AGENCY OFFER REFERENCE CODE: Concept artist (5/9-19/12)
Jobtitle: Concept artist/Character creator
No of positions: 1
Location: Istanbul, Turkey (Client provides hotel and flights)
Dates:5/9-19/12
Software/Requirements: Maya
Genre: High end TVC
Salary/fee: 6300 EUR/Month invoiced (client provides apt and flights)
Deadline for applications: 23/8 11:00 CET (The quicker the better)
Workpermit/Conditions: All nationalities welcome, Client will provide housing and flights.
Information about the client:
Highend posthouse in Istanbul.
Information about the project:
Create a family of friendly robots for a major TVC campaign. Work tightly with director and agency to create the characters and being involved in the project until christmas. You have preferably similar jobs on your reel.
To apply for this gig:
The sooner we can get your application the better, so please send in your application as soon as possible, write in your email when you can start . Email job@utopiapeople.com write the reference code for this joboffer as a subject or simply reply to this email. Only applications with an online reel will be considered, and we encourage you to use www.theshowreel.tv for a professional presentation (sign up free trial).You will get notified if presented to our client. Update your CV at :http://account.utopiapeople.com/account before applying.
Check out my website: http://www.rsteenoven.co.uk
and my Linkedin: http://uk.linkedin.com/pub/richard-v…ven/2b/2a3/179
So after 4 months of working days and nights, we are proud to present:
Nyan Cat – Infection :
http://www.youtube.com/watch?v=e0WNRfBoTuE
And of course, VFX Breakdown:
http://www.youtube.com/watch?v=Kvk9hFuO0yw
comments are welcome 🙂
thanks a lot for your time.
Saar. 🙂
I’m really new to Nuke, and fairly new to compositing.
I have a challenge I’m trying to overcome where I have a set that looks like a basement window. Outside the window we put bluescreen material. I’m trying Primatte as the keyer. Starting out though the way it was shot and put together, the key has a ton of grey noise in the shot. It’s supposed to be a dusty basement window so I have that as a hedge, but I’d like to perfect it the best I can.
What’s the common way to approach really noisy keys? Should I first try and color contrast the read before even keying the shot? Or is there a better approach?
Any feedback appreciated.
Also, I am very confused with this topic.
If you grade a movie adjusting all black levels to 0, when displayed on a tv, (7,5 IRE) will the images appear darker or lighter than your orignal color grade on your pc?
Thanks,
Lou
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