PFTrack preview problem

Hi, i dont know if this is the right place to post this, but recently i have been having a problem with PFTrack.

ive recently installed and started using the final build of Windows 7 x64, and i got the necessary updates from Microsoft (i.e. it found the latest driver for my grachics card). and installed the only codec which the video footage i made previously with and worked/read well in the program.

however, i found it incredibly strange that when i reopened my project here, the video loads yes, but when i move the cursor on the timeline, the video doesnt seem to be moving at all, and stuck only at the first current frame. I initially thought that it was only that video clip that wasnt working as it couldnt identify the codec properly when importing footage, thus i looked around my hard drive and found a recognizable DV AVI, and even to my suprised that didnt work either.

all options are on default, and even when wanting to track, the mask itself only moves but not the video at all. This is really worrying me, i have reinstalled, repaired, removed and install etc. and i still get the same thing.

Has anyone experience this kind of problem with PFTrack at all? i am not sure what else i need to do here 🙁

Maya Toolsreel 2009

I just finished my new toolsreel that shows of some of the different tools & plugins
i’ve created during the last year or so, and I would love some feedback.

The reel can be seen on my webpage.
www.alexoddbratt.com

IF on directing animation

The challenges of directing animation, at Inside Film magazine (which will soon be running quarterly visual effects coverage from the Australian Section of the VES).

Robust Vfx | Life Commercial

Hello,
I am a learning vfx artist. This is one of my old work which i did for a Competition called Gravity. Did this using max combined with maya paint effects and composited in AE.

Comments and Suggestion are welcomed.:)

Robust(life vfx) from pranjal on Vimeo.

Anamorphic footage in Boujou

Hey all,

I’ve looked through the documentation and can’t seem to find anything about this. When I bring anamorphic footage into Boujou, it displays as squeezed in the viewer. Is there a way to correct for pixel aspect ratio in the viewer?

Wings WIP

Hello all, this is a WIP of a project I am doing. The wings and rig were done by a few friends of mine, and its my job to track the wings in, texture, and integrate them into the scene. The background(windows) is also being replaced and I have it roto’ed, however there is no BG yet so I am just posting an older version.

Any comments/feedback is welcome.

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Twenty120 NYC Premiere

twenty120
One can easily say that motion graphics has become one of the most tantalizing careers for the creative minded. The opportunity to make art utilizing design, illustration, animation and sound as mixed medium is an easy sell for any artistic person. Which is why this little industry of ours has drawn some of the best creatives in the world. The only snag, this art form’s foundation is built entirely around advertising. Although the challenge of designing to sell can be a thrill, in the end, the purity of our ideas become diluted by the needs of the client and a myriad of other factors. This hurdle is one a fine artist normally does not have to overcome.

Almost as a reaction to this, festivals and collaborative projects have emerged that give the creatives in this industry an opportunity to take their artistic energy and focus it on their own personal work.

One such independent film series is Twenty120, which invites 20 filmmakers to create two minute films on a given theme.

Here at Motionographer we see a need to embrace independent film collections like Twenty120 that give all of us a venue to channel our creative desires. As a result we are excited to sponsor the NYC premiere of this years Twenty120 films to be shown on August 27th at the Art Directors Club presented by MassMarket and Click 3x.

Also, in this coming week we will be releasing limited free tickets to those who are in the neighborhood and want to come down to see the event, drink some free beer and mingle with the directors. We will also be doing an interview with Connor Swegle and Rich Rama, the two men in charge of Twenty120. Stay tuned for more details on the 3rd annual premiere of Twenty120.

Posted on Motionographer

Charles Lee Loves You

Charles Lee Loves You is a film and animation studio based out of Venice, CA.

For Sell Brand New 100% Authentic Nikon D3/Apple iPhone 3G S 32GB

Contact Email:

mobilesellerz1@yahoo.com
vladimirelect@gmail.com

Nikon D3 12.1MP DSLR Camera

Description

Nikon D3 DSLR features 12.1 effective megapixels, a sensitivity range from ISO 200 to 6,400 at normal setting and enables continuous shooting at approximately 9 frames per second. The image sensor of the D3 is a CMOS sensor developed by Nikon with a sensing area of 36 x 23.9 mm that is compliant with what is known as 35-mm full size.

Package Content

* 1 Nikon D3 DSLR Camera Body
* 1 EN-EL4a Battery
* 1 MH-22 Charger
* 1 USB Cable
* 1 Software Suite DW01
* 1 User Manual
* 1 AV cable
* 1 Neck Strap

Contact Email:

mobilesellerz1@yahoo.com
vladimirelect@gmail.com

Contact Person:Mr Robert Fourny

Contact Number:+447024027550

Escape Studios visual effects scholarships up for grabs

Skillset funding of Escape Studios course provides places for up-and-coming CG artists

Scholarships for twelve aspiring Visual Effects artists have been put up for grabs by computer graphics academy Escape Studios for its visual effects (VFX) course. Thanks to new funding from the Skillset Film Skills Fund, twelve individuals will receive 100 per cent subsidised places on the prestigious course. At the end of the course the attendees will go on a four-week industry placement, also funded by the investment.

Dominic Davenport, CEO at Escape Studios said “This is a fantastic opportunity for twelve talented and enthusiastic individuals to take their first steps to securing a place in the computer graphics industry. It can take years to develop the skills these lucky students will be taught in a matter of months, and we are looking for those with a passion for computer graphics and a desire to succeed.”

Neil Peplow, Director of Film at Skillset, the training body for the UK creative industries, said: “Our research shows that the industry needs more highly trained new entrants in the crucial field of visual effects. The UK attracts high levels of international productions choosing to do their post-production here because of the exceptional quality of our workforce. Schemes like this will help ensure that this continues."

The Skillset Visual Effects course will offer a combination of practical training and industry work experience, providing participants not only with an education but with the skills and confidence to secure future employment. Participants will receive training in the use of Maya and Nuke and learn all of the camera tracking, lighting and compositing skills needed to create fully integrated visual effects shots to a professional standard.

Davenport continues, “It’s critical that people who attend Escape Studios not only learn key skills but know how to turn these skills into a professional career. Too often education is simply an accumulation of knowledge, with little indication of how skills can be transferred into the real world of work. That’s why attendees on the Skillset course receive eighteen weeks of solid contact time with Escape’s industry experienced tutors, and also get out into the world of work afterwards with a four week placement. This allows graduates to see what’s required by post production houses, and build useful contacts in the industry.”

Stephen Tew took part in last year’s Skillset VFX course, and now works at Framestore. “Getting on the Escape Studios’ course really helped accelerate my career. It gave me a host of skills that could take years to learn otherwise, and helped me secure my current employment.”

The course starts on 28th September and runs for 18 weeks followed by the month long placement, with a three week break over Christmas and New Year. Potential applicants should visit the Skillset page on Escape Studios’ website: www.escapestudios.com/skillset