MAAC Vashi’s Gravity 2017 ends on a successful note

MAAC Vashi organised its fourteenth annual award function GRAVITY 2017 on 12 August. Over the past 14 years, MAAC Vashi’s Gravity has become the leading 3D animation and VFX event in Navi Mumbai. Organised at Abbott hotel, the event was inaugurated by Prasad Vanarase and Sanjay Khanted (Director : Animax studios Ind Pvt Ltd) Abir Aich MAAC academic head Ashish Garg(Technical Head-West zone –MAAC)

GRAVITY provided students of MAAC Vashi a chance to experience the production pipeline flow and understand the in and outs of working in a production house.

In this 3 month in house competition, students were given an opportunity to create original artworks and submit it in various categories. A total of 75 individual and group entries were submitted in the categories, best 3D sketching, best digital painting, best matte painting, best photography, best character modeling, automobile modeling , background modeling  and best digital film making, best motion graphics, best business kit, best visual effects film and best 3D short film.

Students were given a chance to showcase their skills to representatives from leading productions houses and stalwarts in Indian animation industry. Apart from showcasing student’s works, the event also allowed students of MAAC Vashi to showcase their talents by performing at the event.

Winners this year were honored with a  medal, winning certificates and cash prize sponsored by Animax Studios India private and the winners are: Sharath Kumar and Sidhesh Galav for best sketching.

Shreyasee Konar for best digital painting,

Trupti Shinde for best matte painting,

Siddhi Desai for best photography,

Roshan Patil for best character modeling,

Satish Ujghare for automobile modeling ,

Trupti Sinde for best background modeling

Kislay Rawat for best motion graphics,

Roshan Patil for best business kit

Trupti Shinde , Krishna Verma, Siddhi Desai, Kirti Mhatre for Digital film Making

Roshan Patil for best 3D movie,

Abhijit Soy, Kislay Rawat, Akshay Kumar and Ajay Kevat for best VFX short film

Rui Manjrekar for student of the year award

The post MAAC Vashi’s Gravity 2017 ends on a successful note appeared first on AnimationXpress.

Creative couple Sohini Mitra and Abhishek De unravel the phenomenal journey of “Avant Garde Films”

 

Avant Garde Films founder Sohini Mitra with her husband and Avant Garde director Abhishek De

Welcome to Avant Garde films, a creative boutique company operating successfully in the digital and media space which continues to make huge strides. Barely four and a half years into operation, it already boasts of a glittering portfolio having worked with some stellar names of the industry. It boasts  of advertisement production with the likes of Idee Eyewear (Alia, Varun, Sidharth), UNICEF Fair Start promoted by Priyanka Chopra, Image Eyewear starring Saif Ali Khan and Esha Gupta, Welspun Hygro Cotton , content creatives for Wow Kidz Rhymes for Cosmos Maya,Tata Chemicals, Digene,Elmach’s Blister, Gitanjali G Divas starring Neha Dhupia , Gitanjali’s Envi and D’Damas starring Sonakshi Sinha, Gitanjali’s Shuddhi starring Mugdha Godse,Dano Milk TVC, Metro shoes starring Kareena and Saif Ali Khan.

It has also collaborated with TV channels for promo production like Star Plus’s Siya Ke Ram, Life Ok’s  Har Mard ka Dard and post work for Star Plus’s Iss Pyaar Ko Kya Naam Doon Launch Campaign, Jat ki Jugni and Super Dancer 2 and Sankatmochan Mahabali Hanuman for Sony. It also has recently  delivered projects for Zee TV like Judwaa and Bhutu’s launch promo and many more.

To add to its bulging resume, Avant Garde recently partnered with Jabong in association with TAP (The Artists Project) and Starstruck for producing and creating the music video for Jabong, Tujhse na Jyada Koi Tu Hai  (Be You) featuring Punjabi heart-throb Diljit Dosanjh that released on 5 August 2017 and is winning hearts everywhere.

