BlinkInk Internship

Hello,

We are a production company based in London. www.blinkink.co.uk
We produce commercials and music videos using a broad range of film and animation techniques.
We are looking to expand our small internal studio with young and motivated people. We are currently offering internships for 3D generalists to gain experience working with us for few weeks with the potential to eventually become a part of our new department in the near future.

For further information and an application form please send your details and showreel to simone@blinkprods.com

Thank you!

Blinkink

maya 3d text doesn’t display correctly

I am trying to import a 3d text from maya to nuke, but this doesn’t display correctly…For example, the letter "d" is no hole, while the "e" has become an object filled and incomprehensible.. I’ve tried in many ways and I’m losing hope! can someone help me?

cmiVFX Releases New Houdini Fractals Clouds & Terrain Training Video

cmiVFX Releases New Houdini Fractals Clouds & Terrain Training Video
High Definition Training Videos for the Visual Effects Industry

Princeton, NJ (february 23, 2011) – cmiVFX launches its latest full feature training video for Houdini based on highly advanced fractals for the creation of volumetric clouds and natural terrains. This video covers a detailed workflow within VEX nodes to allow the viewer to have a deep understanding on creating professional shots for such natural effects. The educational structure for this video, gears all users up to be able to follow its contents from beginning to end. This in-depth introduction to Fractals will add an essential knowledge to all Houdini artists wanting to move to the next level. The results produced by this video are truly superb, and near impossible to achieve any other way. With this revolutionary blend of artistry and technology, every user can have the ability to understand the roots and principles of constructing solid multi-fractal networks . At this same time, you will learn how to seamlessly create a digital asset to make your fractals accessible on any shot that you are working on. When you’re finished with the video, you will have the opportunity to create very complicated cloud system, in very difficult scenarios like multilayering effects with complex design and anything else you can dream up.

Short Description:
In this course we will investigate all the details on creating a robust fractal network, so we can learn how to fix any issue that may arise or even prevent them from happening.

Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice… cmiVFX!

Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $299 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.

Houdini Fractals Clouds & Terrain Training Video
http://www.cmivfx.com/tutorials/view…udini+Fractals

Introducing Fractal Networks
In this chapter we will navigate through core VEX nodes and network workflows to create basic fractal images and animations, building up a ground knowledge for mastering fractal color extraction and animation. We then set rules for interaction between external images and your fractals.

Procedural Terrains
One of the first areas that fractals were used was on creating digital terrains. In this section, we`ll look from start to finish how to build a node system that provide us the power to create interesting and unique terrains with VEX, how to control them and also how to comprehend the idea behind a multi-fractal terrain.

"For Loop " VEX Node
One of the greatest nodes in VEX is the "for loop" node, it allows you to repeat the same sequence of code many times. however it has a very specific condition it needs to meet to work properly. Continuing with the effort to evolve the fractal system , we will delve into how to take advantage of the "for loop" to implement richness and a more natural look. Along side the "for loop", we will introduce a method to securely change the input parameters of the network.

Multi-Fractal Workflow
Once we understand what is behind a good fractal system, its time to start bringing to life a complete multi-fractal OTL. In this section we`ll cover every information you need to achieve a great , clean and efficient system.

Introducing Volumetric Networks
Working with volumetric nodes in Houdini is a delicate thing. It can be an intensive process if you don’t handle it right. Our goal here is to present the viewer with a unique way to manage the intricate details within the volumetric process. How to properly set your scene to receive volumetric elements, how to render them, shade, understand definitions and set specific rules to achieve a believable result.

Custom Volumetric Displacement
In this chapter we will introduce the epicenter of our product. Combining all the knowledge we acquired until here to build our own custom volumetric displacements. We will use a simple system to create a pyroclastic cloud to understand the technique behind control vectors and how they can help us to properly add displacements.

Object Volumetric Setup
One of the most required option in a good volumetric system is the ability to apply it to any kind of source object. This can be extremely helpful to draw unique designs and to style clouds in any way we desire. Here we will explain extensively all the necessary steps to accomplish ultimate control on where your volumes will be applied. The only limit is your imagination!

Cloud Systems Workflow
Everything we have learned so far culminates in this outstanding Cloud System workflow. Utilizing our custom multi-fractal OTL and all the knowledge acquired through all the lessons, we will demonstrate how you can create unbelievable natural cloud effect and how to control it in any form your production demands, thus optimizing visibility and rendering to have a great viewport feedback together with great rendering results.

