guest @ Final Cut
Audio Post: Factory
Mixer: Ben Firth
Music: Until the Day is Done
Artist: Michael Stipe
Posted on Motionographer
We are extremely pleased to have Craig come on board, said Larry Birstock, CEO, Post Logic Studios. We have a relationship that goes back almost 20 years. Hes an incredible talent with a wealth of knowledge and expertise, and will be an enormous asset to our mastering clients.
Budrick began his career as a colorist at Sunset Digital, formerly Sunset Post, where in 1987 he was first hired as a tape operator and vault supervisor before moving on in 1991 to become a telecine and edit assistant. Budrick remained with Sunset Digital for the next eight years mastering television series such as Frasier and Almost Perfect, and remastering features including The Crow and The Nightmare Before Christmas. In 1999 Budrick worked with both Matchframe and Complete Post, mastering dailies for a number of movie projects. In 2000, Budrick rejoined Sunset Digital, where he worked as a colorist until 2006, when he signed on with Technicolor, retransferring such television projects as Cheers, Hawaii Five-O and the original Star Trek series for BluRay and DVD.
Im very excited to be joining Post Logic, said Budrick. The people here are fantastic to work with, and the technology at the facility is first-rate. Im already hard at work, and am looking forward to upcoming projects.
About Post Logic Studios
A leader in digital intermediate and feature film restoration, Post Logic Studios is a part of the Prime Focus Group family, an integrated global network of visual effects and post-production companies servicing clientele around the world with technologically advanced facilities in Hollywood, New York, London and India. With access to hundreds of talented visual effects and 3D artists from within Prime Focus Group, Post Logic has continued to expand into new and emerging arenas within the post-production realm, providing unmatched digital intermediate, digital mastering, editorial assembly, restoration, visual effects and audio post production services to feature film and television clients from its flagship Hollywood facility and Manhattan-based satellite, Post Logic Studios N.Y. For more information, please visit www.postlogic.com or call 323-461-7887.
Universal Everything kicks off a series of Art Films they are creating for Nokia with this beautiful piece directed by Matt Pyke with the style and animation created by graphic 3d master Maxim Zhestkov. Typical advertising turned into art by Universal Everything, this looks to become another Advance Beauty with more spots on the way (Pyke is looking for “3d animation genius” support for future films if you are up to the task).
HD version here
See the remaining films from Carl Burgess, Field and SHFT here.
Posted on Motionographer
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