Avant Garde Films(AGF) are storytellers, producers and digital specialist who look at each brand or project as a chance to nurture great ideas from ideation, execution to completion and pride themselves on solving any challenges thrown on their way. The company’s roster of directors and producers ranges from award-winning veterans to emerging filmmakers and digital gurus, all sharing extraordinary visual style, strategies and the storytelling or execution ability to transform creative or digital potential into compelling viewer experiences across advertising, digital, media and entertainment.

Some of its areas of expertise are concept development, copy-writing, shoot production, creative designs, visual effects and CG supervision, digital analysts, digital marketing for digital content.

Animation Xpress spoke to Avant Garde founder and CEO, and content creator and producer Sohini Mitra and her husband and director Abhishek De who is also the founder of Futureworks Media Ltd along with Gaurav Gupta. Producers like Gururaj Vasudeva and Sukankan Roy are the key members of the company. With a lot of enthusiasm and passion, they described their remarkable journey in the industry and their quest for innovation and excellence in content creation.

Why did you think of naming it “Avant Garde” which is undoubtedly a beautiful name?

Sohini: We do a lot of experimental work when it comes to developing creative content. So we thought of coming up with a unique name. After a lot of introspection, we decided on Avant Garde Films. It is derived from a French word which means experimental filmmaking.

 Tell us about your latest music video with Diljit that released recently. How did you get him aboard?

Sohini: We got the deal from TAP (The Artist Project) CEO, Debjoy Ray . We also had Kanicka Bhardwaj and Kaetki Bhatia from Starstruck. They got in touch with us with a linear brief and that was when we were connected to Jabong. Coming to the directorial and production part, Abhishek was the director while I and Gururaj were the producers. We had Khalid Shaikh (BOB) as the choreographer alongwith Llyod and his dancers, brand model Aradhana Nayar along with other models like Rizwan Sikander who is also brother to Shama Sikander. It got released on 5 August, that too being our ninth wedding anniversary which was another celebration for us. The video has got a very good response by now and it is growing rapidly. We really loved working with Jabong as well as with Diljit.

Could you tell us about your company? Who were the founders and what was the vision?

Sohini: It was founded by me, almost four and a half years back. The main aim was to create and produce good quality derived content. As I used to create content for other people for around three to four years before starting this company, I thought I should start something of my own.

Abhishek: The basic idea is to create content at different levels and to different people. The digital sector has opened up and they are giving us a lot of scope to do an experiment. So considering that and also given that ours is a young company we are looking at making that kind of content. Also the creative boutique helps you to turnaround a project at 360 degree level. For example, if you consider whom we cater to they give us an idea which is nurtured by us, take it at a concept level, brainstorm the execution, put it all together and finally producing the end product. That’s the whole cycle that we take care of. We are also looking at how to distribute that content, whether to theatres, television, internet, social media and so on. That is where our company really forms a niche.

Can you tell us about your career journey?

Sohini: When I took up arts that is when I decided that I will get into media. I started doing emceeing at a very early age for Star Sports for Formula One. I also did a lot of launch campaigns in my twelfth grade for  Maruti Suzuki’s Treasure Hunt Show, Radio Mirchi’s Launch Roadshow in Kolkata and many more. Later on, I pursued a course in advanced cinematics in animation and special effects and got an offer from Maya where I worked as a VFX co-ordinator under Wilson Louis. My first film was Kalyug with Mohit Suri which happened to be his first film too. Then I did Gangster with Anurag Basu. Later, I moved on and joined TataElxi’s VCL where I worked under Pankaj and Sherry. There I worked for projects like Spiderman 2, One night with the King, Kabhi Alvida Na Kehna and a lot of Yash Raj movies like Roadside Romeo, Dhoom2 etc. Next, I joined Planman where I got an exposure to the creative side of works and started ideating on concepts. From Planman I jumped to FutureWorks, which was just starting at that time. But I had a change of heart there as well, so I joined Network 18 (commercial department) where I worked in ads. Then I joined Maya again and eventually started on my own.

