(Geek Alert!) The Esquire AR Issue

EsquireARWhile many other motion studios try to find their way to the interactive future, Psyop teamed up with the digital aces at The Barbarian Group and went there.

The Esquire Augmented Reality issue hit US newsstands Tuesday with a raft of interactive vignettes that employ augmented reality (AR) to bring classic Psyopian illustrations up from the printed page.

The Barbarian Group conceived of the project and it’s their custom nerd voodoo that powers the Psyop-made content featuring cover boy Robert Downey Jr., actor Jeremy Renner and hottie Gillian Jacobs.

Do you read, view or play with the issue? All of the above. It’s like print, motion and interactive media got a little loose together and – bow chicka wow wow! – birthed this futuristic love child.

The experience requires a download from the Esquire site and a physical copy of the December 2009 issue. Or does it? Some clever Googling may get you to at least some of the AR markers.

Posted on Motionographer

Bluemotion

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Director Yani and Paul Postma of hazazaH and DDB Amsterdam bring us these wonderfully minimal spots for Volkswagen. A cut out tree here a spot light there, two circles and voilà! You have yourself a scene. Straight to the point with no frills and a few creatives twists to take them out of the ordinary and into something special. Appropriate for the agency (DDB) and the client (Volkswagen) that created the famous “Think Small” campaign.

Posted on Motionographer

Killing Ideas by Scott C

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Great set of illustrations with the idea of “Killing the idea” taken from an ad campaign for Show Off in Portugal. From Scott C

Mobile Evolution

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Check out Kyle Bean and his Mobile Evolution. It is like a Russian nesting dolls concept for the lineage of mobile phones past and present. Outstanding!

Ben Julia: Dove Nets

Updated with Q&A

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A couple of weeks ago I posted a music video by Ben & Julia for The Main Drag’s song ‘Dove Nets’. Ben (Benoît Créac’h) and Julia (Gaudard) started working together in 2006, and recently moved to Berlin.

There are a few things that made me fall in love with this piece: the diverse illustration/design styles, the use of numerous hand-made pieces, but most of all the ‘Berlinesque’ playfulness of it all.  They have really captured the artistic spirit of the city pretty well in this piece. Although they described this project as a sort of celebration of their recent move, I’m sure this wasn’t their primary aim.

I caught up with the duo, and now have the pleasure of sharing some insight behind their production process with all of you. You can also get more info and credit list on the official site of the video here.

1. What was the brief from the record company/band at the start?

The Brief was clear “Do some Ben&Julia’s crazy stuff “. :-)
No seriously, they really trusted us and we were free to do whatever we wanted. So ‘Dove Nets’ ended up as a surrealistic/psychedelic mix media piece.

2. what were your ideas that came up during your brainstorming process?

We were immediately seduced by the concept of a mouse who’s obsessed with doves. At the beginning the goal was to keep everything real simple, because of the budget and time restrictions, but we couldn’t help writing more new ideas, that’s when the talking books, the eyes in the plug (3rd shot), the Dove Robot, came about. We loved the idea of books telling stories without having to be opened and read!

We are mostly inspired by our travels. Also by dreams, childhood memories,  and TV shows. As an example, for this video,
“Téléchat”– a French TV show from the 80’s, was an important inspiration. “The Storyteller” is also one of our favourites.

Another important subject is the metamorphosis, the kind that Ovid spoke about. Something that’s based in mythology rather than in a new vision of ourselves. The poisoning by the cheese alludes to the use of rat poison. It congeals the blood and kills the rat really quickly. That’s an idea that’s been in our sketchbooks for 2-3 years now.

3. what were the most difficult or unexpected challenges you encountered during the production, technical and otherwise?

We put a lot of work in this music video. Everything was hard and challenging : the animated cartoons, sculptures, plaster bandage, books, and the mouse costume whose ears were made of latex. But we also learned a lot out of this, and that’s really valuable to us. When you make an entire video by yourself, the good thing is that inevitably, there would be some sort of an artistic unity, regardless of whether you wanted this or not.

