Batman Evolution

Myanmar


Last xmas, I spent 2 weeks in Myanmar travelling in various places such as Yangon, Inle, Bagan, Mandalay, Hsipaw. During that trip, I captured all the footages with a GoPro in slow motion. Slow motion was a natural choice for me as it is country you visit by taking your time and appreciating every single moment. The video was filmed with a GoPro 4 Silver in 1080p at 50fps. It was edited on Final Cut Pro X and graded with Film Convert. Music is: “Border Blaster (Instrumental Version)” by Josh Woodward (http://www.joshwoodward.com/) See my work @ www.lucasveuve.com Like on fcb @ www.facebook.com/lucasveuvephotos Follow on twitter @ lucasveuve Instagram @ lucasveuve

These little fluffy secrets – short horror movie


“No one keeps a secret so well as a child” – Victor Hugo written, directed, edited: Lukasz Pytlik based on “Stuffed friend” by Jason Yungbluth cinematography: Marek Sokolowski starring: Zuza Boguslaw, Laura Jonca, Aga Jonca music: T E Morris http://temorris.co.uk/ Pieter Nooten /appears courtesy of rocket girl records/ http://www.pieternooten.com http://www.reverbnation.com/pieternooten http:///www.myspace.com/pieternooten Fabrizio Paterlini http://www.fabriziopaterlini.com http://www.fabriziopaterlinirecords.com sound: Bartek Krynicki sounds & fx: insinger, orestes, 11linda, carmsie, elektrocell of freesound.org costumes: Aga Jonca graphics: The GFX & Aga Zajac

Yves Rocher 2015 (Directors cut)


réalisation Michael Roulier & Philippe Lhomme styliste Emmanuel Turiot editing Bruno Herlin premier assistant Thomas Nagabbo music & sound Chez Jean props Eric André assistante Pauline Choffé agence M&C Saatchi GAD – Carole Charbonnier et Gilles de Kerdrel

A Velvet Blue Morning's Cycle


A Visual Poem. ___ [Music] Max Ritcher – ‘The Young Mariner’ [Selections] 2014 Los Angeles Asian Pacific Film Festival 2014 ZERO Film Festival LA http://mohitseb.com

Josef Salvat – Open Season [audio]


From the In Your Prime EP. Available for pre-order here: http://smarturl.it/InYourPrime?IQid=yt
Stream: http://smarturl.it/JSstream?IQid=yt

Subscribe here: http://www.youtube.com/user/josefsalvat?sub_confirmation=1
Free download: http://josefsalvat.com/
Tour dates: http://smarturl.it/JosefTour?IQid=yt

Follow Josef:
https://facebook.com/JosefSalvatMusic

http://instagram.com/JosefSalvat

Allie X CATCH


CollXtion I April 07, 2015

Director: Jérémie Saindon
Director of Photography: Shayne Laverdière
Editor: Sébastien Delporte
Art Director: Louisa Schabas
Stylist: Melissa Matos
Makeup Artist: Leslie-Ann Thomson
Production: Antler http://antler.tv/
VFX: SHED http://shedmtl.com/
Produced with the financial assistance of MuchFACT, a division of Bell Media Inc. www.muchfact.ca

Website: http://alliexandra.com/
Twitter: https://twitter.com/alliexxxxandra
Instagram: http://instagram.com/alliexxxxandra
Facebook: https://www.facebook.com/pages/Allie-X/125356847504071

582


visualization of people being reduced to only few flickering aspects of their personality while other characteristics stay in the dark – symbolized through the different shades of light on the faces. the number 582 stands for anonymity and loss of individuality. the thunder and lightning present the emotional storm that comes from it. you are welcome to write your own interpretation below!

As You Dreamt It in Woodville

Sydney advertising agency BMF has worked with ABC to produce a documentary on As You Dreamt It Woodville, a creative community development project centred in Sydney. The original As You Dreamt It project, run in 2012, was a passion project designed to connect a fractured housing estate by turning the residents recurring dreams into pieces of art. More recently BMF employees came across Woodville Housing, a housing estate in Western Sydney called Woodville Housing, where a few years ago its doors were opened to ninety residents from all corners of the world. Many of them being political refugees, they all had a story to tell. However, like many housing complexes, there was little to connect this diverse group and little sense of community. Collaborating with a mix of artists, the residents shared an intimate piece of themselves – their recurring dreams. Partnered up with photographers, painters, animators and illustrators, their dreams were turned into pieces of art that were exhibited on the walls of the complex. A way to give the residents newfound insight into their neighbours and help transform this housing estate into a housing community. The project is online at asyoudreamt.it, with Facebook and Twitter accounts continuing from the 2012 experiment.

As You Dream It

As You Dream It

As You Dream It

As You Dream It

As You Dream It

As You Dream It

As You Dream It

As You Dream It

Credits

The As You Dreamt It project was developed at BMF Sydney with artists Paul Blackmore, Juliet Taylor, Toby Burrows, James Hancock, Toby and Pete, Andy Lewis, Emma Gale & Emma Phillips.

The documentary was produced at Jungleboys and edited by Paul Swain.

::vtol:: oil


Interactive sound installation more info – http://vtol.cc/filter/works/oil The main idea of this project is to present exhibition visitors with the chance to destroy any object that might happen to be on their person, in order to transform it into a unique sound composition. The installation consists of five hydraulic presses, capable of crushing practically any object (a mobile telephone, pair of glasses, headphones or whatever). In the process of destruction, a special microphone records the sounds made as the object undergoes deformation, and in just a few minutes, a computer algorithm transforms them into a 20 minutes album. The project is intended to provoke visitors into spontaneously ridding themselves of material consumer objects for the sake of creating their own individual work of art via deprivation, divestment and destruction. Sound has been taken as the chief medium here with good reason, since sound art is perhaps the least material and most abstract of all genres in art. The technological aesthetic involved constitutes an ironic attempt to make the process of art production into a technological process, but the result, unlike that of mass production, demonstrates a contrary phenomenon – this is a work involving programming and code in the context of generative art, with the potential to broaden the range of instruments at art’s disposal. At the end of the process, the sound production is automatically recorded onto an audio CD and handed over to the participant, completing the process of exchange. video: Nikolai Zheludovich sound: record made from destroyed cellphone