Avant Garde Films CEO Sohini Mitra

Abhishek: I am a Fine Arts student but did a quick, short course on graphical concepts from Maya. I was lucky enough to get a job there. After six beautiful years and working in different departments, I quit from office as the GM of Maya Digital Studios. Then I formed FutureWorks in 2006 alongwith Gaurav Gupta and I have been there since then. But for the next six to seven years, I have also been working independently, directing my own commercials, digital content videos etc.

You have a very young team. How is the brainstorming done at the office? What is the work culture?

Sohini: Firstly, we don’t have a nine to five kind of job. We are working round the clock. However one major thing that we do is we nurture kids. Lot of people have come to our office from Banasthali University and we have trained them in terms of understanding or ideating a concept to executing and delivering the same. We have direct clients and agency based clients too. When we get a script from a client or an agency, they ask us to visualise a film and that is where the content comes into picture.

Abhishek: Basically, keeping things young and fresh is our mantra. Mainly, we believe in fresh ideas and thoughts that are conventional but are executed in a new way. We like that because we have experience from our side but the young talent is the one that brings freshness to it. This amalgamation is very important and the idea of keeping it very simple is what works really well. you People don’t have to come and leave at a certain time in our office. It is not like a fixed 9 to 5 job. But we always train people and make them understand the importance of certain things at vital times. There are certain projects which need to be delivered on a fixed deadline, so we teach them to work accordingly.

How do you discipline them?

Sohini: Discipline wise, we are not strict at all. We treat them as family because we are a very small unit. We are not a unit of 500-600 people. We take care of their medical insurance, send them to movies (but not parties) so we try to create a family-like atmosphere. Regularly they attend various events and seminars too.

Abhishek: Most of the kids here are themselves motivated and try to deliver projects on time, which they do.

Avant Garde Films Producer Gururaj Vasudeva

Do you get cinematographers and directors externally or do you have a team of our own?

Sohini: We have Abhishek De as our in-house director. We have our in-house producers who are Guru Raj Vasudeva and Sukankan Roy.  Apart from that, we do hire directors. But right now we are working with Abhishek and a budding director, Mohan Rawat and me too.

How’s the working style of the directors?

Sohini and Abhishek: We follow the typical methods of the industry. The directors get all the creative freedom to explore themselves. They keep a balance of creativity and professionalism.

Avant Garde Films Director Abhishek De

 How is it working with your husband?

Sohini: While working at AGF, I don’t see him as a husband! He’s my director. We do have a lot of arguments, but we don’t let it affect our personal relationship. Work and personal relationships are two different verticals and we maintain that differentiation. However, it is always fun working with him.

Is every work a learning experience for you? Can you tell us any major work of yours recently?

Sohini: Work has always been a learning experience for me irrespective of it being big or small. We are always evolving in terms of the work that we do for all kinds of content production. I believe, If you stop evolving then you are dead in any field. And that is where, the freshness added by our young team really works for us.

We just finished something for Jabong which was a music video with Diljit Singh titled as Tujhse na Jyada koi tu hai who has given a good song. We did another landmark project titled as with Linteractive for UNICEF’s Fair Start, that was launched by Priyanka Chopra as she is their brand ambassador. It had almost all the kids from NGOs as we travelled all around Mumbai for the same. The concept was a story written by the NGO kids and we were the mentors who helped them  execute it into their dream film alongwith the help of Parag Sahane from the agency Linteractive.We also have a wonderful making video of the same project.

Abhishek: The kids were so wonderful to work with. With the thought process they came up with while the concept of working and mentoring the kids itself was amazing.

We had also produced two-three launch campaigns for Star Plus, one was Siya Ke Ram, while the other was for Life Ok’s Har Mard ka Dard, which is a live show right now.

Tell us about some of the content you have created for kids.

Sohini: We create a lot of content for kids. We have been creating content for Cosmos Maya’s WowKidz Rhymes.

What’s the company strength? Are you more into production, execution, conceptualisation?

Sohini: We are into conceptualisation and production both. As far as the company strength is concerned, it is within ten. But in terms of our work, our two key strength are creating and producing content.

