difference – make sure your web compression is tidy before uploading. . .


difference

Another ridiculous one I decided to make while checking h264 encoded versions of renders in QuickTime Player 7 for compression differences before uploading them to the web.

Lines up QuickTime Player 7 windows, and automatically cycles between them so you can easily check for visual differences.

Enjoy.

Anyone here apply to the Vizlab? (TAMU)

I was just wondering if anyone has heard anything about decisions. I’m pretty much going insane waiting for the mail each day, staring at my inbox, and checking the online application status.

Letterheady

A classic gallery of letterheads

Jonathan Zawada

mc-cover
Jonathan Zawada updates with some work on his website.

Mid-Senior level Nuke compositors needed for end of short-film gig

Mid to Senior-level Nuke compositors needed for end of short film gig

I’m looking for mid to senior-level Nuke artists to finish a 12 minute short film for Lexus. The project delivers May 7th.

There are 2 main types of shots:
Practical car replacement with CG vehicle
Green screen work with an actor on a sound stage in a interior buck.

Requirements:
Understanding of multiple cleanplate techniques
Good eye for color and render pass manipulation
Strong chroma key experience.
Experience compositing cars preferred, but not necessary.

The work is all on site at the studio in Venice, CA.

Please submit your reel, resume and breakdowns if you are interested. Feel free to contact me with any questions you may have.

Cheers,
Trip
TripFX21@gmail.com

Lost Boys – Anooj Kiran – VFX Reel

Anooj Kiran – VFX Artist

I recently graduated from Lost Boys Learning and am proud to share my reel with you guys!

Link to my website for more details and clips: www.anoojkiran.com

Changing Existing Node Parameters, using Python in Nuke

Hello there,

I’m attempting to streamline my work flow in nuke by using Python to change existing node parameters globally. In this case I have laid out various "Card3d" nodes and I want to change all the motion blur parameters in one fall swoop.

So here is what I’m inputting in the script editor:

c = nuke.allNodes( ‘Card3D’ )
c["motionblur"].setValue (2)
c["shutteroffset"].setValue (0)

this is what the script editor outputs:

c = nuke.allNodes( ‘Card3D’ )
c["motionblur"].setValue (2)
c["shutteroffset"].setValue (0)
# Result: Traceback (most recent call last):
File "<string>", line 2, in <module>
TypeError: list indices must be integers

I’m a noob when it comes to python so I’m in a bit over my head. What I gather from this is that my syntax is wrong and I can’t give allNodes a variable… atleast not the way I’ve written it. Any thoughts or suggestions would be greatly appreciated!

Gently Gently

In the music video for Gently Gently, a story unfolds into a snow globe in a haunting way that reminds me of some classic ghost story. Directed by Salazar for Christopher Smith.

CIS Acquires Postmodern Sydney

CIS VISUAL EFFECTS GROUP STRIKES LANDMARK DEAL IN SYDNEY – ACQUIRES POSTMODERN.

Deal enhances local capabilities and opens Australian shop for CIS.

Sydney, Australia, April 15, 2010: CIS Visual Effects Group announced today that it has acquired the assets of Postmodern Sydney. CIS, based in Hollywood (USA) and Vancouver, Canada, is an award-winning brand in the international visual effects industry.

Postmodern, established in 2001, is a fast growing design and visual effects business servicing high-end feature, commercial and television clients in Australia and throughout Asia. Recent projects for Postmodern include VFX for the Proyas/Summit Entertainment feature, “Knowing,” and the Spierig Brothers/Lionsgate feature “Daybreakers”. Recent commercial projects include McDonald’s “McHappy Day” for DDB Sydney and Macquarie Bank’s “Out of the Box” for Leo Burnett.

Andrew Robinson, Managing Director of Postmodern Sydney said, "We’re at a point in our business growth where we’ve got some amazing work under our belt but for some time we’ve been looking for a strong partner to help us spread our wings. For us that meant finding someone with great creative and technical credentials along with global recognition,“ he added.

“The CIS guys reached out to us late last year to talk about joining forces with them on an Australian shop,” explains Robinson. “We hit if off immediately with Don and his team, and their understanding of the Australian market. We look forward to bringing CIS technologies and capabilities into our creative pipeline for film studios, commercial production companies and television networks in addition to the independent feature market,” added Robinson.

Don Fly, President and General Manager of CIS, said, "We have been impressed with the quality of visual effects work coming out of Australia for many years. The depth of Australian creative talent and strong governmental support for the industry make entering the Sydney market very attractive. The Postmodern team has done some great work. They are a design led boutique company with a lot of talent and energy. We’re all very excited about working with them,” adds Fly.

The business will continue to operate as Postmodern from its existing premises with all key personnel remaining in-place. Plans are underway to build a new purpose-built Sydney facility later this year to house an expanded CIS-Postmodern operation.

###

About Postmodern

Postmodern Sydney, a visual effects and design company for Australian and international television commercials, drama and feature films, is based in Sydney, Australia and is renowned for its high-participation in the creative process. The management team is headed-up by Andrew Robinson together with Visual Effects Director James Rogers and Facilities Manager Angus Reid. The key staff has a long history in the film and television industry and active roles in the company. Their hands-on approach to each job forms the philosophical backbone of the company.

Recently, Postmodern has completed visual effects for the features “Australia”, “Death Defying Acts” starring Catherine Zeta-Jones, “Knowing” with Nicolas Cage, as well as “Daybreakers”, a major sci-fi feature starring Ethan Hawke and Willem Dafoe. Television and cinema campaign clients include: Samsung, eBay, McDonalds, ANZ, NAB, Coke, Toyota, Telstra, Lenovo, Citroen, and award-winning commercials for Kelloggs. Its operations are based in the historic Sydney Rocks district of Sydney.

www.postmodern.com.au

About CIS

CIS Visual Effects Group is an award winning international visual effects entity with facilities in Hollywood and Vancouver. The company services high-end feature film, television, commercial and gaming clients in the global marketplace. CIS Hollywood, founded in 1984, is one of the industry’s most respected visual effects facilities. In early 2008, the company launched CIS Vancouver. With its boutique accessibility, the company has the capacity to service its clientele wherever production is situated. CIS Visual Effects Group is a division of Deluxe Entertainment Services Group Inc., a wholly-owned subsidiary of MacAndrews & Forbes Holdings Inc.

Current and recently completed CIS Vancouver work includes “Salt,” “Marmaduke,” “Invictus,” "Angels & Demons," ”Zombieland,” "The Uninvited," "Aliens in the Attic," "Changeling," “Tropic Thunder,” “Tooth Fairy,” and "Space Buddies.” CIS Hollywood’s current and recent project list includes “Sex and the City 2,” “Red Dawn,” “Green Hornet,” “Killers,” “Eclipse,” “The Men Who State at Goats,” "Watchmen," "Ghosts of Girlfriends Past," "G.I. Joe: The Rise of Cobra," "The Goods: The Don Ready Story," "The Informant," "Beverly Hills Chihuahua," “The Express,” "Meet Dave" and "Mummy: Tomb of the Dragon Emperor."

www.cisvfxgroup.com

Postmodern Contact: CIS Contact:
Andrew Robinson Rita Cahill rita.cahill@roadrunner.com
akro@postmodernsydney.com Ellen Pasternack epasternack@pacbell.net

Stroke Beziers?

Is it possible to use a bezier as a stroke path in the RotoPaint tool and animate said bezier?