UV Passes and texturing

Hi Everyone,
I’m a 3D artist just starting to get into composting. I’ve been researching retexturing and relighting in nuke this past months and hit a bit of a road block…

Was hoping someone can help me out with UV passes and replacing textures to a comp.

I have a layered exr (from vray) and am wanting to just replace the floor .First is this even possible with the provided multi matte elements? amusing vray has antialiased it?

any help greatly appreciated 😀

Cheers

EDIT:
In the scene file provided I accidently multipyed the new texture into the diffuse.When I put it to over the Gama goes off. What teh proper way to add this new texture to the diffuse?

Scene Files



Object/Material ID’s and Nuke?

I’ve searched and seen the older threads and discussions and I couldn’t figure them out.

Is there still no easy/straightforward way to use a Object/Material ID as a mask for say a color correction which is what I want it for?

Im a novice Nuke guy admittedly, but this is something that seemed to be simple in other packages.

Thanks for any help

MPC Vancouver is Now Hiring an FX Artist

MPC Vancouver seeking talented artists for current and upcoming productions!

MPC is one of the world’s leading post production facilities creating high-end digital visual effects for the television and feature film industries.

We are seeking the following:
FX Artist

These are exciting opportunities to work in the dynamic world of visual effects. To apply and view all job descriptions please visit:
http://www.moving-picture.com/index….svancouverfilm

FX Artist
FX Artists gather a variety of 3D assets produced by our Layout and Animation departments and use our cutting-edge proprietary toolset to create particle, rigid body, fluid, cloth, fur and hair simulations.

Primary Responsibilities:

  • Uses an array of commercial and proprietary software tools to produce photorealistic simulations of real-world phenomena while developing innovative solutions to complex problems.
  • Produces test and often final renders of FX elements for a shot.
  • Creates working test composites for review by the supervision team.
  • Works in partnership with lighters & compositors to ensure shots are delivered to the very highest standard.

Skills and Experience:

  • Proven experience in feature, commercials or broadcast visual effects production (or plenty of raw talent if you’re a recent graduate), with a showreel to back this up.
  • Experience in live action FX work preferred.
  • Good understanding of the entire visual effects process.
  • An eye for details, good sense of timing, and through understanding of techniques and technologies relating to physical simulation in computer graphics.
  • The ability to think clearly and creatively under pressure.
  • Good proficiency with Autodesk Maya, strong scripting skills in MEL, with Python.
  • Knowledge of Pixar’s PRMan renderer preferred.
  • Familiarity with at least one node based compositing application (Shake and/or Nuke preferred), and a solid understanding of the compositing process.
  • Good computer skills, particularly with the UNIX/Linux command line.

La Gaite Lyrique


Yves Geleyn has delivered this dreamy Short Film for the french Gallery La Gaîté Lyrique, a new venue in Paris featuring digital art and contemporary music.

The film contains some of Yves’ signature characters, which lead the viewer through the gallery’s architecture. However, it’s more of an emotional journey than an architectural walkthrough,. The 3D (by One More Production) might feel a bit rushed on some shots, but the stylized quality fits perfectly with the atmosphere of the piece. Additionally, there is an interactive walk through in the works, realized with the studio Grouek.

Posted on Motionographer

low polygonal

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MASSIVE TD (COULD BE REMOTE)

UtopiaPeople is a freelance agency for postproduction and production specialists, we represent 6700+ freelancers around the world.
For more information about us please visit www.utopiapeople.com

Our client is a premier CGI studio in Barcelona, Spain.
They are looking for a skilled Massive TD using probably Massive Jet for crowd-sim. Great studio with a amazing international portfolio. Job is scheduled 6th until April 17th aprox, daily rate: 400€/day, work over weekends. EC citizens prefered (US, Asia not excluded however), client will provide airline tickets and housing. Online showreel is required to apply (concentrate on pure Massive work). Job could be done remotely but prefered to be on location at clients studio

To apply
You must be registered as a freelancer on www.utopiapeople.com (register free at http://www.utopiapeople.com/forms/registration.php) If you are interested please email job@utopiapeople.before tuesday 30 March at 12:00 CET (the sooner we can get your application the better), marking your email with "Massive-Barcelona" please write any information that you want to pass on to client in that email.

We will notify you if you are short listed.
Only applications with webreels will be considered (please use our HQ service www.theshowreel.tv, sign up free account).

FLAME ARTIST

UtopiaPeople is a freelance agency for postproduction and production specialists, we represent 6700+ freelancers around the world.
For more information about us please visit www.utopiapeople.com


Our client is a premier CGI studio in Barcelona, Spain.
They need a high-end TVC Flame artist for a CG integrated live action gig. Great studio with a amazing international portfolio.Job is scheduled April 12th until April 24th, daily rate: 580€/day, work over weekends.EC citizens prefered (US, Asia not excluded however), client will provide airline tickets and housing. Online showreel is required to apply.