4. Why did you choose this style/aesthetic and this method?

We mixed all the techniques because this was how we found an “equilibrium”. This is how live action, CG, and puppets can coexist. We try to create ‘Universes’ not ‘animation films’. This is our way to change the world we live in, into a better place…at least for 3 minutes :-)

5. Finally tell us a little bit more about your background and the project…

We are Ben (Benoît Créac’h) and Julia (Gaudard). A French/Swiss duo of Art Director/Director.
Julia studied decoration in Vevey (Switzerland), and Graphic Design in Central St Martin’s, London.
Ben studied editing at CLCF and 3D/Special Effects at Isart Digital in Paris, where he also worked as consultant.

In 2006, we started working as a duo, aiming to create something very original out of clever mixes of all sorts of techniques, be it traditional or digital. We are now represented by Stink. ‘Dove Nets’, which took us 3 months to produce, is our second music video, made as a kind of celebration of our recent relocation to Berlin.

Posted on Motionographer

The Black Dog’s Progress


Deliciously dark is how I’d describe Director Stephen Irwin’s latest offering.

A tragic, darkly animated and powerful journey through the life of one dog as he travels from abusive home to even worse.

On the audio side Sorenious Bonk did an amazing job scoring the soundtrack, creating a truly haunting atmosphere of unease.

Warning: because of the subject matter some folk might deem this as NSFW.

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Nokia N900: “Focus Group”

Channeling the same rebel spirit as the recent Verizon adverts for the Motorola Droid, this viral for the Nokia N900 injects the nucleus of a narrative into what could be a fun campaign.

The turn to grittier aesthetics makes sense. Attempts to unseat the incumbent iPhone using the same glossy look as Apple only confuses customers; the trick is to differentiate the brands somehow. Trouble is, Nokia and Motorola have struck the same chord at more or less the same time.

The recently posted Droid “Stealth” spot directed by Rupert Sanders aims at creating the same sense of epic mystery as the Nokia N900 campaign, albeit with a much slicker production value. It’s the J.J. Abrams school of advertising, with phones instead of “mystery boxes.”

Who will win? At this point, it’s hard to say: but it seems that they’ll still be fighting for second place.

“Focus group” was directed by Jack Masters and conceived by agency Jack Morton. The Mill’s Bif (Fabrice Le Nezet, Jules Janaud and Francois Roisin) helmed the post-production efforts.

Thanks to Harm for the tip.

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My God, It’s Full of Stars

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It’s Thursday. You probably need a little pick-me-up to get through the week. How about this epic polychromatic music video that Buck has just directed for the Bravery?! Featuring geodesic spheres, tetrahedral pyramids and more lens flares than you can possibly comprehend, it’s sure to fix your late afternoon need for glowing, rainbow-filled sci-fi psychedelia.

Q&A with Buck and Credits:

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Smilefaucet Screening/Release Party

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If you’re in NYC next week, check out the DVD release party and screening for the 9th edition of Smilefaucet. There will be only one more ever so don’t miss it!

Fontana’s @ 105 Eldridge St. Between Broome & Grand
Wednesday, November 18th @ 7pm — Screenings @ 8:30pm & 10:00pm
$2 @ door

RSVP: info@smilefaucet.com

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By and By by the Snorri Bros.

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By and By is a new video that the Snorri Brothers directed for Lay Low, a fellow Icelandic artist. Using a simple visual motif that transforms everyday scenes into something recognizable, but totally different than what we’re used to seeing, the video features the first time use (that we’re aware of) of the Mini-Planet technique with timelapse live-action sequences shot around the world. The Snorri Brothers answered a few Questions for us about the making of the video.

Edit: A commenter alerted us of his own video using the technique to equally impressive and trippy effect here. Thanks Tak! As we mentioned this one was the first we were aware of, but I’m sure there are more out there, too …

Q&A and video

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