Go See This Eclipse


On August 21st, 2017, the United States will host its first total solar eclipse in nearly 40 years. While a partial eclipse will be visible from the continental US, only a thin strip across fourteen states will experience what is regarded as the most astounding celestial event one can witness: a total solar eclipse. This film is about why you should do everything you can to go see it. “Seeing a partial eclipse bears the same relation to seeing a total eclipse as kissing a man does to marrying him, or as flying in an airplane does to falling out of an airplane.” — Annie Dillard Driving times to the path of the total eclipse: http://imgur.com/eTxu3UD Watch our first project, To Scale: The Solar System: https://vimeo.com/139407849 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All copyrighted materials contained herein belong to their respective copyright holders, we do not claim ownership over any of these materials. We realize no profit, monetary or otherwise, from the exhibition of these videos.

Petit Frère – Little Brother (2014)


Court-métrage fiction | Canada, Québec | 2014 | 14 minutes | couleur | 1.85 :1 | Dolby 5.1 | Français + STA Antoine, jeune cas à problèmes de 14 ans, passe une journée avec son tuteur, Julien. Pour une dernière fois avant le départ de ce dernier pour la Russie, les deux “frères” déconnent dans les rues de la métropole. Antoine, problematic teenager of 14 years old, spends a day with his tutor, Julian. For one last time before the latter’s departure for Russia, the two “brothers” mess around in the streets of the metropolis. Distribution Petit frère : Étienne Galloy Grand fère : Eric K. Boulianne Équipe Production : Rémi St-Michel, Eric K. Boulianne, Jean-Sébastien B. Gagnon Réalisation : Rémi St-Michel Scénario : Eric K. Boulianne Direction photo : François Messier-Rheault Montage : Sophie B. Sylvestre Son : Jean-Sébastien B. Gagnon Musique : Peter Venne

Megan Harrison: Complexity of Scale


Artist Megan Harrison has always been drawn to stories of exploration – the scope of the vision, the ambition of it, the amount of endurance required, and the human history of facing the unknown. Harrison moves through this world amazed with the endlessly rich and evocative universe that she finds herself in. Learn more about the artist at http://www.MeganHarrison.net. Learn more about the filmmakers at http://www.WalleyFilms.com. Music Courtesy Artlist.

The Design Of The Taj Mahal Borrows From Many Cultures And Beliefs


Unearthed | Tuesdays at 10/9c
Despite being in a Hindu country, the Taj features a great deal of Muslim symbolism.
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The magic in PPG Infinite


A short demo about the Morpher and Noiser

Audio Damage Pumphouse Teaser


Just a quick look at Pumphouse, a sequenced compressor for iOS AUv3 coming soon from Audio Damage.

Inanimate Objects #1: The Versatile Bathtub


A silent video essay about a prop from DUMBO (1941): Apart from the really obvious ones like the bicycle in LADRI DI BICICLETTE or some McGuffins, props as storytelling devices have been neglected in comparison to many other aspects of film making for too long a time. This video essay is an attempt to highlight what I have thought to be a perfectly economical use of a visual element and a prop in DUMBO.

European Squad Team Liquid wins The International Dota 2 championship 2017

As esports pushes further into the mainstream, the most famed tournament concluded its seventh edition. Covered by a lot of mainstream publications the tournament took place in Seattle, USA, with the best teams from the world went in to compete in Valve’s annual The International (TI) Dota 2 championship.

Sporting a whopping prize pool of $24 million this year, the tournament has been bringing in a lot of attention from around the globe with the prize pool surging upwards since its inception with $1 million prize pool.


The final match was between European esports squad Team Liquid and Team Newbee from China. Team Liquid swept in the tides of the final in their favour with a three to zero clean sweep in a best of five series. This was the first time that a team has won three to zero in the grand finals in the seven years of TI. You can check the main events final below.

https://clips.twitch.tv/PlacidEnchantingChickpeaBlargNaut

The team would be taking of a major chunk of the prize money home, $10,806,301 to be precise. Lead by long time veteran and seven times TI competitor, Kuro “Kuroky” Takhasomi, Team Liquid’s journey through this TI was full of ups and downs. The team was pushed to the lower brackets where they won the finals against LGD.Forever Young.

Team Liquid showed exemplary performance in the grand finals and will now have their names etched in the TI’s aegis forever.

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Turner is heavily banking on its brand new shows Tik Tak Tale and Oggy

From left Turner Head Kids South Asia Krishna Desai , Turner VP ad-sales South Asia Juhi Desai

The year 2017 so far has been pretty much of a killjoy for those in the TV business with advertisers putting the brakes on spending on pay channels. The kids TV space has been no exception. But Turner International India executive director and amp; network head kids south Asia Krishna Desai is hoping that the category will take a turn for the better come this festive season.

Turner is all set to roll out two new shows – the ever so popular Oggy and the cockroaches on Cartoon Network (CN) on 14 August (6pm-6:30 pm) and a homegrown chase comedy Tik Tak Tail on Pogo by the first half of September.

