Mahayoddha Rama’s journey from inception to winning National Film Awards was nothing less than a roller-coaster ride

You just have to wait. The dots really join. That is what director Rohit Vaid believes. And that is how things worked for them. From the release of the fist teaser trailer in 2008 to the official release in September 2016 to the movie hitting screens on 4 November, 2016 and eventually winning the National Film Awards in 2017, Mahayoddha Rama is one film in the Indian cinema that has come a long way since its inception.

The animated feature based on the Indian epic released nearly seven years after its expected time, due to several reasons. In a totally unexpected turn of events, it bagged the National Award for Best Animated Film and managed to numb, shock and elate (in that order) its entire team of artists, animator (Deepak SV), producer (Abhimanyu Singh) and director (Rohit Vaid).

Putting it simply, how is the feeling? “It feels euphoric. After so much hard work, it feels like there is light ahead of the tunnel,” says Contiloe Pictures, CEO, Abhimanyu Singh. The film had its trials and tribulations, but the journey continued. As Vaid likes to put it, “There is some divinity in action, something in the universe.” Deepak SV is still sharing the news with everyone who has been associated with the film since its beginning and the reaction has been of surprise and ecstasy. The team, which has put in years of dedication into the project “accepted the award with gratitude and humility,” Singh says. The team will come together to celebrate the win on 3 May, when they receive the trophy.

The biggest challenge was to narrate the Ramayana story within 100 minutes, and make it entertaining enough. Making it in high-quality animation also was a huge investment of time. “Then there were some unforeseen issues but we kept going on,” Singh shares. Deepak SV, who has been with the project from the start has seen it go through ups and downs. There were times of uncertainty and there was a time when it was almost shut down. “But if you have a creative vision and work passionately towards it, no matter what, you will achieve your goal,” he states.

Mahayoddha Rama is a modern retelling in a realistic way,” explains Vaid. According to him, the movie resonates because the creators have put a lot of heart and soul into it. Expressing how the film is so close to his heart, Vaid says, “It’s like a baby that has taken that long to finally breathe.” He refused to believe that they have won the National Award. “I started getting calls congratulating me and that’s when it sunk in that we have actually won the award,” he laughs. He wishes that the film gets a re-release and becomes tax-free so that people go and watch it.

Deepak SV is currently busy with a lot of projects in his pipeline – one of them being his dream project of launching a media franchise, starting with the release of a graphic novel at the San Diego Comic Con later this year. Apart from that, he is also directing a live-action VFX-heavy feature. Vaid is directing the biopic Dhyan Chand and Singh’s Contiloe Pictures is developing an animated series which is expected to launch after a couple of months.

While they all are caught up with something or the other, they are also living the moment of recognition and elation that the National Award has brought in! Kudos to the team!

The post Mahayoddha Rama’s journey from inception to winning National Film Awards was nothing less than a roller-coaster ride appeared first on AnimationXpress.

Easter Surprise – The Real Easter Bunny

German food retailer Netto Marken-Discount has launched “Die Oster Überraschung — Der Wahre Osterhase,” (The Easter Surprise — The True Easter Bunny). The Easter Surprise commercial explores the question, “Where did the Easter Bunny come from?” The concept of a hare or rabbit distributing decorated eggs on Easter Sunday can be traced back to customs found in Lutheran Germany. This animated film provides a fantasy take on the custom. The Easter Bunny’s origins are explained in a marital union between a hen and rabbit who give life to a bunny that can lay coloured eggs. After his egg-laying skills are ridiculed by other forest creatures, the bunny runs away to the human city in the distance, leaving his worried parents behind with nothing more than a newly laid easter egg on his bed. He is soon picked up by a young girl and made famous in the human world, making headlines with the uniqueness that had previously left him feeling isolated. However, before long, he begins to miss his parents and his old world, leading him back to his family and providing the viewer with a fairytale, perfect ending. The Easter Surprise campaign is online at www.netto-online.de/ostern.

Netten Easter Surprise - Easter Bunny parents

“I have a love of old fairy tales and spent a lot of time watching animated features with my kids, so when Jung von Matt approached us with this quirky script, I knew we could make something special,” says Mill+ director Jimmy Kiddell. “We knew the characters would be created in CG, but their location provided a different challenge,” Kiddell continues. “I have a fondness for puppetry and worlds with unusual scales, so the thought of building the interiors and a forest in a studio was too hard to resist. The plethora of characters, settings and story points meant this project resembled the scope of a short film.”