You have worked with numerous Bollywood personalities such as Kareena Kapoor, Saif Ali Khan, Shahid Kapoor, Alia Bhat, Anushka Sharma etc. How was the experience of working with all the celebrities?

Sohini: Alia Bhat, Varun Dhawan,Siddharth Malhotra, Kriti Sanon were very cute and humble. They had no tantrums. Both Saif Ali Khan and Vidya Balan were very professional. Kareena, Sonakshi, Saif Ali Khan, Salman Khan featured in a creative directorial work by Abhishek and  all were terrific.

Tell us about your work in the digital medium? What do you think will be the scope in future?

Sohini: We worked in the digital medium for Jabong, Welspun, Wow Kidz Rhymes. The scope is huge. We are creating IPs and have a big vision for our future. We always sit and brainstorm together. There are a lot of execution that we are doing in terms of hardware. This is reducing the time required for production and post-production. Then there’s a lot of  work in VR that we are into as well. In fact, we are trying to get our own hardware that we can use to develop content.

Do you have plans to do a web series?

Sohini: There is a small project that we are currently brainstorming around right now.The project is for kids and we have used elements like live action, real kids, arts, crafts etc. to experiment about what kids like.

Abhishek: So there are a few ideas that we are working on right now. We have investors coming in but  we are waiting for the right one. Once that happens, we are planning to start the work by the end of this year.

Can you tell us about the animation done in the Wellspun Hygro cotton Towel advertisement?

Sohini: For starters, we did that with FutureWorks. That came as a brief from Wellspun and I, Abhishek, Gautam and Smith were involved in it. It showcased the technology of Hygro cotton which soakes water ten times faster and grows softer and softer after every wash. The entire process was completely monitored by us using an experimental filmmaking method.The ad got a very good response. It was loved by public as well as our client.

Abhishek: So we actually created 6×4 miniature sets by about four or five. Then we used 250 real towels to make real miniature sets. We also animated the characters with the same texture and finally, the video came out really nice. It started out as an AV but then we used as a commercial and released it with the movie Spiderman in the the theatres. It also came along with Ranbir Kapoor’s Yeh Jawani Hai Deewani. That ad was in collaboration with FutureWorks for which we were nominated for few awards as well.

What are the major broadcasters with whom you have worked with and how was the experience?

Sohini: We majorly work with Star Plus, Life Ok, Sony, Zee TV, &TV and Colors as well. Working experience with each of them has been brilliant so far.

Are you more into developing or creating concepts or production?

Sohini: We are more into concept ideation along with execution and that is our USP .

 What are the recent TV promos you are taking up?

Sohini: Har Mard ka Dard, Siya Ke Ram are the recent TV promos production we have done. However, we are a part of most of the recent campaigns. We did the entire campaign (post production) for Iss Pyaar Ko Kya Naam Doon as we completely conceptualised and also designed the same. Then, we also did the latest show promo post for Bhutu which was on zee Tv.

Abhishek: So basically we specialise on launch campaigns. We are doing one with Sonakshi Sinha  and Ranveer Singh currently. Then another one with Vidya Balan and Kriti Sanon whose name again we cannot disclose as of now.

With whom would you like to work with in future?

Sohini: We would like to work with FMCG brands or even automobile, real estate, pharma or any field for that matter. Someone who is looking for innovative ideas to get executed.

Do you plan to get into TV serials, web series, print media?

Sohini: We don’t want to enter into the print media, we will only stick only to visuals. Yes, we have plans for other mediums.

Where do you see your company in the next five years?

Sohini: In the next five years, I see a bigger set up and also reach a stage where we are sufficient to create our own content with the innovation that we want, such as hardware innovation.

Abhishek: But five years down the line we also plan to have a partner, a financer with whom we can collaborate and work.

It was amazing talking to the super creative couple Sohini Mitra and Abhishek De and also interacting with producer Gururaj Vasudeva. They have a lovely team which is like a family and a wonderful office which brims with creativity and positive energy. Undoubtedly they are all set to create more benchmarks in the industry with their enthusiasm and passion for their work. Animation Xpress wishes them all the best!

