So inside nuke’s project settings I wrote: 50fps
But nothing changed.
Writing it out at 50fps works on speed but the quality suddenly became worse.
Hope one has a quick hint for me… didn’t find an answer on google or so.
Thank you in advance! 🙂
A collection of my new works. hope u guys like it . critics pleaseeeeee .. . . .. .
:happydevi
Summary:
The digital Compositor takes multiple diverse elements, however they were created, and blends them together artistically into a seamless, photorealistic image. Skillfully makes it appear as if the elements were all part of the same scene utilizing various compositing techniques to accomplish the task.
Principal Duties and Responsibilities:
Education, Experience and Skills Required:
To apply for this position please submit an application at www.digitaldomain.com/careers/ select Vancouver as location.
Candidate will be responsible for helping with the day to day running of the office.
Should have 2 years experience and worked in a production environment.
Duties include general office upkeep, interacting with other departments, light phones and scheduling events for CEO.
Applicants with experience in bookkeeping, accounts payable, and employee management is a plus.
Studio is located in West Los Angeles.
Please send resumes to: jobs@9k9.com
Recently i’ve got some greenscreen shots to composite, shot on RED ONE with new MX sensor. Since REDCINE-X is capable of simple .R3D trimming and NUKE can work with .R3Ds, i am just wondering what would be the most effective/correct way to handle them, and pull a good key from it. Do i have to decide and develop my RAWs to desired look first and than key somehow, or what would be the best way to do it ? LIN/LOG ? Output will be HD Rec.709, or sRGB wor web. What kind of lookup shall i use ?
Do you guys have some workflow advise for me ? Thanx a lot, Klasmen.
The VFX needed is a shot of a suburban street that we require to have some light surface water/flooding. We attempted to shoot it practically on set but ended up not having access to enough water for the look we wanted.
The film is shot at 4K resolution but intented to be finished at 2K so a fair amount of detail in the animation will be required although a good amount of it will be out of focus.
If you are interested or would like more information please feel free to throw me an email and I can send you some pictures/graphics etc. Looking forward to hearing from you.
Matt Johnston
korshis_possum@yahoo.co.nz
This project was a fun,experimental and a learning one but had to maintain the look and feel from the concept art
Take a look at these 10 fully textured scenes with professional shaders and lighting ready to render. All scenes are prepared for …
Is this red and black matte usable in Nuke? Or would I have to convert it somehow to black and white only?
Does anyone have an example Nuke script I can check out, to do a simple composite of applying a matte to an image?
Im sure I can find a way to apply the matte to the image, and composite over a checkerboard, but Id rather know the correct way to do this.
Just for reference, the animation is a mountain peak, which is supposed to have the top half matted out, so I can composite over a sky.
If anyone can do a mockup of this or something similar, with a checkerboard, that would be great, I just dont know how to get the mountain image to read the matte to get the transparency.
Thanks.
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