VFX403 [WIP] – mttjss

My first entry to a VFX challenge….wish me luck! :thumbsup:

Matt –

my first compositing shot !!!

first of all thx for all those great members of vfxtalk who used to answer all my cough-stupid-cough questions in the beginner’s section. now here is my first compositing shot HORRAY :thumbsup: !! and i’m actually not just showing it to you so plz don’t just watch it and go 😡 no plz give me ur opinion and criticism and also give me advice on how to make it look better !! and how is my (taxis,cars) roto ? (first time to roto too)
i know it isn’t that good but here is
some information : i knew NOTHING:eek: !!! about 3d,maya,compositing before a month and that’s ma FIRST try so..mmmmmm…………………

plz rate me…. cuz i’d really like to know can i call myself a beginner compositor or i’m even worse ?! am i a very slow learner ??

http://www.youtube.com/watch?v=Uv5TL-vpK_g

i didn’t model the dino or texture (add some materials for the mouth and eyes) it but i rigged and animated it and did eveyrhing else in the shot ;D

used maya and after effects

THX in advance

Newb problem premult

I have a 3d character that I am trying to comp over a background. The character is rendered on black with an alpha.

If I pipe the character render into the A input of a merge node and then the background render into the B input, by default it looks like some areas of the character are screened over the background. Adding a premult node to the character render gets rid of the screen effect but I now have a dark black edge around the character render.

I cant seem to get rid of it. I tried clicking the premultiply check on the read node but nothing happens.

Thanks for any help 🙂

Impactist – Last Heist EP


ImpactistLast Heist EP is a new album from the Portland duo. They created four uniquely genuine short animations for each of the tracks, that fit the musical aesthetic perfectly.

Upgraded from a quickie, we felt that everyone should see how self-initiated projects like this can extend your portfolio and flex your creative muscles without the restraint of a client or online contests rules and boundaries.

Spheremetrical (Here With You)

The Magical Number Seven
Micrhomage (Community)
Looking For You

We asked Impactist to contribute a little bit about their thought process…

Like everyone, our brains are always running.  We haven’t found the off switch.  So, in between other projects and life itself, we’re developing and making projects that we want to make.  This is just what we enjoy doing and feel compelled to do.  We don’t need a prompt like spec projects or contests for us to create.  We’re just not into those exercises.  Painters paint, photographers expose, and musicians compose.  We personally enjoy all those mediums and more and are well aware that we are extremely fortunate to live in a time where technology permits it and the actual social community condones it.  These are really special times.

Last Heist is one such collection of those ideas we’ve acted on.  A small, simple album of tunes we enjoyed making and promos that were made in response to the tracks themselves.  We think small is good.  Get in and get out, try not to waste time, and hopefully make something that is at minimum engaging for ourselves, and at best also relatable or of interest to an anonymous audience that brings their own tastes and opinions to the projects.

These are just fun projects that are initiated without any sort of pressing agenda.  The album title comes from the the idea that characters in film and television often cite their “last heist”, but it most often never actually is their last.  Much like this isn’t a last anything for us either.

We’re not tied to any one technique and we work in many spaces.  The music is a combination of real and synthetic instruments and field recordings.  The visuals include live action and still photography, film and video, paper sculpture, wooden models, practical fire and smoke effects, and other optical and graphic techniques developed specifically for the set.

Posted on Motionographer

Tips on keying and comping Motion Blur

Just wanted to ask the great compositors here to share some tips and ideas on how your workflow is when keying motion blur and comping it back to the background.

Thanks!

Clear expressions from knobs

Hey guys.

I have a gizmo that I’m throwing a button on to connect the 4 track points of a tracker to it. That all works, but i’d love to be able to have a script that can clear the knobs as well.

The .setExpresion(‘Tracker1.track1’) is great, but since animation is enabled on the knob afterwards, I cant simply .setExpression(”).

Anybody know of a way to kill the anim on the knob. I cant find anything that makes sense.

thx in advance

Nuke Compositors

Position: Nuke Compositor

Job Description: Primarily Feature Film Work, from Now through December 2010 or later

Requirements: Proven proficiency using Nuke.

Application Instructions and Information:

Resume and Reel link to B Stern
hr@comenvfx.com
Put NUKE COMPOSITOR in the subject line
No Remote Hires, all work to be done at our Santa Monica, CA Facility

EOE
__________________
www.comenvfx.com

Stereoscopic pipeline or workflow ?

😎 hi everyone ! anybody working in Stereoscopic projects.can anyone tel me difference between anaglyph and polaroid. how polaroid steroscopic is done. wat the all process for converting 2d to 3d. Do u have any workflows. plz tel me ……….

Hiring Maya FX Artist- Burbank CA

Maya FX Artist
_Minimum 2 years of professional experience
_Must be able to take a shot from start to finish
_Strong knowledge of Maya’s dynamic system (Particles, Rigid Bodies, Fluids and …)
_ Some modeling, lighting and rendering with Mental Ray experience
_Big plus if you know: scripting, matchmoving, camera tracking and basic animation.

To apply, please submit a resume and a link to your online demo reel to vfxjobs@yahoo.com.

Please specify the position you are applying for in your e-mail subject and include your rate in the e-mail.
Thank you.

New short animated film presentation

Dear all,

I would like to present my most recent work. It is a short animated film, called “Inclusion”. The story is about a small ball that is rejected by many different societies, because of its color, shape and pattern. It was a 6 months project, which I made it all (script, storyboard, modeling, animation, light, render and post production).

at Vimeo: http://www.vimeo.com/13958905
or at Youtube: http://www.youtube.com/watch?v=_KWUhZyzhIQ

I hope you enjoy it. Thanks a lot for your attention.
Rogerio Weikersheimer