Hasta La Motion!

Hi, i need some help about a color correction workflow.
This is the situation:

20 second TV spot, captured in HD uncompressed 10bits in Final Cut.
Edited in final cut in the same color space.
Postproduced in After Effects, for some effects (a window chromakey, a "post" digital LCD) and color corrected in After Effects too.

Then, rendered again uncompressed and took it to Final to add sound and mastering for broadcast. And, surprise… The color is not the same I see in After Effects…

So as I was mastering from Final Cut to a tape I decided to slight re-color correct in Final. In the vectorscope the signal was out of range in the white, i assume it was the bigger dinamic range of the uncompressed footage. It automatically set to the right level when I put the timeline in Prores.

Finally, as the spot was for broadcast SD PAL, I change the settings to a PAL timeline… and of course… the color changed again (rec709 to rec601 I assume…)

So, what is the right way to color correct for broadcast with these tools and don´t get mad with all these color changes? Which is the best and safe way to be sure that what you see is what you´ll get?

Thanks!!:)

Hi, let check out 3d max mental ray commercial product renders,i hope it help u guys……enjoy

Hey 1st time poster but in need of help, im using matchmover at the moment and have selected an area in the track window as shown in the attached image, can any of you guys tell me how to unselect it completely, its stopping me from tracking points and playing the actual footage, its really fustrating and i would really appreciate the help. thanks in advance

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THE FILTER FX IS LOOKING FOR A FLAEM ARTIST to come to live to Mexico for a period of time.
PRINCIPAL DUTIES AND RESPONSIBILITIES:
• Composites images and creates visual effects
• Able to provide visually creative solutions to directors and VFX Supervisor
• Able to supervise shoots where appropriate
• Able to lead teams of compositors and animators (in conjunction with CG Supervisor)
• Works with directors, VFX Supervisors, Editors and CG Supervisors to facilitate production of elements in preparation for compositing

EDUCATION, EXPERIENCE AND SKILLS REQUIRED:
• Strong creative and design skills
• Ability to work directly with directors, clients, VFX Supervisors and animators to solve complex compositing issues
• Problem-solving and strong organizational skills
• Fluent knowledge of Flame operations (UNIX commands)
• Solid working knowledge of Flame (and Nuke is a plus)
• Must be able to learn new technology as it relates compositing and CG
• Minimum of 5 years experience in related work
• Overtime may be necessary to meet deadlines

Hey.

does the Vimeo and Youtube wrappers work. ive tried to embed some video video and it kept saying the video is no longer available.

also noticed that most resort to link to the hosting site than to embed the video.

i dont know if this is a reveling issue. just wanted to bring to your attention.