Dec
10
Mert KIZILAY: Reel 2010
Posted in: Design, Motion, vfxIstanbul based Mert Kizilay launched a great new reel showcasing Direction, Design, Animation and Compositing work.
Dec
10
Set matte in nuke
Posted in: Nuke Plugins & Scriptshi all,
any body can u plz help me how to create a set matte using NUke software
thanks in advance….
Dec
10
BUF: Enter The Void
Posted in: cg, Design, directing, vfxIf you haven’t seen Gaspar Noé’s Enter the Void, I highly recommend you do. Here are some of the VFX that Paris/L.A based BUF created for the film. Beauty and Horror, Life and Death, Love and Hate, Psychedelia and Reality all juxtaposed within a beautiful Tokyo backdrop.
Here is also the opening credits for the movie […]
Dec
10
fbx vertex cache not working with ncloth
Posted in: MayaHi all
I have exported an obj sequence from houdini to maya as an fbx with a vertex cache. I want to use this as a passive collider in an ncloth sim.
I have exported an obj sequence from houdini to maya as an fbx with a vertex cache. I want to use this as a passive collider in an ncloth sim.
I am able to assign the model as a passive collider but when i sim the cloth just ignores this model
is there an ncloth setting that ignores vertex caches. If i delete history i lose the cache (therefore the animation) but the collisions work. is there a way around this?
thanks in advance
Dec
10
Matchmoving a shot with rain
Posted in: Beginners TalkHi there. Haven’t been here in a while. I don’t think this is a beginner question but the professional and VFX supervisor forums are now private (how do you re-gain access to them?) so I guess there were some changes around here.
Anyways, on to the question. 🙂
We have a green screen shot where there needs to be rain. It can’t be digital rain because there’s an actor standing in the rain and the camera gets pretty close to him(close up) so you will see he is not wet and we need to see the water hitting him and bouncing of him and the drops etc. So it needs to be real water. The problem is it also needs to be a dolly shot, which will naturally need to be matchmoved and for that we need tracking marks. Tracking marks not only on the green screen but also in different depths and along the dolly path etc as you know. In a normal shot you just roto the tracks out when keying. But here you would also be rotoscoping the rain out leaving rainless holes in the image.
Question is, would adding digital rain on top mask the problem or would it still be visible? If a plate of digital rain to fill the the holes won’t work, what is the solution? Having tracking marks that can be keyed so they don’t need to be rotoscoped? If so it will make it all much harder as we normally use light stands and other things with cross stickers to them when we need depth marks for matchmoving shots.
Also, would the rain drops confuse the matchmove software making tracking a nightmare? Never done that type of shot before.
Anyways, on to the question. 🙂
We have a green screen shot where there needs to be rain. It can’t be digital rain because there’s an actor standing in the rain and the camera gets pretty close to him(close up) so you will see he is not wet and we need to see the water hitting him and bouncing of him and the drops etc. So it needs to be real water. The problem is it also needs to be a dolly shot, which will naturally need to be matchmoved and for that we need tracking marks. Tracking marks not only on the green screen but also in different depths and along the dolly path etc as you know. In a normal shot you just roto the tracks out when keying. But here you would also be rotoscoping the rain out leaving rainless holes in the image.
Question is, would adding digital rain on top mask the problem or would it still be visible? If a plate of digital rain to fill the the holes won’t work, what is the solution? Having tracking marks that can be keyed so they don’t need to be rotoscoped? If so it will make it all much harder as we normally use light stands and other things with cross stickers to them when we need depth marks for matchmoving shots.
Also, would the rain drops confuse the matchmove software making tracking a nightmare? Never done that type of shot before.
Thanks in advance for your advice.
Dec
10
boujou to nuke
Posted in: NUKE from The Foundryi know how to import camera from boujou to nuke. then can anyone tell me the next procedure, i mean what is next step i must follow, and tell me the site where can i find boujou to nuke tutorials.
Dec
10
Python – Swap Node
Posted in: NUKE from The FoundryHowdy,
Does anyone know a way to swap out a node via python? Similar to the Ctrl+Shift Drop method.
