Hasta La Motion!

Hi friends,

when ever i tried to load a footage or i tried to open a comp file, my open dialogue box is getting hang for some minutes. Some times my time line also having the same problem!

anybody know the reason, pls tell me . Its dragging my time every Day!

Cinesite goes on a voyage with the Dawn TreaderLondon, UK, December 14, 2010 – Cinesite, one of the world’s leading film visual effects houses, has completed visual effects on the new Twentieth Century Fox/Walden Media film, The Chronicles of Narnia: The Voyage of the Dawn Treader, which wasreleased in cinemas on December 9. For the third installment in the Narnia film series, Cinesite were tasked with creating the White Witch, played by Tilda Swinton, green mist tendrils that embody evilness, a golden path of treasure and complex environments.

The Chronicles of Narnia: The Voyage of the Dawn Treader is a return to the magic and wonder of C.S. Lewis’ beloved world via the fantastic Narnian ship, the Dawn Treader. In this new installment of the blockbuster The Chronicles of Narnia motion picture franchise, Edmund and Lucy Pevensie, along with their cousin Eustace, their royal friend King Caspian and a warrior mouse named Reepicheep, find themselves swallowed into a painting and onto the Dawn Treader. Their mission – upon which rests the fate of Narnia itself – takes the courageous voyagers to mysterious islands and a river that turns to gold, to fateful confrontations with magical creatures and sinister enemies, and to a reunion with their friend and protector, the ‘Great Lion’ Aslan.

Cinesite’s team was headed up by Matt Johnson, visual effects supervisor and Stephane Paris, 3D supervisor. To create the White Witch, whose most striking appearance is in the final battle sequence where she tries to tempt Edmund for the final time, principle photography was taken of Swinton and scanned, generating a 3D model of the actress’ head. Cinesite rigged and animated the 3D model using Maya, matching it up to her live performance. CG hair was added to enhance the appearance of the witch and a shroud of upper body mist was composited over the live-action plate to add to the effect of her being a mythical, floating creature.

To achieve production vfx supervisor Angus Bickerton’s vision of creating an evil embodiment, while striking a balance between a realistic body of mist and a solid entity, Cinesite used Houdini and created particle renders that generated an ethereal and misty look.

For the sequence preceding the final battle, which sees the Dawn Treader and her crew head into the heart of the enemy’s dark island territory, Cinesite created the green mist tendrils. These tendrils play tricks on the crew’s minds, taking the form of their greatest fears. The ghostly trails were created in Houdini and proprietary fluid simulations tools. Animations were blocked out in Maya for each tendril shot using character eels to give a sense of position, speed and movement to the mist.

Once the pre-viz was approved, the team were able to derive fluid simulations from the data, produce numerous lighting passes and animate the particles to interact with the live action elements in the plate. This meant rotoscoping the mist around the cast and props on the deck to ensure that it interacted realistically with the live-action environment, which had been shot in front of a blue screen stage.

“We were really able to put our pipeline to the test on this film,” said Antony Hunt, managing director of Cinesite. “The particle and fluid simulations that Matt and Stephane’s team created pushed the boundaries on what we’ve generated before, taking our work to another level. Thanks to the combination of Houdini’s software and our own proprietary tools, we’ve established a workflow that we can reuse again and again.”

Other effects completed by Cinesite include extending the bejewelled valley using 2D visual effects and digital matte paintings to give the effect of an extensive golden path, and creating set extensions of The Goldwater Island sequence. All shots were composited in Nuke and the project was the first by Cinesite to be completed entirely using the software.

About Cinesite

With one of the largest and most comprehensive facilities in Europe, Cinesite’s visual effects team has the capacity and creativity to produce all manner of effects, both digital and physical, for feature films and broadcast projects of all scales. Their award-winning team of highly talented visual effects artists take filmmakers’ ideas and turn them into spectacular cinematic reality.

Cinesite is currently working on Harry Potter & The Deathly Hallows: Part 2 (Warner Bros.), John Carter of Mars (Disney/Pixar), Battle: Los Angeles (Sony/Columbia), Pirates of the Caribbean: On Stranger Tides (Disney/Bruckheimer) and X-Men: First Class (Twentieth Century Fox).

For more information please visit www.cinesite.com.

Im really digging the effect used here its seems to be some sort of
camera projecting or a mix of sill people but how would i achieve this
in nuke i know the answer may be lengthy im just curries as to what was done
sorry if this was posted in wrong forum but i would like to know in nuke how i can achieve this.:confused:

here is the link forgot to add when posted

http://www.youtube.com/watch?v=BuJDaOVz2qY

Description

* Tackling the Compositing of shots effectively.
* Briefing junior compositors when dividing of shots into tasks (e.g. rotoscoping) is required.
* Delivering final shots that are creative and technically excellent.
* Attend daily progress reviews to obtain feedback from supervisors.
* Work to improve knowledge of MPC’s Compositing pipeline.
* Work with production to create Compositing schedules and project targets.
* Work with the Compositing HOD to define the Compositing pipeline required for the show and identify any additions or modifications to our existing toolset required to realise this pipeline.
* Supervise compositing of CG elements to match live-action footage to maintain consistent shot quality and look.
* Report on the progress of the lighting work on the show to the Lighting HOD, with particular regard to the following:
* If the team are meeting deadlines
* Technical issues
* Production issues
* R&D requests
* Team morale

Requirements:

* Previous experience with a high-level film based Compositing system using Shake and Nuke.
* Excellent understanding of techniques and technologies related to CG rendering and compositing.
* Excellent understanding of the whole digital film pipeline from scanner to film recorder.
* Proven technical and creative ability in a broadcast or feature-film production environment.
* General understanding of linux/unix-based operating systems.
* Ability to take direction and structure working practices so that design changes can be efficiently made.
* Desire to learn from other and to take on increasingly challenging shots.
* Excellent team building, communication and problem solving skills
* Excellent knowledge of node-based compositing software
* Proven technical and creative ability in a large feature-film VFX production environment

Salary: Competitive remuneration package
Location: London
http://www.moving-picture.com/index….cruitment.html