Ne-o Lights Up the Night for Audi

audi_bulb
The release of this one slipped under my radar, but hopefully its new to many of you as well.

For the release of Audi’s new Economy Drive, Ne-o and BBH, London use the analogous form of a bulb to represent the energy saved by the car’s engine stopping when it does.

This black and white piece is packed with stunning cinematic moments as well more human vignettes that fit with Ne-o’s past work. I personally love what they’ve done with the shadow-play on the environment. It’s an added visual layer that really pushes the theme of light to the next level.


 Client: Audi UK
 Title: Economy Drive
 Product: Audi
 Agency: BBH
 Creatives: Paul Yull & Adi Birkinshaw
 Stink Producer: Juliet Naylor
 DOP: Joost Van Gelder
 Editor: Tim Thornton-Allan @ Marshall Street
 Post: The Mill

Posted on Motionographer

Audi: Unboxed

Unire animazione tradizionale e 3D non è un compito facile: ci vogliono ricerca e una lunga serie di prove.

Per questo Aaron Duffy, regista per lo studio di effetti visivi 1st Ave Machine di New York, e Russell Brooke, dello studio di animazione britannico Passion Pictures, si sono divisi i compiti: il primo si sarebbe occupato del 3D e dell’intero spot ed il secondo del personaggio animato 2D.

Il filmato è per il lancio dell’Audi Q5 con una idea creativa originale dell’agenzia BBH, dove un omino disegnato apre una scatola e la trasforma in un auto. La scatola sembrerebbe girata a passo uno ed invece è stata modellata ed animata al computer con i software XSI e Nuke.
Ma Aaron Duffy ha dovuto fare diverse prove con delle scatole di cartone per capire come manipolare nella maniera appropriata.

audi_sergio

Agency: BBH
Creatives: Maja Fernqvist, Joakim Saul
Production Company: Passion Pictures, 1st Ave Machine

Directors: Aaron Duffy (1st Ave), Russell Brooke (Passion)

Music: “The Car Song” Woody Guthrie

Articolo redatto da Sergio Damele

1st Ave. Machine: Audi ‘Unboxed’

1stave_AudiUnboxed

Happy 2009 to everyone! The folks at 1st Ave Machine and Passion Pictures are ringing in the new year with “Unboxed“, an imaginative commercial for the Audi Q5. Not your typical car advertisement, the spot effortlessly combines traditional and 3D animation. I’m particularly a fan of nice touches like the camera racking focus from the character’s face to his hands and back to his face.

The two co-directors, Aaron Duffy (1st Ave Machine) and Russell Brooke (Passion Pictures), divided their roles on the project. Duffy took responsibility for the overall vision for the spot and the transformation of the car, and Brooke for the 2D drawn character.

Aaron was kind enough to answer a couple questions:

How did you coordinate between the cel and 3D animation?
The first step was to choose a design for the character. Russell Brooke, who co-directed the spot with me, did dozens of designs for the folks at BBH to look at. It did not take us long to settle on our final character, whom we decided was a good balance between charming and industrious. As I built the story boards I worked with Russell to make sure that our character would feel “comfortable” performing all of his tasks as he builds the car. As we went into 3D design the 2D animators were able to use printed frames of the animatic to estimate how the character would look on the form. When a piece of the 2D animation was finished we would UV map it onto the 3D animation and move it around until it fit appropriately.

Were any elements shot or was it all 3D? What software was used?
The final spot is a combination of live action (filmed) environment, 3D animation and 2D cel animation. Nothing in the final product was shot practically. However, I did shoot a lot of little stop-motion tests along the way to figure out how to manipulate the cardboard properly.

The software we used was XSI and Nuke.

How many cardboard boxes were sacrificed for the cause?
My space at Passion Pictures was a constant cardboard mess. But that was the best part. It was very important to me that the construction of the car felt like real tactile moments. I made paper and cardboard models of every stage of the animation so that the translation to 3D would be accurate. In the end it was extremely important to work from cardboard models because it is impossible to make all the unpredictable wrinkles and bends from scratch. Having the bending cardboard mechanisms in front of us dictated how the 3D forms were animated and textured and how the character’s face and arms would bend with it.

The collaboration involved in this project was particularly fun. It was our first project as 1stAve UK and working with the folks at Passion Pictures was like a dream. There was a lot of good input and good times all the way through and I can’t wait to do it again.

Title: “Unboxed”
Length: 1 x 60
Client: Audi
Product: Audi Q5
Agency: BBH
Creative Directors: Nick Kidney, Kevin Stark
Creatives: Maja Fernqvist, Joakim Saul
Producer: Olly Chapman
Music: “The Car Song” Woody Guthrie
Production Co: Co-produced by Passion Pictures + 1st Ave Machine
Co-directors: Aaron Duffy (1st Ave), Russell Brooke (Passion)
Creative Director: Arvind Palep, (1st Ave)
Producer: Belinda Blacklock, Anna Lord
Exec Producer: Serge Patzak (1st Ave), Michael Adamo (Passion)
Animation: Passion Pictures

Posted on Motionographer

1st Ave. Machine: Audi ‘Unboxed’