Easter Surprise Easter Bunny Credits

The Easter Surprise campaign was developed at Jung Von Matt by executive creative director Dörte Spengler-Ahrens, creative director Andreas Hilbig, senior art director Andreas Ristau, junior copywriters Adel Abouelfetouh and Clemens Wolff, junior art director Vlad Tarziu, senior project managers Julia Matczak and Alexandra Schöne, managing director Stephan Giest, producers Dennis Wendt, Christopher Kehrhahn, account directors Natalie Hoffmann and Natalie Martens.

The Easter Surprise commercial was produced at Mill+ by director Jimmy Kiddell, director of photography Tim Green, head of content Josh Davies, producer Terri Wood, production manager Jo Coombes, 1st assistant director Marc Wilson, production designer Dan Betteridge, and lead model maker Kate McConnell.

VFX, design, editing and colour were produced at Mill+ and The Mill by creative director/concept artist Jimmy Kiddell, executive producer Reece Ewing, producers Rebecca Perry, Justin Stiebel, head of animation Jorge Montiel, 2D lead artist Pete Hodsman, 3D Lead/VFX Supervisor: Jonathan Wood, 3D lead animator Alberto Lara, art director Melanie Climent, 2D artists Gianluca Di Marco, Jorg Schulz-Gerchow, Rafael Vormittag, Eleanor Risdon, Charles Dockerill, 3D artists Ashley Reemul, Jasmine Ghoreishi, Sauce Vilas, Antoine Mariez, Philippe Moine, Aziz Kocanaogullari, Luca Cantani, Ashley Tilley, Clement Granjon, Margaux Huneau, Jacob Gonzales, Nico Domerego, Anthony Bonnard, Antonio Filippin, Pavel Mamichev, Vladamir Venkov, Hugo Jackson, Jacques Leyreloup, Josh Docherty, Andreas Graichen, Thomas Bourret, Lucie Martinetto, Perrine Renard, Alain Thay, Walter How, Francesco Pelosi, Andrew Bartholomew, Lavan Kumar, Vittal Kuntla, Sivasubramanian, concept artists Melanie Climent, Andrew Brooks, Grant Berry, matte painter Cameron Johnson, R&D officer Craig Davies, colourist Seamus O’Kane, editor Hugo Vaughan-Hughes.

Music is “Beautiful, Always”, composed by Stephan Altman, Roisin Malone, Simon Heeger, Christian Vorländer at 2WEI with executive producers Simon Heeger & Christian Vorländer, sung by Tal Altman. Sound was designed by Thomas Muis at 2WEI.

Family Feud: Gilligan's Island Vs. Batman

Generations Throughout History


The fascinating evolution of all seven living generations, compared and contrasted through their unique perspectives over the course of 125 years in America.

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NoMBE – “Wait”
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Dancing Queen (metal cover by Leo Moracchioli)


Original by Abba

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Movie Bloopers That Were Too Good To Delete


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Every year, the Academy Awards give out two Oscars for screenwriting. But so far, they haven’t awarded any Oscars for bloopers and ad-libs. Which is too bad, because some of Hollywood’s best moments are completely unscripted. Here’s a look at some epic movie bloopers that were kept in the movie…

Rogue One: A Star Wars Story | 0:18
Fast & Furious 6 | 0:55
Zoolander | 1:26
The Lord of the Rings: The Fellowship of the Ring | 2:12
The Martian | 2:40
The Birdcage | 3:12
Clueless | 3:38

Read more here → http://www.looper.com/33468/movie-bloopers-good-cut/

Film and TV Theories

12 Film Theories That Change Everything

7 Marvel Characters Who Won’t Survive Phase 3

5 More Film Theories That Change Everything

How The Walking Dead Could End

5 Fan Theories That Totally Change TV Shows

5 Movies That Strangely Predicted Real-Life Deaths

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Looper is the go-to source for the movies, TV shows and video games we all love. We’re addicted to all things superhero and Star Wars, but we’re not afraid to binge watch some reality TV when the mood strikes. Whether it’s revealing Easter eggs and secrets hidden in your favorite films, exposing movie mistakes, highlighting the best deleted scenes, or uncovering the truth about reality TV’s strangest stars, Looper has endless entertainment for the discerning YouTube viewer.

