Hasta La Motion!

Two LED spots have been dropped off the back of another. The first one, for Samsung, from The Viral Factory (director James Rouse) in London can be seen below:

We grabbed this one a few weeks ago. Since then, it has racked up a decent 4.7 million hits on Youtube. For those who may have missed it, it follows approximately 300 sheep covered in LED lights, a cast of local shepherds and their sheepdogs. The film features sheep being herded into a series of ever more improbable shapes. “The Viral Factory will not be drawn on what was real and what has been achieved in post, but a YouTube debate is predicted.”

This next, more recent, Honda spot is brought to you by W+K Amsterdam and Erik Van Wyk of Bouffant in Capetown. In this spot, the headlights of Hondas become the matrix in which to create simple animations. Most importantly, this was all captured in-camera.

Aside from the creative merits of the Honda ‘Lights’ spot, I’d like to shift the focus to the accompanying making-of video. Unlike the purely viral-format of the Samsung spot, W+K extracted their viral from the TVC shoot. Not only do they get a ‘free’ spot from it all, but they humanize the brand and introduce people to the innovation that goes on under the hood of it’s spots. By keeping it all in-camera, a BTS becomes something interesting enough to watch. Ramp up the scale of the actual shoot and you can do the same to the ‘wow’ factor.

The increase in creating supplemental BTS films seems to have hit a spike during the massive success of the Bravia Color Campaign. The BTS for the ‘Balls’ spot from Fallon/Juan Cabral and Fugslig is one of the more memorable. In preparation for the roll out of ‘Paint,’ Sony’s micro-site hosted a BTS with a countdown to the commercial’s premiere. And who could forget ‘Bunnies‘ and the making-of?

The price of a potential viral hype machine and a chance to show off your in-camera craftiness may not be more than a hand-held second unit. As ad dollars drop, web-content distribution grows and consumers become more savvy (and critical) of advertising, this practice seems like a multi-pronged solution to a few of the ad worlds evolving needs.

Posted on Motionographer