Sytheyes, Basic Question
Posted in: Matchmoving SoftwareThanks in advance.
Thanks in advance.
Overall Purpose and Objective
The Production Assistant provides support to the production team for Stereoscopic (3D) Conversion projects.
Essential Duties & Responsibilities
Job Requirements
The above are minimum requirements. Resumes from more experienced candidates are welcome. Compensation and responsibilities will depend on experience/qualifications.
EOE M/F/D/V
If you are interested in this opening please send your resume to TDP.Recruitment@technicolor.com
-Serve as primary backup engineer for a large SAN based environment including Linux, OS X and Windows.
-Responsible for maintaining backup requirements and ensuring corresponding documentation is written and up-to-date.
-Disaster recovery, planning and testing
-24×7 facility support
-Continuous checks of near-line and off-line backups
-Responsible for developing and enforcing a facility wide file storage policy . This includes managing SAN storage capacity as well as making recommendations for future growth .
QUALIFICATIONS:
-Knowledge of RAID technologies including both hardware and software based systems. Experience with Linux software RAID is a large plus.
-Extensive knowledge of automated tape robots and backup software .
Knowledge of GNU tar is a must.
-Must be a self starter and be able to manage projects independently
-Strong knowledge of the standard Unix and FreeBSD command set
-Good understanding of Fiber Channel and LTO technologies
-Experience with Storage Area Networks, preferably StorNext/XSan
-Experience with Network-Attached Storage (NFS/SMB)
-Strong troubleshooting skills
-Strong knowledge of networking, UNIX account management and file permissions
-Knowledge of is SQL a plus
Next Element by Deluxe is a creative, data-centric post production facility that has been a leader in the transition to tapeless digital workflows for the motion picture and TV industries. Our proprietary SmartSoft software has automated many of the tasks needed for file-based workflow, allowing for freedom from legacy post production solutions associated with tape-based equipment. Complete television post facility incorporating Dailies, Online Conform, HD or native RAW file Color Grading, Titling, VFX and file encoding. Complete Digital Intermediate post facility incorporating Scanning, Online Conform, Digital Restoration, 2K Color Grading, HD Mastering, D-Cinema Mastering and Film Recording. Industry-leading digital capture workflows (RED, F35, Arri D21/Alexa, S1-2K, Phantom, Canon, etc.). Featuring mobilabs: Dailies anytime, anywhere. On or near set full dailies mobile unit ¡V complete with colorist and assist.
We offer a competitive salary and great benefits, including 401(k.
To apply, please email your resume with the job title in the subject header to hr@nestudios.net
Principal Duties and Responsibilities:
– Anticipate pipeline development challenges, identify and design solutions with team of Supervisor, Stereographer and Software Development team
– Participate in the bidding process, strategizing on technical approach for all projects; working effectively with Supervisor, Stereographer and Producer to accurately estimate work-load and resources in budgeting, scheduling, and assigning tasks
– Partner with Supervisor, Stereographer and Software Development team to standardize production procedures, define pipeline requirements, develop project plans, and integrate solutions to address production specific needs
– Partner with Technology Management and Supervisors to determine internal software development requirements and appropriate use of vendor applications
– Promote a positive and productive work environment and lead collaborative efforts across multiple facilities
– Ensure effective communication between Supervisors, Stereographers, R&D and Pipeline Development team, making sure critical information is shared across shows
– Manage communication regarding facility pipeline, technique, and workflow across all teams, provide updates to Executive Staff
– Manage Software operations and oversees the implementation of all software within the production pipeline with the support of the Software Development Manager, Senior Software Engineers, Technology Project
– Manager, and Show Supervisors
– Manage I/O and data management departments as part of the overall production pipeline team
EXPERIENCE:
– BS or MS in Computer Science or Computer Graphics preferred
– Minimum of 5+ years of experience in feature film on the postproduction side with large-scale visual effects or animation pipeline required
– 5+ years management/leadership of software, pipeline, or technology teams required
– Strong working knowledge of multiple 2D and 3D software packages and pipelines required
– Excellent communication, collaboration, organizational, problem solving, and project management skills required
– Experience with project management software such as Shotgun or Tactic
– Must have strong leadership qualities with the ability to effectively delegate and mentor both technical and creative individuals
– Ability to establish priorities, multi-task efficiently, and work with diverse personalities and all levels of management and technical staff in a high-pressure environment
– Ability to write code and assist in tool/pipeline development is a plus; Mel, Python, C++ experience preferred
If you’re an independent thinker with a high level of ingenuity and the above qualifications, then we’d like you to join our team!
We offer a competitive salary and great benefits, including 401(k) and tuition reimbursement. Please send your resume and salary requirements to hr.resumes@bydeluxe.com. NO PHONE CALLS OR DROP OFFS PLEASE. EOE M/F/D/V
Company description:
Deluxe Digital Studios (DDS) is a leading supplier of DVD, Blu-ray, BD Live, and digital distribution post production services, including subtitling and localization, video compression, encoding, authoring, menu design, bonus content production, audio, and network services. We provide theatrical dubbing services, as well as point-of-purchase creative displays. DDS is a global company with presence in 6 countries.
Our clients include the major Hollywood studios as well as a growing number of on-line retailers.
We are shooting a "interior vehicle" in greenscreen studio.
A Driver in frontseat, Two passengers in backseat.
They want to achieve a SHALLOW Depth of Field between the actors — Driver in Focus, and Backseat Passengers out of focus.
Typically I would not veer from shooting all as a clean key.
However, shooting 3 plates & adding post DOF might not be the way to go?
I feel comping various could be an issue due to any interaction between the actors…
Thoughts?
Myself and a couple of classmates are preparing the final cut of a school project and have a small problem we are not sure how to fix.
We have a shot with a moving tram with the destination clearly visible on the front of the tram, therefore making the transport company obvious and this could end up in us getting a fine.
My question is can someone advise how to remove the text in after effects or recommend a good tutorial on how to do this?
Thanks
What is the suggested work-flow for working with the new RED color spaces in Nuke?
When these files are sent to me i get lost as i dont know what to set in the read node to properly linearize and interpret them.
Also when set to sRGB or Rec 709 i loose the look that was seen in Redcine X or any software capable of understanding these color spaces.
Thanks