Hasta La Motion!

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An incredibly simple use of aerial footage, combined with the familiar beats of music that screams “you’re watching a news channel” create a surprisingly effective collection of idents for Al Jazeera English.

They express the kind of simple dignity that an international news channel broadcasting to over 100 million people should command, as opposed to say this.

– Big thanks to Sean for the videos.

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The ABC has been teasing its viewers lately with the tagline “TV out of the box”. Well, this evening the ABC announced that its BBC iPlayer-esque service initally dubbed ABC Playback is now open to the public, and has been rebranded as ABC iView.

The BBC have been very succesful in establishing iPlayer as a brand despite its ordinary name, but really, iView was the best they could come up with?

Anyway, derivative name aside, the just launched ABC iView service is fairly similar to the beta version of the ABC Playback service that I reviewed earlier this year. And while the video quality is fine, and the content has increased to include news among other things, the interface still bugs me badly, and the whole thing doesn’t come close to the user experience of the newly launched BBC iPlayer 2.0.

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Last week Channel 4’s digital sibling More4 launched the Stanley Kubrick season, a ten day film festival of some of the celebrated directors work. This stunning promo was shot in one long take, and is a look behind the scences of Kubrick’s 1980 film The Shining, all from the perspective of the director himself.

The spot produced by Channel 4 Creative, was meticulously researched and was even shot using the directors favourite lens. Truly fitting for such a influential filmmaker.

British television seems to love the idea of programming “seasons”. More4 won an award for this promo used for their State of Russia season a few years back, and earlier this year BBC Four took its viewers on a trip into the Medieval mind.

Check out this snapshot of a billboard in Studio City, Ca. It seems that all the Jericho fans that have so kindly responded to my post detailing the effects I did for the Season 2 finally have saved up there pennies to buy some public ad-space to further there cause. Seem crazy? Well, it might if the rabid fans hadn’t already brought the show back from the dead once already with a well coordinated write-in campaign. Who knows if this works out I could be on the call sheet for Season 3.

LINK to my previous post on Jericho VFX

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Did you know there was an Emmy for best main title design? One company that knows all about it is Digital Kitchen, who in 2002 won for their stunning work on the Six Feet Under opener, and scored big again last year with the titles for Dexter.

Dexter made its free to air debut in Australia this week, but both seasons were already over with on subscription television, with Foxtel’s new Showcase channel launching itself on the back of everyone’s favourite serial killer.

I watched both seasons of Dexter over summer, and became enthralled with the adventures of the dysfunctional Dexter Morgan, which brings me to my question..

Why didn’t Ten just pick this up in the first place? Free to air television isn’t exactly proving its relevance by letting Dexter (and others) make their debuts on pay TV.