Downloadable node trees (Nuke)
Posted in: Beginners TalkI’m just starting out, and at this point, I would pay for some..
In this Eat3D DVD, Laurens Corjin demonstrates how to model and render an entire high poly military dozer from scratch.div class=”feedflare”
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We are accepting applications for:
Experienced Massive Effects TD
Software utilized include:
Maya
Knowledge of 3D max fume fx would be an asset.
Qualified applicants should have a minimum of 3 years PHOTO REAL CG feature film experience. Employment is to commence as soon as possible . This is a full time position
To apply for this position, please submit a cover letter and resume with a link to your online website/portfolio to:
Demo reels should include a shot breakdown that indicates exactly what aspects of the shots that were your responsibility. If you are submitting by mail, please send info and DVD to:
Spin VFX Toronto
620 King Street West
Toronto, Ontario Canada
M5V 1M6
Preference will be given to Canadian residents.
Due to the number of anticipated responses, only qualified applicants will be contacted.
No phone calls or drop-ins please.
knob [group_knob] 0
but this is not i want, this script only hiding the knob inside the collapsed group_knob. So i want to be able to hide it like python .setVisible() does. Is it possible using pure TCL ?
thanx.
“Allergy,” is a side-splitting take on blind dates, where a young man suffers a severe allergic reaction when he collects his date for the night out.
Beast New York editor Jim Ulbrich cut the Zoosk spots on an Avid system, working closely with the creative team to realize the client’s vision. “The client and agency were great to work with, and it’s always fun to be involved in a company’s initial foray into traditional marketing,” Ulbrich commented. “As far as comedy goes, the two spots couldn’t be more different. The first spot, ‘Fantasy,” is physical comedy, while ‘Allergy’ is more about story and punch line.”
“Because of the demo and end graphics, which were a crucial part of the Zoosk message, we only had about 20 seconds in which to tell the story,” Ulbrich continued. “You keep asking yourself, ‘What footage pushes the story along as quickly as possible?’ With ‘Fantasy,’ it was easier to pull together. I made sure that the physical aspect of the story was as painful as possible and that really drove the spot.”
“With ‘Allergy,’ it was a bit more difficult. While there was a ton of laugh-out-loud material to work with, I was at the mercy of animals hitting their marks and keeping their continuity. The great footage that did not make the cut will have to wait for the gag reel. In the end, everyone was really happy with how the spots turned out.”
Beast is one of the country’s top editorial facilities for commercials, music videos and web virals. With offices in Santa Monica, New York, Austin, Detroit, Chicago and San Francisco, Beast serves a global clientele with an unparalleled roster of established, award-winning editors as well as up-and-coming talent. Since opening its doors in 2006, Beast has built an impressive and varied body of work for such clients as Harpo Films, Nike, AT&T, Reebok, Southwest Airlines, GM, Toyota, BMW, Mercedes, USAF, Linkin Park and Black Eyed Peas.
CREDITS
Client: Zoosk
Titles: “Allergy” :30 “Fantasy” :30
Agency: Ogilvy Atlanta
Creative Director: Dave Galligos
Creative Director: John Spalding
Associate Creative Director: John Teter
Management Supervisor: Kristin Bitter
Account Director: Katie Thrasher
Agency Producer: Lindsey Fischbach
Production Company: Humble
Director: Jeff Bitsack
Executive Producer/Owner: Eric Berkowitz
West Coast EP: Phillip Detchmendy
Director of Marketing: Dawn Goodburn
Head of Production: Persis Koch
Staff Producer: Kristin Tomborello
Producer: Kayellen Moran
Editorial Company: Beast/NY
Editor: Jim Ulbrich
Executive Producer: Elizabeth Krajewski
Assistant Editor: Jai Shukla
Telecine: Nice Shoes
Artist: Lenny Mastrandrea
Online/Cleanup: Gryphyn
Artist: Scott Bravo
Producer: Julia Williams
Audio: Sonic Union
Audio Engineer: Michael Marinelli
Graphics: Favorite Color
Executive Producer: Dave Dimmick,
Head of production: Carson Hood,
Head of CG: Bill Bourbeau
RELATED LINKS
www.beast.tv
zoosk.com
anyone an idea if there is a way to show sth like a little label with the name of the tool directly inside the viewer, e.g.besides its transform jack?? sometimes if opening up three Beziers and 5 transforms it´s hard to decide which one you wanna grab and move.
i know about changing the color, but im fed of :), an automatic label would be more comfortable…
setting, script or similar?
thanks a lot….
i m doing a project where I m tracking a hand in matchmover software can someone tell why I m not getting the track data correct and also y cant solve the cam…I m doing the manual tracking for the hand also using just one cam for the capture
here is image…
Blender open movie project, Sintel, has been released! Download and watch this new wonder.div class=”feedflare”
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If you have already installed the Maya 2011 Subscription Advantage Pack, you do not need to install Maya 2011 Service Pack 1div class=”feedflare”
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