To apply
You must be registered as a freelancer on www.utopiapeople.com (register free at http://www.utopiapeople.com/forms/registration.php) If you are interested please email job@utopiapeople.before tuesday 30 March at 12:00 CET (the sooner we can get your application the better), marking your email with "Flame-Barcelona" please write any information that you want to pass on to client in that email.

We will notify you if you are short listed.
Only applications with webreels will be considered (please use our HQ service www.theshowreel.tv, sign up free account).

Loyalkaspar Rethink Animation For Insight Communications

[NEWS=”http://www.cgnews.com/wp-content/uploads/bb_insight_thumbnail.jpg”]24665[/NEWS]When ad agency The Brooklyn Brothers approached New York-based design and story-driven creative engagement studio, Loyalkaspar, about collaborating on a campaign for Insight Communication, the U.S. ninth largest cable operator (serving the Kentucky, Ohio and Indiana areas), they knew it would be a test on a number of levels. Not only was the idea creatively challenging, but given the project’s budget restrictions, it would also force them to rethink how to achieve the spectacular results the concept demanded.

”Everyone knows how it is these days: clients want double the work for less than half the budget,” Guy Barnett, Writer, Brooklyn Brothers says. ”And they don’t expect any drop in standards — theirs or ours. This job was even more extreme than usual. But we knew that in partnering with Loyalkaspar we could get it done, without sacrificing the quality of the work. I’m happy to say we were right. You don’t see the struggle to get the job done. All you see is effortless and innovative animation.”

In the end, Loyalkaspar jumped on board with reckless abandon and quickly arrived at a creative solution to work around the budget without compromising the creative, which included bringing in some animation assistance.

”We have a great relationship with The Brooklyn Brothers and love working with them,” says David Herbruck, Loyalkaspar Partner and Director of the ten spot campaign. ”The creative was so good that we didn’t want to simplify it and possibly water-down the end result.”

Because the spots demanded a volume of high-end 3D, Loyalkaspar partnered up with two of the best 3D boutiques out there — Magoo Studios, Soderhamnm, Sweden, and Galaxy 61, Brooklyn, NY.

”We’re worked with Galaxy 61 several times and I knew they had the chops to do this,” Herbruck adds. ”We had never worked with Magoo before but we’re great fans of their work. As luck would have it, this project coincided perfectly with their desire to break into the American market.”

Set to a beautifully hypnotic score by music house Nylon Studios, New York, all 10 of the spots use the Insight logo, which features a bundle of wires, as the catalyst to describe the different benefits their homegrown and customer-first philosophy.

In each spot, wires stretch around the screen forming the visual accompaniment to the folksy voiceover — from rural farmlands to facilitating human connections at a cosmopolitan small business firm, the animation reinforces the brand’s score values of customer service, innovation and any appearance of corporate pretensions.

Recognizing that the process is just as important as the end result is just one of the ways design house Loyalkaspar distinguishes itself from the creative herd. Clients return for that reason. Founded by directors David Herbruck and Beat Baudenbacher, Loyalkaspar has quickly earned a reputation among advertising creatives and network executives as a creative hub where daring creative and innovative execution intersect, resulting in engaging brand experiences.

CREDITS
Client: Insight Communications
Project: 10 spot branding campaign
SVP Brand: Pam Euler Halling
President and Chief Operating Officer: Dinni Jain

Agency: The Brooklyn Brothers, New York

Production/Design: Loyalkaspar, New York
EP / Director: David Herbruck
CD / Designer: Beat Baudenbacher
Senior Producer: Melissa August
Production: Bullet, New York
Producer: Patrick Oliver

Music/Sound Design/Audio Post: Nylon Studios, New York

RELATED LINKS
www.loyalkaspar.com
www.thebrooklynbrothers.com

Nuke 6.03v3 and Mac Os X

Hi guys,

I’m Mauro, a cgi artist who’s trying to move to Nuke from other comp software.

I downloaded the PLE edition of Nuke 6.0v3 for Mac Os X but I went across a strange issue with the graphic card (I suppose).

Here is a snapshot I made just a couple of minutes ago

Just look at those strange dots on the colorBars…
…I’ve tried playing with the settings but didn’t managed to get rid of them.

Also the refresh is weird: the image appears and disappears while passing over with the mouse.

Anyone has an idea on how to solve this?

Thank you very much in advance to everybody

best regards

Mauro

Rob Wienk – New site, work reel

Super talented Motion Graphic designer Rob Wienk just updated with a new site and a reel including work done while interning at METAphrenie, Buck NY, as well as some personal projects. Very impressive to say the least.