The post Creative couple Sohini Mitra and Abhishek De unravel the phenomenal journey of “Avant Garde Films” appeared first on AnimationXpress.

Young Animators International Film Festival will ignite the creative wings on November this year

YIAFF 2016

YAIFF is organizing the Young Animators International Film Festival in New Delhi (India) in collaboration with India International Center on 10 November 2017.The event will be held in the the C.D. Deshmukh Auditorium, New Delhi with a seating capacity of the 230 persons.On the first day that is November 10, there will be a welcome speech by a child animator, screening of Prince and Princess, a collection of animation films made by Michael Ocelot, British Academy Films Award winners, screening of animation films made by children of the world, demo presentation of “how to make your own animation films”, screening of animation films made by children of the world.

YIAFF is a place where children and young people, professionals and animation lovers will be able to exchange ideas and experiences and make new friends beyond their State and Country.The jury will consist of animation experts, artists, musicians, film makers, puppeteers, environmentalists and practitioners in value education.The vision of YAIFF is to unite the children of the world through the creative art of animation film making by awarding work that promotes global peace and harmony.

YAIFF 2016 Animation Workshop at the India Habitat Centre, Lodi Road, New Delhi was as follows:

YAIFF 2016 Film Screening at the C D Deshmukh Auditorium, India International Centre, Max Mulleur Marg, New Delhi

YAIFF is a place where children and young people, professionals and animation lovers exchange ideas and experiences and make new friends beyond their State and Country.

The jury consists of animation experts, artists, musicians, film makers, puppeteers, environmentalists and practitioners in value education.The vision of YAIFF is to unite the children of the world through the creative art of animation film making by awarding work that promotes global peace and harmony.YAIFF 2016 was a very successful film festival. More than 250 films from 30+ countries were screened to a packed audience of enthuastics school children, collage student and animation film lovers.

YIAFF 2016 animated film screening

There will be several awards and prizes for the film festival.Awards are gift packages. There is no cash award. It includes :

Best film on the Environment
Best film on Social Messages

Some of the rules and terms are:

1.Films made by school children and college students will be accepted.
2. Films must be of less than 5 minutes duration
3. Films can also be submitted through downloadable links on the internet.

Categories include:

  • Little genius
  • Budding animators
  • Nova animators
  • Prodegy

    YIAFF 2016

 

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The ‘Justice League’ strike a new pose in the latest poster, but Superman still missing

As the world awaits the Justice League with bated breath, here’s a new piece of crumb for the fans to binge on. The latest poster of Justice League is out, and our superheroes are striking a new pose in a black background that bears the phrase “League Up”.

As a part of their new promo, the latest cover image of the upcoming DC extravaganza wears the same no-frills look of the previous poster. However, it articulates the very concept of the movie in the new tagline it upholds.

What it does maintain, though, is the fact that Superman still remains inconspicuous. The narrative surrounding the man of steel in the movie is still kept under the wraps, and maybe the fans will have to wait for it to roll into cinemas to unravel the mystery.

Distributed by Warner Bros. Pictures, Justice League opens in theatres on 17 November 2017.

The post The ‘Justice League’ strike a new pose in the latest poster, but Superman still missing appeared first on AnimationXpress.

What Renderer Should I Use In Cinema 4D?

With so many different options to choose from, what renderer is the best one to use for your final render out of Cinema 4D?

There is no magic answer and in some ways that’s perfect. Some render engines are better for certain tasks. Below is a list of a few that we recommend and what their pros and cons are.

The Goal Of This Post

The goal of this article is to help motion designers and 3D artists make an informed decision on what renderer they would most benefit from.

What are the criteria? Glad you asked! All opinions assume you want to make photo real animations in a production environment with little to no problems. So each one is looked at through a production final-frame render lens.

Why listen to us?

We have over 40 years of combined experience with 3D rendering. Our creative director Chad Ashley has tried most of these personally and has used many of them in production. Our goal is to give you the right information to help you make the right decision for you and your team.