REYKO / Spinning Over You


Directed by Josep Prat Sorolla Produced by O Executive producers Rafa Montilla & Emilia Fort Producer Fiona Vidal-Quadras Director of Photography Elias M. Félix Production Designer Alexandra Jordana Costume Designer Cris Quer Choreographer Tuixen Benet Make-up Artist Alba Pesa Grade Marc Morató at Metropolitana Postproduction Coordinator Yukio Montilla Dancers Julia Hernández Elena Serrano Lucía Revert Sheila Jordà Production Manager Marta Vega First Assistant Director Silvia Martínez First Production Assistant Eva Rubio Production Assistant Mónica Colomer Production Assistant David Ceballos Production Assistant Edu Giménez Production Assistant Oriol Rovira Production Assistant Valerie Steenhaut Stylist Assistant Alba Aixut 2nd Unit Camera Operator Carlos Rigo Focus Puller Ana Ferron Camera Assistant Frankie A.Ronda 2nd Unit Focus Puller Marta Mulas 2nd Unit AC Marina Cerdà Gaffer Carles Roman Sparks Enric Miranda, Genis Serra, Jose Cachon, Joan Planella and María González Key Grip Alex Moregó Grip Adri Arguelles Art Director Sara Oliva Art Assistant Núria Cunill Props Buyer Vicki Viñas & Júlia Prats Props Advance Anna Cornudella, Laia Alabart & Glendis Props on set Cristian Diamante Construction Guille Fernández & James Grimes Suppliers: Movie Men, Another Light, Cinevent, Cocolate, Espai Erre, Metric, Cine Support, Meridiana Rent, Parc Audiovisual Terrassa, Catering Pa·rill, WRS Walkies & Wifivox Special Thanks to All Cast and Crew, Amor y Lujo, Xevi Fernandez, Juan Carlos Pajares, Maria Barghouti, Hector Ruiz, Álvaro Peñalta, David Fernández, Berta Oliveres, Jordi Santos, Affaire, MINIM Merçè Colomer. http://olovesyou.com http://joseppratsorolla.com

Never like the first time! – SHORT FILM


Short based on documentary interviews. Now with English subtitles…

Rise of the Tomb Raider – PS4 Pro 1080p Enhanced Visuals vs. PS4 Graphics Comparison


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We compare the graphics of Rise of the Tomb Raider on PS4 with PS4 Pro in 1080p Enhanced Visuals mode. Rise of the Tomb Raider offeres 3 different modes to enhance the graphics of the PS4 Pro. You can choose between 4K 30 fps, 1080p 60 fps and 1080p 30 fps with enhaced visuals. These enhanced visuals contain softer sun shadows, better texture filtering, more dynamic foliage, better level of detail and draw distance, upgraded cinematic hair as well as an optimized depth of field. We did not cover the last option, the rest of them are highlighted in our video.
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Wir vergleichen die Grafik von Rise of the Tomb Raider auf der PS4 mit der PS4 Pro im FullHD Modus mit verbesserter Grafik. Allgemein bietet Rise of the Tomb Raider drei verschiedene Modi, um das Spiel an die Leistung der PS4 Pro anzupassen. So kann man wählen, ob man im 4K Modus mit 30 fps spielt, dabei wird das Bild mit Hilfe vom Schachbrett-Rendering – Checkerboard-Rendering – von einer Auflösung von 1800p auf 2160p hochskaliert, ob man mit FullHd und 60 fps spielt oder mit FullHD und 30 fps, dafür mit verbesserter Grafik. Letzteres beinhaltet weichere Schatten, verbesserte Texturfilter, mehr dynamische Vegetation, einen höheren Detailgrad mit höherer Sichtweite, in Zwischensequenzen verbesserte Haare und eine bessere Tiefenschärfe. Im Video zeigen wir alle Optionen bis auf die Tiefenschärfe im Detail.

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Captured with Nvidia ShadowPlay (130 Mbit) / Elgato GameCapture HD 60 Pro https://www.elgato.com/en/gaming/game-capture-hd60-pro

Music: Call of Duty Infinite Warfare – Main Menu Theme

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GameStar-PC Ultra
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The 14th Factory LA


The 14th Factory is a monumental, multiple-media, socially engaged art and documentary experience conceived by the Hong Kong-based British artist Simon Birch. Taking over three acres of an empty industrial warehouse and lot on the outskirts of downtown Los Angeles, the location has been transformed into a factory where Birch and his collaborators work and manufacture their art, creating an ever-changing immersive environment of 14 interlinked spaces comprised of video, installation, sculpture, paintings and performance created in collaboration with Birch and a global community of twenty interdisciplinary artists from China, Hong Kong, the United States, the United Kingdom and Canada. In entering The 14th Factory, the visitor is transformed into a central player in a collaboratively fabricated adventure and motion picture that engages and unfolds, uniting individuals to the creative process and to each other. The experience challenges the current political climate by celebrating creative diversity, unity and the act of overcoming obstacles and challenges as a global society.