I’m trying to camera-project a lawn onto a card. But whatever I do, it ends very blurry after the scanline renderer. I tried several different angles for the camera and ended with -7.6 for the rotation giving me the best result. Please take a look at the attached pictures to see what I mean. Am I doing something wrong? Is it normal that I will never get a perfect result when projecting in 3D-space?
Thank you!
I have several upcoming projects to do, and I need some good VFX artists, in future there will be more projects so i am looking for an longterm cooperation.
I need creative and active people, who are always interested to do something new, and are interested in the music video business.
So if you are interested please write me a pm or contact me per mail:
Regards
I am pretty new to doing projections for mattes etc, so i’m looking for a little bit of advice.
Say, I recieve a model from 3d that was roughly modelled over a photograph. I take this into nuke, and so far the only workflow i’ve been able to come up with is to load in the object, use either UVproject or Project3D and what I end up having to do, is to line up the projection camera manually, very carefully either by moving it or it’s projection parameters like the Apertures and roll etc.
So this has ended up a serious pain, because it is just such a task to line it up, sometimes it just never does. Could some more experienced compositors provide a bit of advice on how to do this easy? Am I doing this wrong?
Any advice or thoughts would help. Thanks :confused:
Learn how to render a UV Template and send it to PHOTOSHOP, and paint a leather texture, also how to create the bump map and the s…
Working as a freelance illustrator, drawing pictures mainly for publishing houses and advertising agencies & now setup a business
since it seems everyone is posting his reel here, I wanna do it too 😀 … Iam currently applying for a Junior/Intermediate Comp Position with it – mostly Commercials until now – feedback is welcome 😉
cheers guys!
Priest: not your average vampire movie
Director Scott Charles Stewart’s Priest envisions an alternative post-apocalyptic world pitting man against vampire, and spiritual warriors helping to win the war. The effects in the film range from the vampires to whole cities and towns, a baron wasteland and a train battle sequence. fxguide takes a look at just some of the 750 effects shots.
Im supervising a VFX shoot next month , and we are shooting a blade runner type sci fi on a RED one .
Now we are using the aid of a Volumetric hazer machine to soften the image
and create shafts of light .
an example can be seen here .
We are having a full cgi Character ala district 9 in the short .
Now my worry is compositing a character into the shot then blending the volumetric haze of the scene with the character … shafts of light hitting parts of the alien and the over all softness that the haze lends to the cinematography .
Sadly we don’t have time for tests .
And i need to tell the dop soon wether we can use the haze machine or not .
If you have any compositing suggestions or workflow ideas , i would greatly appreciate them
Thank you
Justin .
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