We understand there is confusion in the rendering space, and we are here to share what we know and what we’ve found.

The Short Answer

As of August 10th, 2017 this is our opinion of the current “Render Wars” and what we think is best for most artists. (stay tuned as I expect these recommendations to change from time to time)

For those who are ready for a GPU renderer that’s production focused: Redshift

If you or your studio have already made the jump to GPU rendering and have outfitted your workstations with multiple Nvidia GPU’s then I can firmly recommend Redshift as the best solution for you at this time.

For those dedicated to CPU or who have a deep appreciation for features/scalability: Arnold

For those of you still on the Mac platform or who have already invested heavily in CPU machines/farms, I recommend using Arnold as your primary renderer.

But let’s take a closer look at what may or may not be right for you.


Physical Renderer

Pros:

  • Built into the core of Cinema 4D
  • Ton’s of tutorials
  • Good representation of materials in the viewport
  • Great for stills
  • Reflectance is quite robust
  • Excellent noise maps

Cons:

  • Slow
  • No IPR,
  • Lacks strong pass (AOV) system
  • No node material editor
  • No curvature map (though inverse AO is close)
  • No tri-planar map
  • Not receiving regular updates
  • Lights are in need of serious upgrade
  • No dome light
  • IBL workflow is cumbersome

Who is Physical Renderer Good For?

I suggest you stick with Physical if you are tied down by hardware/OS and haven’t a budget to upgrade to anything else. It’s also entirely satisfactory if you don’t find yourself rendering any complex photo-realistic animations on a regular basis. It’s quite adequate on stills and can even handle distributed rendering with Team Render to Picture Viewer.

Check out some of our favorite Physical Tutorials


 

Arnold by Solid Angle / Autodesk

Pros:

  • Killer development team
  • Deep feature set
  • Custom AOV’s (Arbitrary Output Variables aka passes)
  • Light Groups
  • LPE (light path expressions)
  • frequent C4D plugin updates
  • simple settings
  • x-particle support
  • supports both Mac/PC
  • same engine in multiple host applications
  • scalability, stability
  • Many speed enhancing short-cuts and workflows

Cons:

  • Expensive (compared to competitors)
  • Confusing license system
  • CPU only
  • Slow compared to most GPU renderers
  • owned by Autodesk (bad track record of acquisitions)
  • poor choice for interior rendering
  • caustics are weak

Who is Arnold Good For?

I recommend it to those individuals/studios who demand high-quality images and who value stability. Arnold is also perfect for those who are not quite ready for GPU rendering but are looking for something beyond the Physical renderer in Cinema 4D. It’s also ideal for individuals or studios that have not yet made the switch to PC as Arnold will run on either Mac or PC. If you are an individual artist or a studio running lots of different sort of jobs (volumes, particles, large data sets) Arnold is the right choice for you. If you are studio with mixed 3D host applications Arnold’s proprietary .ass format is interchangeable which can be a great benefit. Arnold coupled with render farm solutions out there such as Pixel Plow is a potent combination. Arnold and cloud rendering gives small studios and independent artists as much firepower as most large studios. Arnold is one of my most recommended renderers.

Check out some of our favorite Arnold Tutorials


Octane by Otoy

Pros:

  • Easy photorealism
  • IPR Speed
  • IPR window features
  • speed of rendering (up to a certain level of complexity)
  • simple settings
  • custom material node interface
  • Octane Scatter Utility
  • tri-planar mapping

Cons:

  • Limited by GPU memory
  • Stability
  • scalability
  • no custom AOVs
  • no light linking
  • inconsistent/delayed updates
  • limited maps/materials
  • layering multiple materials is cumbersome
  • “Octane Effect” (see GSG Podcast).

Who is Octane Good For?

