Hasta La Motion!

Hi, I have some R3D footage that was shot and I started to color correct and I noticed that there was a lot of noise in the blacks(Shadows). I asked around and found out that, that is quite common with R3D footage. So I was wondering is there anything I can do to reduce the noise? The footage was shot at night in a warehouse so it’s already dark. Any help would be great.

Thanks

As stated in the title my rendering doesn’t come out well.

Using Maya 2010 and rendering with MR

On top of my espressomaker it is supposed to be black – plastic, although one part gets much more black than the other, it seems like it doesn’t receive any lights at all.

I’m using the same material, a modified Mia_material_x.
Settings in the two objects is the same.. atleast how far i’ve checked, tried to group them up although that doesn’t change anything.
The MRsettings in the polysurface – shape is the same and there i tried to look if it was the light emitting from an strange angle so i changed it to emit from the top of the two objects. Doesn’t matter either.

I’m really stuck here after hours of changing and testing.. Anyone got some ideas what went wrong?

If there are some info missing please feel free to tell.

Best regards

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I m fresher in rigging.
I want to make a rigged cube with following possibilities

Changes cube shape
vertex controled shapes
Changes cube size in x, y, z, xyz
Squash and Stretch
Bend
Flare
sin
twist
wave
and more posibilities

make it so flexible so that i can animate like a character expressions
please hep me to create this rig.

[NEWS=”http://www.cgnews.com/wp-content/uploads/pod_man_thumb.jpg”]25104[/NEWS]Philips have debuted five innovative and compelling films that comprise “Parallel Lines” a project commissioned for Philips Cinema 21:9 TV. Among them is the dazzling, cinematic thriller “Podarok” which was written and directed by RSA’s Carl Erik Rinsch and edited by Cut + Run’s Dayn Williams and Dan Swietlik.

A follow-up to the award-winning “Carousel” short film, ‘Parallel Lines’, is part of a new global campaign to promote the unique cinematic viewing experience offered by Philips’ range of TVs. For the project, Philips selected a single unifying theme and challenged RSA’s directors to submit treatments for a short film in a genre of the director’s choice.

Forty-five treatments were received from which Philips selected five it believed were most groundbreaking including Carl Erik Rinsch’ tale of otherworldly espionage.

Cut + Run editor Dayn Williams, who previously collaborated with Rinsch on projects for Hiscox Insurance and Sci-Fi channel, calls Podarok: “an amazing opportunity to edit commissioned film with incredible scope, brilliant imagery and feature film pacing.” He adds, “Plus I got to work with Carl and Dan Swietlik, ACE. It doesn’t get better that that.”

Dan Swietlik adds, “The story has an interesting arc, starting out in a very slow and subtle way, but ending in a surprisingly chaotic cliffhanger. It’s a wild trip in an anachronistic world created by director Carl Erik Rinsch — a pleasure to work with because he’s basically a mad scientist with a camera.”

Now on view at www.philips.com/cinema the films are being shown using the Philips’ ‘Ambiplayer’ – a special online media player which recreates the effect of Philips’ unique Ambilight technology, plus picture quality and sound quality of Philips TVs.

The campaign was promoted extensively through social media including a Facebook Fan Page – View here.

Credits
PROJECT: PHILIPS ‘PARALLEL LINES’
TITLE: ‘PODAROK’

CLIENT: PHILIPS
VP, HEAD OF INTEGRATED MARKETING: GARY RAUCHER
SR DIRECTOR, INTEGRATED MARCOMS: EVA BARRETT

AGENCY: DDB LONDON
GLOBAL CREATIVE DIRECTOR: NEIL DAWSON
ART DIRECTOR: SHISH PATEL
COPYWRITER: SAM OLIVER
BUSINESS DIRECTOR: NEILL ROBB
AGENCY PRODUCER: LUCINDA KER
AGENCY PRODUCER: NATALIE POWELL

PRODUCTION COMPANY: RSA FILMS
EXECUTIVE PRODUCER: CASPAR DELANEY
EXECUTIVE PRODUCER: KAI LU HSIUNG
DIRECTOR: CARL ERIK RINSCH
PRODUCER: MARGO MARS
PRODUCTION MANAGER: IMOGEN DE TRAFFORD
COSTUME DESIGNER: SUSIE COULTHARD

FACILITY COMPANY MOSCOW: MONTY
FACILITY PRODUCER: JAMES ELKUS
1ST ASSISTANT DIRECTOR: ANDREY RAMAZOV
DIRECTOR OF PHOTOGRAPHY: ROMAN VAS’YANOV
ART DIRECTOR: DENIS LISCHENKO
STUNT CO-ORDINATOR: VIKTOR IVANOV

EDITING COMPANY: CUT + RUN
EDITOR: DAYN WILLIAMS
EDITOR: DAN SWIETLIK
ASSISTANT EDITOR: STERLING ROBERTSON
PRODUCER: CARR SCHILLING

VISUAL EFFECTS BY: BIG LAZY ROBOT
VISUAL EFFECTS SUPERVISOR: J.J. PALOMO
ORIGINAL ROBOT DESIGN: JEFF JULIAN

TRANSFER, TK, CONFORM & DCP: MPC
HEAD OF DATA LAB: CHRIS VINZCE
COLOURIST: MARK GETHIN
PRODUCER: LOUISA CARTWRIGHT

MUSIC BY: AMON TOBIN

SOUND DESIGN & MIX: 740 SOUND DESIGN
SOUND DESIGNERS: ROMMEL MOLINA, ANDREW TRACY, EDDIE KIM
EXECUTIVE PRODUCER: SCOTT GANARY
MIXER: MIKE FRANKLIN