About The Author
Andreu Lucio is a Spanish cg professional with more than 10 years experience and is 32 years old. After studying visual communication, he started working in international cartoon series in 1999, "The triplets", "Juanito Jones" and "Tom" as a Cg Artist for a company called Cromosoma. He become the Lead Cg Artist so learned a lot about light, colors, compositing, fx and how important they are for improving the final result. During his carrier working in some of the top spanish studios he has deeply use softwares like 3d Max, Maya, Houdini, Modo, Combustion, Nuke. Stuff like dynamics, expressions, maya mel and python had been present almost always in his long r&d sessions. Never stopped learning neither working so how to fit developed techniques in the real production its been the key goal for him. For the last 3 years he is working in Torsion Animation, a small Houdini based studio that has co-founded, creating motion graphics and visual fx for commercials. The studio is really small, so it has to use his skills from modeling to compositing and Houdini´s power in order to get the job finished within the tight deadlines and the high quality demanded.

MORE ABOUT THE VIDEO:
http://www.vimeo.com/20325893

This video is available today at the cmiVFX Store: http://store.cmivfx.com/

About cmiVFX
cmiVFX is the leader in High Definition Video Training for the Visual Effects Community. Register for FREE and receive hours of FREE content at the cmiVFX Video-on-Demand Player. ( http://store.cmivfx.com/login ) For additional information about cmiVFX, visit http://www.cmivfx.com. © 2010 cmiVFX | cmiStudios. All rights reserved.

Reading a .map file generated from IMF display

Does anyone know whether there is a way Nuke can read such a file?

Thanks in advance for any help!

Grant

Stoav

Belgian design powerhouse Stoav has updated his site with brand new work including a very cool showreel. Check it out!

Normal and Displacement maps usage in Nuke 6.2

Hi guys and gals, i am working on AppLink script for Nuke, which is bridge between 3D-Coat and Nuke, it should allow to paint/sculpt/uvmap/retopo in 3D-Coat any geometry node you have in your nuke script, then bring it back in one mouse click. For reference you can check same tool I’ve created for Fusion 6 here: http://www.vfxtalk.com/forum/3d-coat…pt-t28896.html

Generally I think that Nuke is awesome platform to script for, very well documented and tutorialized ( 😀 ), everything is scriptable, gizmo creation system is very nice as well, nuke itself is very stable and the way it works looks logical to me so i can wrap my head around it quite fast.
But there is a few problems I’ve encountered, first and foremost is unlike Fusion 6 with it’s awesome new 3D shaders and materials system, Nuke does not support normal or bump maping of 3D geometries. There is a BumpMat node, but i can’t figure how it should be used myself, nor find any relevant information about it. I’ve saw NormalBump gizmo, but i can’t figure the way to use it with baked normal map + other maps (diffuse/spec).

My question to Nuke gurus:

1) Can you please advice any good way to use baked normal maps (that’s it, normal bump maps baked in UV space and not normals render pass)? Aren’t they useful in any way inside Nuke? Maybe i can use this maps in 2.5D relight ?

2) What about 3D Displacement node, does not it support any tessellation of geometry inside ReadGeo node? Only Card/Cube/Cylinder nodes may be tessellated inside nuke, while external geometries must be pre-tessellated prior to importing it to Nuke?

Thanks in advance for your answers!

ZBrush Hard Surface Techniques Video

Mike Jensen goes into depth on many hard surface techniques in ZBrush. Mike starts off by explaining in detail many techniques lik…

Lighting Collection – Vol 9 Released

Lighting Collection – Vol 9 is exclusive product prepered by Pavel Ushakov. Contains 20 models of modern lightshades and lamps.

finalRender, finalToon Trial Available

Except for the watermarked render output, all aspects are identical to the full license including its complete feature set

“nothing is named parent”

Hello

I have a simple question.
Everytime I link a roto to a track, I get this message when I reopen my setup:

p, li { white-space: pre-wrap; } Roto1.curves: Nothing is named "parent"

Therefore, when I click on my roto, everything works great. The link is here and work fine. So why do I have this message?

I must say that I always link the folder of my rotoshape to my tracker…

If you have any idea?
Thanks