I think Octane is perfect for an art-director that is designing frames or doing basic look dev. It’s fast IPR, and simple UI will make it easy for a designer to create imagery, given they have the GPU power to run it efficiently. I’ve seen Art Directors have great success with Octane. Do boards with Octane, then move to a production renderer to finish the job. Octane is also useful as a “daily render” tool. I’ve often joked on our podcast that Octane should have a “send to Instagram” button as it seems to be used more on that platform than any other. Not sure if that’s good or bad. Up to you, I guess. I should also add that Octane is a fine choice for those doing primarily exterior architecture renders.

Check out some of our favorite Octane Tutorials


Redshift

Pros:

  • Balances load between CPU and GPU
  • Very Fast
  • production focused features
  • biased engine
  • unified sampling
  • versatile uber shader
  • tons of map types
  • a responsive development team
  • Redshift Proxies/Instances
  • X-Particles support

Cons:

  • AOV workflow is convoluted (too many clicks)
  • no ability to texture lights beyond images
  • not as many useful utility nodes as other choices
  • no support for X-Particles trails (or splines at all)
  • higher learning curve

Who is Redshift Good For?

I recommend Redshift to anyone running Nvidia GPU’s and who is looking for a stable production renderer and isn’t afraid to jump into some settings to squeeze out every ounce of speed out of your frames. It’s very well rounded and versatile able to handle arch-viz interiors, intricate character work, product viz, or complex VFX.

Check out some of our favorite Redshift Tutorials


Cycles Render by Mario Tran Phuc

Cycles4D by Insydium

Pros:

  • Works both on CPU and GPU
  • tons of features for rendering X-Particles
  • affordable
  • great node material editor
  • plenty of learning resources.

Cons:

  • Cycles is developed by the Blender Foundation and not Insydium. The open source nature can scare large studios who are looking for deep customer support and accountability. I’ve found that it also a bit cumbersome on seemingly simple shading/lighting tasks. AOV’s are also a bit lacking.

Who is Cycles4D Good For?

Anyone who’s work is primarily X-Particles based would benefit from Cycles4D. It’s CPU/GPU flexibility, and low price would make it an excellent choice for those on limited hardware/budget.

Check out some of our favorite Cycles4D Tutorials


“Want More To Read About This?”

We wrote an in-depth article over at Motionographer. If you’re still hungry for more information, go check it out!

“Why didn’t you mention My Favorite Renderer?”

If your renderer is not mentioned above, it’s either that we haven’t used it enough to form an educated opinion or we have used it and we don’t think it’s ready for use in production yet.


Still not sure? Take this silly quiz and see what you get! Share your results in the comments!

Greyscalegorilla Podcast Ep. 72: “Making a Meal vs Making a Reel”

Follow Us: iTunes | Android | RSS | Google Play 

Thanks to Maxon for sponsoring the GSG Podcast!
Go to gsg.maxon3d.com to start shopping – http://gsg.maxon3d.com
Be sure to use the code “GSG2017” during checkout to save 10%
Ends August 31st, 2017

********************
In this episode, the crew discusses a new article that Chad Ashley contributed to for Motionographer on the state of rendering in C4D. They also tackle the age old issue of how to balance work that pays the bills and work that makes you happy.

Show Notes

Render Wars Article on Motionographer

Render Wars Cliff Notes and Quiz on GSG

Sekani Solomon

C4D R19 Fracture Voronoi Tutorial

2006 Puma Shoe Spot

Possible Studios

Jeonju International Film Festival 2017

Winning the render wars with Chad Ashley

With the everchanging landscape of render engines it can be hard to know which one is right for you. In this article, Sekani Solomon dives into the topic with one of the experts in the field, Chad Ashley.

Washed Out – Floating By


Washed Out – Floating By
Off Mister Mellow

Directed by Drew Tindell: http://drewtyndell.com/

Purchase Mister Mellow: www.stonesthrow.lnk.to/washedout

Watch The Mister Mellow Show, Starring Kyle Mooney:
http://mistermellow.tv

The Crown | Teaser Saison 2 [HD] | Netflix


La Reine Elizabeth voit son mariage et son empire s’écrouler autour d’elle. Elle doit alors prendre les mesures qui s’imposent pour assurer la survie de la monarchie britannique. The Crown. Saison 2. Décembre 2017.