Its Asia office had announced the acquisition of rights to season five, six and seven of the former earlier this year, while the India office had commissioned India’s hot and emerging studio Cosmos Maya to produce the latter. The Tik Tak Tail deal allows it to retain the telecast rights for south Asia.

Promotions for Oggy and the Cockroaches have started in June with three or four music videos being released on air and on digital. On ground, on air and on digital multicity contests are planned through its annually organised School Contact Program (SCP) but more of that later. Its campaign emphasises that it is airing the Asli Oggy episodes. (It has the first run rights to all seasons of the show; the Nick channel cluster telecasts the reruns of earlier seasons at times different from those of CN).

Desai and his VP, head-ad sales South Asia Juhi Ravindranath are banking heavily on the two new shows. Ravindranath has already roped in Perfetti as one of its partners for Oggy which is making a comeback with fresh episodes after a long gap.

“In India getting good viewership is also a challenge, India being a single TV viewing home and the total viewing of kids content on the kids category is stuck at 20 per cent and not going beyond that for some time,” says Desai.

Adds Ravindranath: “We are hoping to see some excitement being kicked into the year long stagnant kids genre in the coming festive season.”

Desai says one of the legs of that initiative is Tik Tak Tail.  “Since Pogo is positioned as a hybrid channel which has both international and local content, we are constantly looking for homegrown IP which will appeal to the kids audience. And Tik Tak Tail (which essentially is a tale of a rabbit outsmarting a tiger who wants to hunt it down and eat it) fitted in with what we were looking for. It’s a fun chase comedy which Pogo kids will love.”

A strong promotion drive has been drawn up to make kids aware of Tik Tak Tail and also possibly fall in love with the franchise through its SCP. The exercise, which takes place annually, will collectively reach out to close to a million students (between standards one to eight) across 1000 schools.

The SCP was flagged off in early August and will cover the cities of Mumbai, Pune, Lucknow, Surat, Kolkata, Ahmedabad, Delhi, Bangalore and Chennai. Mainstream brands such as Dettol, Aquaguard, Himalaya, Go-Cheese and Ford have put their might behind the on-ground initiative.

Ravindranath is in conversation with a handful of other brands to come on board the two shows as on-air sponsors; she expects the deals to close soon. But she is quite confident of the genre and ad rates going northwards too.

Says she: “The kids genre right now is under-monetised because its viewership share genre has not  really matched up to  the genre’s ad pie.  Mainstream and non-kids brands have been using the medium With new players in the market and penetration going deeper into rural areas, new local advertisers will emerge and the genre is expected to grow.”

Says a media observer: “It’s great that Desai and team Turner have come up with new offerings on the network. It will help brands which have been conserving their spends so far to look at them as options for media buys as the shows get viewership. Overall too, I am optimistic of the offerings as Oggy and the Cockroaches is a great franchise and Cosmos Maya has been delivering winning series for the kids networks. However, data has shown that kids are consuming content increasingly on OTT like Vootkids, Amazon Kids, and SonyLiv kids and YouTube pioneers like ChuChuTV. And the linear television channels have to keep a watch on that.”

Desai, on his part, is not disturbed by this trend. Says he: “The OTT market is very small as compared to linear from a kids genre point of view. OTT will only add to the experience but it won’t take away from the linear space. From our side we have partnered with both Amazon and Voot – both of whom are showing many of our shows on their digital platforms. In my opinion, linear television will remain strong for a very long time in India.”

The success of Oggy and the Cockroaches and Tik Tak Tail will only help cement that faith and belief.

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Comic Con Fandom Month: Abhijit Kini ushers in the comic mania at IIT Bombay

The inaugural edition of the Comic Con Fandom Month came to Mumbai on Saturday, 12 August with eminent comic writer Abhijit Kini kicking off the comic con mania at IIT Bombay.

Abhijit Kini talks about the cartoon he drew

In a workshop attended by almost 60 fans, the ‘Angry Maushi’ author first gave a gist of some his works such as Temper Temper, Groundzero, Chairman Meow, It Happened Because Of.., and of course, Angry Maushi, briefing the plot of each of these.

Abhijit also showed some ‘before-after’ sketches of these works, before demonstrating his artistry live to the audience by inventing a new character, impromptu. Chiselling away the deft strokes on his digital drawing pad, the sequential artist left everyone floored with his silky-smooth hand work.

The event was met with an amusing conclusion where all the attendees were supposed to bring out the hidden comic artist in them and outline a small illustration. Basing that on one’s imaginative superhero, the audience came up with some interesting characters and their superpowers alike.

But how could a Comic Con Fandom Month end without the mention of the upcoming Comic Con festival? Abhijit Kini was on hand to remind everyone of the same and also appealed to partake in the comic celebrations, that will happen in Mumbai on 11-12 November 2017.

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