TreeSketch for iPad

TreeSketch is an interactive modeling program that allows its users to quickly create diverse, realistic 3D trees by combining pro..

Geometry Tracking Error

hi ,
i am getting a error saying Tracking stopped at frame 0 No solved camera!

how to solve this ,

for the first time the camera solved, after Reset the shot , i am getting the above ERROR 🙁

plz help me in this , thz in advance

confusion….

I just completed my course and i m very much intrested in 2d compositing….so is it necessary to know maya and max and real flow….If i’ll go for 2d compositior..

Jobs are there for it or not????:confused:

Luma Picture – Lighting Artists

Luma Pictures is looking for Lighters

Luma Pictures is an artist centric feature film VFX studio located two blocks from the beach in Santa Monica, California. *We maintain a unique culture with an amazingly talented staff and are always on the lookout for exceptional people for full time and project positions.

* * RESPONSIBILITIES:
* * – Lighting look development for integration of CG elements into Live Action
* * – Lighting look development for full CG shots
* * – Creation of tools and scripts to facilitate workflow
* * – Develop methodologies for reduction of render time and improving quality of results

* * QUALIFICATIONS:
* * – Artist must know Maya and MentalRay extremely well
* * – Understanding multi pass 3D compositing required
* * – Knowledge of Renderman or Air a plus
* * – Artists must be able to take direction and work in a team focused environment, good communication skills are a must
* * – Strong time management skills and extremely organized.
* * – Solid work ethic and a positive attitude in the face of challenging situations.
* * – Los Angeles Residents or willingness to relocate preferred • Relocation assistance may be available subject to negotiation

If you think you fit the bill and want a quick response, upload your reel/portfolio and a shot breakdown to*www.lumapictures.com/jobs. If you prefer to send hard copies, you can submit a resume, reel, shot breakdown and cover letter to:

* * Attention: Recruiting – Lighters
* * Luma Pictures
* * 1424 2nd St*
* * Santa Monica, CA 90401

* * Submitted materials will not be returned and no phone calls please.

Luma Pictures – Sr Lighting/Comp TD

Sr Lighting/Comp TD

Luma Pictures is an artist centric feature film VFX studio located two blocks from the beach in Santa Monica, California. *We maintain a unique culture with an amazingly talented staff and are always on the lookout for exceptional people for full time and project positions.

Luma is on the hunt for an experienced supervisor who has a substantial track record of leading teams technically and artistically through complex visual effects for film. A great eye and steller problem solving skills are a must.

Extensive production experience in all the following areas: layout, animation, modeling, texturing, rigging, fur/hair, cloth, effects, lighting, and compositing. *Must have an exceptional*eye for taking*shots from conception to final.

Evaluates the creative requirements of a project, determines their technical implications, and makes high-impact operational decisions.

Expected to*be attentive to emerging industry technologies and production techniques, and determines practical applications for these advancements in order to improve production.

Strong aesthetic sense; demonstrates ability to make creative and aesthetic judgment calls quickly and under significant pressure..

Ability to manage time and balance priorities, often amidst the pressures of busy, deadline-driven production.

Ability to communicate effectively with a wide variety of personalities, both written and verbal.

– Must understand anatomy and perspective
– Proper modeling and texturing techniques*
– Knowledge of rigging
– Complex shader network design and setup
– Lighting, rendering and optimization
– Capable of executing complex multi-layered comps
– General compositing knowledge inside Nuke

Ultimately, the successful candidate has extensive production experience, the ability to identify both current and potential technical challenges, and the ability to command high-level technical strategy across a potentially large (feature-film) production team.*

Do not apply if you do not meet all the criteria above.

SUBMISSIONS:
If you think you fit the bill and want a quick response, upload your reel/portfolio and a shot breakdown to*www.lumapictures.com/jobs If you prefer to send hard copies, you can submit a resume, reel, shot breakdown and cover letter to:

Attention: Recruiting – Sr Lighting/Comp TD
Luma Pictures
1424 2nd St
Santa Monica, CA 90401

Submitted materials will not be returned and no phone calls please.

Luma Pictures – Technical Director

LUMA PICTURES is looking for a TECHNICAL DIRECTOR with a focus on Maya.* A brilliant mind is more important than experience.* You must have a keen logical mind with an insatiable need to solve problems and the ability to think creatively.* The ideal candidate does not simply find the quickest route to squash a bug, but takes the time to understand the problem and develop complete and generalized solutions.* You will be expected to wear many hats and learn new skills on the job, but there is plenty of room to explore your own strengths and interests. This is a great opportunity to have a direct impact on one of the best pipelines in the industry.

About Luma:

Luma is a small company (65 staff) with an A-list portfolio (Thor, XMen-First Class, Captain America) located just off the Promenade in sunny Santa Monica, CA. Luma goes the distance to maintain its unique, fun-loving culture, including company outings, beach days, and incredible 3-5 day wrap parties to places like Las Vegas, Tahoe, and Hawaii.

Qualifications:
– 1+ Years Python experience
– comfortable with OO programming
– in-depth knowledge of Maya
– expert problem-solving and troubleshooting skills

Responsibilities:
– learn and extend the pipeline
– design and develop tools for artists

Bonuses – Experience with the following:
– Linux/OSX
– python scripting in Nuke
– GUI building with PyQT
– databases, particuarly mysql
– PyMEL
– C/C++
– Maya/Nuke Plugins

SUBMISSIONS:
If you think you fit the bill and want a quick response, upload your resume to*www.lumapictures.com. If you prefer to send hard copies, you can submit a resume and cover letter to:

Attention: Recruiting – Technical Director
Luma Pictures
1424 2nd St
Santa Monica, CA 90401

Compositing Reel 2011-Arun Karthik

Friends
My Show Reel with three shots, i used AE, Nuke, Mocha
Kindly comment


http://www.youtube.com/watch?v=EiLH5OFrtTo&feature=related

http://www.youtube.com/watch?v=brCd2icnoUs

Arun Karthik

Vray for Maya – UV Pass for Nuke

I was wondering how can you create a UV pass from Vray so I can use it in Nuke?
any tips or an example on how to?

Thank You.

Di Colorist

Hi,

I would like to become a colorist. Can anyone suggest any training institutes in india

thanks
Regards
Ram

Set Extensions – HELP!

Hey everyone,

I was hired as a matchmove artist for an upcoming indie war movie. I completed all the matchmoves and handed them in. The director needed more hands on deck for compositing to meet his deadline for completion, so I offered to help out on the final comps.

Basically, the scenes were all filmed on a dirt lot in Tempe, AZ. The background is currently just cars, buildings and traffic lights, but it needs to be wiped out and replaced with an Iraqi city (which is CGI).

The issue is, I’m still very inexperienced. The cgi has already been modeled and placed using my matchmoves. But in terms of compositing it back in and making it look truly rooted, I don’t know all the little tricks and techniques. Set extension is an art in itself. I go to websites like Lynda.com and Digital Tutors, but none of them really teach any courses that focus around digital set extension. The other issue is digitally removing large elements from the shot that overlap into parallax shift and making it look convincing. I’m having some trouble with this as I don’t know anyone who has done set extension and nobody online seems to teach it.

This is getting long. I’ll get to the point. Does anybody have any sage advice for a greenhorn such as myself? If not, do you know any good tutorials for set extensions? I know video copilot has a tutorial where he does a background replacement using Photoshop and AE, but his shot was simple in concept because there wasn’t really any parallax shift for the elements he was laying in, so for that it was really just a matter of tracking it and throwing them in. The shots I’m working with are handheld style so there’s lots of side-to-side motion and parallax.

Any help would be much appreciated.

Thanks!