import tracker data : shake into nuke ??

Hi, does anyone know how to convert/import tracker data from shake to Nuke? enyone ever did this? anyway nuke’s tracker is quite slow and easy to shift away… i don’t know why, even with very clear dot/mark on face and not many light changing and just little movement (not panning but turning a head a bit with slow motion and tracking/marking is clearly visible from start-end, also it’s noticable black colored mark on white face )… frustrating . So i’m doing it in shake which is more ‘sticky’ just ‘one’ single click and done. ok i have the tracker from shake and i want to do the compos in Nuke for many other reason. Anyone have suggestion ?

thanx

VFX404 – [WIP] Team Frantic

So getting a group together for this challenge…. slightly late…. hence the team name… 🙂

Kyle Rottman
Jake Zander
David Pumpa
Nate Sims

We’ve actually been talking about it since the beginning of last week, but didn’t want to start a WIP until it was really happening, and we just managed to get some actors and do a mini road-trip to the desert near San Diego and shoot it today so it’s finally starting to come together.

I’ll post up some storyboards or the animatic shortly. We are going a bit of a different direction with the bad weather theme… 🙂

Digital Supervisor – IMAX Corporation (Toronto)

TITLE: Digital Supervisor, IMAX Corporation – Toronto (Contract)

REPORTS TO: COO/CTO

LOCATION: Toronto, Ontario

Key Accountabilities:
The Digital Supervisor manages the technical production staff from an operational point of view. The segmentation supervisor, contouring supervisor and occlusion segmentation supervisor all report operationally to the Digital Supervisor. The Digital Supervisor works closely with the Stereoscopic CG Supervisor, Producer and PM’s. This position reports directly to the COO/CTO.

This role requires excellent management skills as well as superior technical and troubleshooting abilities. An intimate knowledge of both practical and theoretical stereoscopy is a must. The main responsibility of the Digital Supervisor is to manage and mentor the production supervisors, to participate in establishing standards and practices, to insure compliance with established best practices and work with the Producer and Production Managers to achieve production goals.

Requirements/Qualifications:
· At least 10 years industry experience as a Lead TD or CG Supervisor
· In depth knowledge of stereoscopy
· Must have experience working on 3D stereoscopic productions
· Good understanding of Maya, Houdini, and Renderman compliant renderers
· Good technical grasp of rendering theory, image processing theory and color management theory
· Expert knowledge of node-based compositing, especially Shake and Nuke
· Proficiency with Mel, Hscript and Python
· Experience delivering complex productions on schedule.
· Strong leadership and management skills
· Critical eye for detail
· Able to work in a fast paced & demanding environment
· Desire to work in a team environment that requires multi-tasking, prioritizing
· Ability to work flexible hours, which includes evenings, weekends and possibly overtime

Desired but not required:
· Experience with 3D tracking systems like Boujou and PFtrack
· Familiarity with image based rendering
· A good understanding of oriented shading, including vex and sl.

HOW TO APPLY
Interested candidates should submit the following information to work@imax.com quoting “Digital Supervisor” in the subject line.
1) Cover letter (body of email or attached as .pdf or .doc format) confirming the following information:
• Your availability
• Your ability to work evenings, weekends and overtime
• Pay expectations
• Confirm work authorization for Canada – Local residents preferred.
2) Current resume (attached as .pdf or .doc format)

We thank all applicants for their interest in IMAX but only those selected for interview will be contacted.

IMAX is an Equal Opportunity Employer.

www.IMAX.com | www.facebook.com/IMAX | www.twitter.com/IMAX | www.youtube.com/IMAXMOVIES

Workshops or Courses for VFX HELP!

I just find out about this Forum it seems great there is a lot of people interest on vfx, and willing to help 🙂

here is the thing, Im having a lot of trouble finding a GOOD VFX schools
Currently im living in Mexico and as you can see here there are no good school for VFX so im trying to take my skills to the next level…

I found VFS as one of the best visual effects schools at vancouver, and Gnomon, i look a little deeper and i found Vanarts which seems pretty decent.
But the tutition for international students is WAY too expensive.

I really want to study at VFS so i started Working for about 6 Months now.
and still $53,000 US dlls as a non graduated career profesional… seems really far away.

I stop studying here in Mexico since they don’t have any visual effect school, only some kind of filmmaking which is really far from what you can call ‘filmmaking’ i found out i learn way more by myself with some tutorials online.

Right now im looking for any good and intensive workshops or courses for VFX
in the united states or canada until i decide where to study.

i will really appreciate any information
i’ve look in ALOT of websites for months, maybe someone can point me at the right direction. i will probably love you the rest of my life. 🙂

Andrea Garza

Industrial Light & Magic: Creating the Impossible doco

Industrial Light & Magic: Creating the Impossible doco

StarTrek2

Head over to fxguide for Mike Seymour’s report on the ‘Industrial Light & Magic: Creating the Impossible’ doco airing this week on Encore. Mike speaks to director Leslie Iwerks and recounts some of ILM’s major achievements over the past 35 years.

The Balloon – A Short Film

http://www.youtube.com/watch?v=lvK0QovP5XY

Give me some feedback so that I can make videos like these better.

Thanks!:D

Married People (2010) – A Short Film

Hey talkers,

Please check out my short film.

http://vimeo.com/16463718

Interview with an upcoming Cape Town photographer

Please have a look at this interesting post!

http://ursproductions.blogspot.com/2….html?spref=fb

doubt in matchmoving and 3d

Hi i am newbie to visual effects.

I have a 3d fluid setup..

and i have a tracked camera..

now when i look the scene through the tracked camera.3d fluid is very big.do i need to adjust the size of the container so that its visible in the camera.

please let me know

Is AE the best

Is After Effect the best Special effect software around?