PepperMellon for The Guardian and The Observer “World Cup”

As an appetizer to the hotly anticipated World Cup, Argentinean studio, PepperMellon, has jockeyed their way to front-lines and served up a playful treat to whet the appetites of commercial-goers and sport fans alike. With help from Wieden + Kennedy (London) and Stink, the studio has looked to character based animation in a cheerful and carefree advert made to raise awareness for The Guardian and Observer’s involvement in the upcoming sporting event.

Through a kaleidoscope of shots, the spot shows how —no matter where you are— the world can freely enjoy the footballing action of the event. With every changing scene, characters are depicted to be gleefully reacting to a World Cup moment that ripples across all cross-media platforms. The spot has a cute look. Like so many of the PepperMellon’s work, it finds a color palette that’s bright and welcoming, but not too pushy. In testimony to the music, the distinctively British tune is a perky, footballing hym that sings the praises of the event and mirrors the fun-for-sun’s-sake mood of the piece, which will leave you humming the foot-tapping ditty non-stop.

For a behind-the-curtain look at how the spot came together, see here.

Posted on Motionographer

Ben Julia: Dove Nets

Updated with Q&A

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A couple of weeks ago I posted a music video by Ben & Julia for The Main Drag’s song ‘Dove Nets’. Ben (Benoît Créac’h) and Julia (Gaudard) started working together in 2006, and recently moved to Berlin.

There are a few things that made me fall in love with this piece: the diverse illustration/design styles, the use of numerous hand-made pieces, but most of all the ‘Berlinesque’ playfulness of it all.  They have really captured the artistic spirit of the city pretty well in this piece. Although they described this project as a sort of celebration of their recent move, I’m sure this wasn’t their primary aim.

I caught up with the duo, and now have the pleasure of sharing some insight behind their production process with all of you. You can also get more info and credit list on the official site of the video here.

1. What was the brief from the record company/band at the start?

The Brief was clear “Do some Ben&Julia’s crazy stuff “. :-)
No seriously, they really trusted us and we were free to do whatever we wanted. So ‘Dove Nets’ ended up as a surrealistic/psychedelic mix media piece.

2. what were your ideas that came up during your brainstorming process?

We were immediately seduced by the concept of a mouse who’s obsessed with doves. At the beginning the goal was to keep everything real simple, because of the budget and time restrictions, but we couldn’t help writing more new ideas, that’s when the talking books, the eyes in the plug (3rd shot), the Dove Robot, came about. We loved the idea of books telling stories without having to be opened and read!

We are mostly inspired by our travels. Also by dreams, childhood memories,  and TV shows. As an example, for this video,
“Téléchat”– a French TV show from the 80’s, was an important inspiration. “The Storyteller” is also one of our favourites.

Another important subject is the metamorphosis, the kind that Ovid spoke about. Something that’s based in mythology rather than in a new vision of ourselves. The poisoning by the cheese alludes to the use of rat poison. It congeals the blood and kills the rat really quickly. That’s an idea that’s been in our sketchbooks for 2-3 years now.

3. what were the most difficult or unexpected challenges you encountered during the production, technical and otherwise?

We put a lot of work in this music video. Everything was hard and challenging : the animated cartoons, sculptures, plaster bandage, books, and the mouse costume whose ears were made of latex. But we also learned a lot out of this, and that’s really valuable to us. When you make an entire video by yourself, the good thing is that inevitably, there would be some sort of an artistic unity, regardless of whether you wanted this or not.

4. Why did you choose this style/aesthetic and this method?

We mixed all the techniques because this was how we found an “equilibrium”. This is how live action, CG, and puppets can coexist. We try to create ‘Universes’ not ‘animation films’. This is our way to change the world we live in, into a better place…at least for 3 minutes :-)

5. Finally tell us a little bit more about your background and the project…

We are Ben (Benoît Créac’h) and Julia (Gaudard). A French/Swiss duo of Art Director/Director.
Julia studied decoration in Vevey (Switzerland), and Graphic Design in Central St Martin’s, London.
Ben studied editing at CLCF and 3D/Special Effects at Isart Digital in Paris, where he also worked as consultant.

In 2006, we started working as a duo, aiming to create something very original out of clever mixes of all sorts of techniques, be it traditional or digital. We are now represented by Stink. ‘Dove Nets’, which took us 3 months to produce, is our second music video, made as a kind of celebration of our recent relocation to Berlin.

Posted on Motionographer

Arno Salters for Raid the Radio

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One our favorites, Arno Salters, just dropped this Paris-shot, low-budget banger for General Elektriks to lighten the mood on your Friday. The piece employs a few lo-fi, surreal effects including a clever “stereo-camera rig” built by DP Thomas Letellier. The music transmission device was inspired by the work of sculptor Jean Tinguely.


Band – General Elektriks
Song – Raid the Radio
Label – Quannum/Discograph

Director – Arno Salters
DP – Thomas Letellier
Art Director – Mahi Grand
Producer – Sandrine Paquot
EP – Greg Panteix @ Stink France

Post House – Nightshift Paris
Post producer – Mathieu Hue
Editor – Benjamin Favreul
After fx op – Nico Chambon

Posted on Motionographer

Ne-o Lights Up the Night for Audi

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The release of this one slipped under my radar, but hopefully its new to many of you as well.

For the release of Audi’s new Economy Drive, Ne-o and BBH, London use the analogous form of a bulb to represent the energy saved by the car’s engine stopping when it does.

This black and white piece is packed with stunning cinematic moments as well more human vignettes that fit with Ne-o’s past work. I personally love what they’ve done with the shadow-play on the environment. It’s an added visual layer that really pushes the theme of light to the next level.


 Client: Audi UK
 Title: Economy Drive
 Product: Audi
 Agency: BBH
 Creatives: Paul Yull & Adi Birkinshaw
 Stink Producer: Juliet Naylor
 DOP: Joost Van Gelder
 Editor: Tim Thornton-Allan @ Marshall Street
 Post: The Mill

Posted on Motionographer