Wiki wiki wiki. A clock collage by the Madrid-based Musikame team — David Salaices, Alex Santiago and Latrama. (Via Vimeo staff picks.)
I don’t have an Xbox, but if I did, right now I’d be playing Insanely Twisted Shadow Planet, created by Joe Olson and Michel Gagné. I’ve been excited to see how Gagné’s beautiful FX animations translate to a gaming environment since the initial trailer came out in 2007. Gagné’s previous work includes the Ratatouille taste visualizations, The Iron Giant FX, and his epic short, Prelude to Eden.
The ITSP blog has beautiful concept art and screen shots. There’s a free trial version on Xbox Live Arcarde.
Everywhere I read up says to use user tracks to fix problem shots but I just don’t understand how they work… Do you use them in conjunction with an autotrack and if so when? before the auto track? or after? Also What should I do when the track marker goes off camera? Just move it off frame and make new tracks?
Here is a leader for a student film festival we did. (For the festival itself, not for competition) I’ts also my first time supervising, so please let me know what you think 🙂
http://www.youtube.com/watch?v=U3L3y3oppNk&hd=1
I did the transition into the cellphone, the earthzoom (not the earth and satellites) and the cellphone screen replacements.
Prefer an animation house over a freelancer but if you’re a freelancer who can get an animation house behind you or your demo reel speaks volumes to your experience I’m interested in hearing from you.
thanks
Jackie, Vancouver Canada
girlwith_noname@hotmail.com <- I’m legit, just use this email addy in forums cuz of spam ‘n stuff…
A selection of work completed at Mainframe over the past year or so, except for a couple of tests/freelance bits.
Sorry for no breakdown, I basically did most of the 3D/tracking etc. and a few bits of the comping in AE but that was mostly done in Nuke by other artists.
Hope you enjoy.
Cheers.
my REAL problem is that i have imported camera data from PFTrack into my LWS, and need to reposition the camera. but when i do that, it only repositions the camera for one frame, then it moves back to it’s original position for the remainder of the frames.
so i either need to move the actual object with the lights to where i want it, or figure out a way to move the camera for all frames.
You have seen his work on the big screen, now see his personal site. Creative Director, Heebok Lee updates.
Find out more about the power of Houdini at http://www.sidefx.com
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