F5 2015

Mill Touch

The Mill NY has crafted quite an elaborate and astonishing way for visitors to their office to engage with their work with Mill Touch. With multiple ways to access projects, the experience appears to encourage frequent tours through their archives. The entire apparatus was built by hand in-house and programmed by the NY Digital team. Nothing short of amazing.

Posted on Motionographer

JR Takes on NYC.

Photos by Luna Park and Jake Dobkin.

F5 Re:Vision & Closing Party

 

 

 

 

 

 

 

 

 

With two weeks left, it’s time for the F5 takeover! Oh, and it’s playtime too! As you enter the world of F5, you’ll be part of the RE:VISION experience. It’s here where we’ve curated and constructed a borderless//cutting-edge gallery space to showcase the work of emerging and world-renowned artists and designers.

  • Babycastles Arcade: indie gaming to the core — stand-alone video games that take players to the wild ends of their imagination
  • Minivegas presents Atlantis: an interactive installation where attendees cue their tweets (with #f5fest and others) and watch as they’re dynamically transformed on-screen throughout Roseland
  • Radium Audio Takeover: intricate and immersive sound installations that cater to both the individual and collective experience
  • Shantell Martin presents Hidden Oras: a live drawing project that turns members of the audience into a unique and original work of living art
  • Smilebooth: a fresh take on the old-school photobooth that encourages a hot mess of fun and spontaneity
  • Tronic/Goldrun/F5 present the Virtual Exhibit: a one-of-a-kind smartphone app that allows users to view and take pictures of GPS-linked 2D/3D virtual art all over F5.

Take a deep breath. We’re going to blow out the candles on another F5 at the soon-to-be-(in)famous CLOSING PARTY on Saturday, April 16th.

  • Starting at 9pm, you’ll throw down at Good Units in the basement of the Hudson Hotel (356 West 58th St.). Picture NYC-1982 and you’re halfway there…
  • Dalston Ponys will start the jam East-London-style — bringing feet and hearts to the dance floor
  • Grabbing the baton at 10:30pm, Eclectic Method follows up their speaking session at F5 with a performance that will burn the roof off the joint
  • At midnight, Flawless Media presents Verboten – dedicating the remainder of the party to Kompakt Records‘ honcho and DJ Michael Mayer
  • All the while, Shantell will be performing Hidden Oras in the venue’s stylized mezzanine

Doors open at 9pm –  open bar from 9:30-10:30pm. Everyone is welcome – so bring your buddies. Your official F5 registration badge gets you in and $20 at the door for your friends. And there’s still one more major announcement left….

Posted on Motionographer

F5: First Set of Speakers!

We’re pleased to announce our first set of speakers for F5 2011! Here is the first savory piece of the cake—just enough to want a bigger bite. This group speaks to the careful consideration placed on finding the artists//heroes//colleagues who fit the overall theme of Happy F5 this year.

  • Kid Koala: DJ and turntablist extraordinaire
  • Scott Belsky: cutting-edge business leader of Behance
  • Wayne White: legendary art director of Pee Wee’s Playhouse and banjo star
  • Adam Sadowsky (Syyn Labs): president of the engineering whiz-kid collective behind the massive Rube Goldberg machine in OK Go’s “This Too Shall Pass” music video
  • Nathan Love: top-notch animation studio and masters of character animation
  • Buck: trailblazing creative shop with pop illustration powers

We’re also ecstatic that Buck will be creating the fest’s awe-inspiring opening titles. Our lips are sealed, but expect their special sauce of whimsy, humor and highly produced playtime. Buck will share their process and creative vision for the project during their special speaker session.

So far, F5 has drawn exclusively from a wealth of visual artists, designers, animators, technologists, engineers, musicians, writers, and puppeteers who point to a singular direction in creativity: one that builds an artistic fabric with the shared thread of imagination and optimism.

This is only the beginning. More happiness in store. And smiles guaranteed.

Check out our speakers page for bios and more info. And make sure to lock in your tickets

Posted on Motionographer

Alexander Chen: “Conductor”

Interactive Designer and Google Creative Lab’s own Alexander Chen reinvented the subway map of  New York City into an interactive, real-time instrument at mta.me. By utilizing the MTA’s actual subway schedule, each departing train is graphically represented — beginning its journey independently and assuming a place in the symphony at large. The piece extracts data from the MTA’s public API and visualizes every motion of the New York City transit system, while steadily continuing in a 24 hour loop. In his own words:

“The piece follows some rules. Every minute, it checks for new trains launched from their end stations. The train then moves towards the end of the line, with its speed set by the schedule’s estimated trip duration. Some decisions were made for musical, aesthetic, and technical reasons, such as fading out routes over time, the gradual time acceleration, and limiting the number of concurrent trains. Also, I used the weekday schedule. Some of these limitations result in subtle variations, as different trains are chosen during each 24-hour loop.”

However, according to Chen, the map is not entirely accurate and while the train departing time is on par with reality, the map is mostly an exercise in creativity. Moreover, the visuals are based on Massimo Vignelli’s 1972 diagram.

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F5: SOLD OUT (Kind Of)

Got ya and it’s not even April Fool’s yet. 🙂 The scale has been ‘tipped’ and we’ve sold out our early tickets.

What’s surprising is the response from other creative communities; not only have the motionographers come out in support, but there’s also been an unprecedented response from creatives in fashion, fine art, publishing… even pharmaceutical marketing. You all share the desire to break out of this harsh winter and start the spring anew. Happy.

Regular tickets are now available at the price of $480; student tickets at a reduced rate of $280. These prices will remain until the end of the festival.

Tune in next week for another announcement—this time about what’s surely on everyone’s minds…

Posted on Motionographer

F5: New Date, Even Happier!

Since we first announced F5, a little roar has grown louder. Many of you want to attend, but just can’t because of timing. It’s happening again on a Thursday and Friday. And the boss is none too happy about giving you all that time off.

Well, your wishes have been answered. Happy F5 is being moved back a day to April 15-16, 2011—Friday and Saturday. And it’ll go down at the world famous Roseland Ballroom in the heart of NYC. We’re also extending the deadline of the current early bird ticket deal to January 17th for all you newcomers.

You embody the essence of F5. It’s important that you all have an opportunity to be a part of the festivities. Our sincere apologies if this is a major inconvenience to all who have already bought tickets. We will fully refund anyone who cannot attend the new dates.

There’s been chatter about who may speak… and we’re still firming up so so many details. But, in the spirit of the new year, we’ll give you highly-complex, over-engineered clues that too shall pass.

Ready? Set? Okay—Go!

Posted on Motionographer

F5 Tickets on Sale!

It’s so on. Happy F5 tickets are now live!

We’re summoning the powers of collective incentive, a new approach to early bird purchasing. Here’s how it works: Buy your F5 ticket(s) right about here. If at least 200 of you purchase by New Year’s Eve (December 31st at 11:59pm EST), your ticket will only be $280. The deal will stay alive even after the 200 mark until the time is up. Smiles all around.

But if that scale isn’t “tipped” (200 sold), then the deal is off and your purchase will be refunded. Tickets will then be available at the original ticket price of $480 in January.

Two weeks ago, we opened up tickets to our 2009 attendees and they sold at a pace that far exceeded our expectations. So far, this response has been overwhelming. The creative community has been patiently waiting to take a gulp, blow out those candles and make a big wish.

The question now: How happy do you want to be?

Posted on Motionographer

TALL TALES

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