Cheers,
Drew
Dec
09
MPC Vancouver: Modelling TD
Posted in: The Job LotPosition Summary:
Candidates should be willing to consider their task part of the creative process, not only a matter of duplicating scans or drawings. Often designs must change in the modelling/rigging phase. So a design and/or sculpting background would be ideal but not essential. Some technical proficiency with building models for deformations (like blendshapes, deformers and muscle/skin simulators) is a must. Solid production experience required.
Duties and Responsibilities:
- To bring a creative spirit to the task
- To build 3D models which artistically represent the designs while technically meeting the needs of other processes
- To be flexible and team oriented
- To communicate about their progress and ideas with their supervisor and producer daily
Requirements:
- Proven 3 years of experience required
- Ability to interpret models from both 3D scans or 2D artwork
- Advanced UV skills a must
- Experience building models for facial and body deformations
- Thorough working knowledge of Maya’s modelling tools, and Zbrush/Mudbox
- Knowledge of any supplemental modelling tools or additional packages a plus eg: Cyslice
- Fine art skills and design background a plus (sculpture, drawing, Industrial Design)
Details:
- Start Date: Immediate to early 2011
- Duration: Project based
- Location: Vancouver, Canada
If this role sounds of interest then please get in touch, sending a copy of your reel and resume to: vancouver-jobs@moving-picture.com
We look forward to hearing from you!
Dec
09
I.E. Effects VFX Coordinator
Posted in: The Job LotI.E. Effects is a full-service Production and Post Production/Visual Effects house located in Culver City. We create S3Dand 2D content for feature films, commercials, theme park attractions, and corporate communications.
We are looking for a seasoned VFX Coordinator who can efficiently manage and organize current projects and artists’ time, while being able to communicate directly with clients in a highly professional manner. The VFX Coordinator is responsible for the management and distribution of information during projects, as well as maintaining a smooth workflow with our satellite office in Michigan when applicable.
Applying candidates must have at least 4 years of experience working as a VFX Coordinator in a fast-paced environment, as well as experience with a wide variety of projects. Please send resumes to johnh@ieeffects.com.
Duties & Responsibilities Include:
·Must have strong leadership skills and be able to act as an effective liaison between clients and artists, as well as with other departments in the company.
·Assist VFX Producers and VFX Supervisors in all management and coordinating responsibilities.
·Maintain all schedules, contact sheets, work orders and job actuals.
·Keep VFX Supervisors informed on all schedule changes and important information pertaining to each project.
·Accurately record notes during dailies & rounds pertaining to artistic, technical and logistical information for all shots; enter them into an internal database and make sure that information is dispersed appropriately amongst the artists.
·Coordinate the schedule for artists to address notes with VFX Supervisors.
·Track shot progress and interface with artists, VFX Supervisors & VFX Producers.
·Set up and maintain organized binders for each project including all pertinent client & vendor paperwork.
·Gather artists’ timesheets and keep track of hours spent on each project.
·Coordinate and track all deliveries, including FTP uploads and downloads, as well as all physical shipping and receiving.
·Help manage office duties by answering phones & maintaining opening/closing procedures when needed.
Qualifications
·Must be proactive, detail-oriented and highly organized.
·Must possess excellent oral and written communication skills.
·Must have good understanding of the post production process.
·Must be proficient in Microsoft Word, Excel, FileMaker Pro and NOW scheduling software.
·Basic knowledge of editing & visual effects software is preferred.
·Must have a clear understanding of all aspects of the visual effects process/pipeline.
·Must truly enjoy being a VFX Coordinator and not just using it as a temporary stepping-stone to producing.
·Must have a friendly, positive, professional attitude.
·Must be a team player and juggle multiple tasks when necessary.
We are looking for a seasoned VFX Coordinator who can efficiently manage and organize current projects and artists’ time, while being able to communicate directly with clients in a highly professional manner. The VFX Coordinator is responsible for the management and distribution of information during projects, as well as maintaining a smooth workflow with our satellite office in Michigan when applicable.
Applying candidates must have at least 4 years of experience working as a VFX Coordinator in a fast-paced environment, as well as experience with a wide variety of projects. Please send resumes to johnh@ieeffects.com.
Duties & Responsibilities Include:
·Must have strong leadership skills and be able to act as an effective liaison between clients and artists, as well as with other departments in the company.
·Assist VFX Producers and VFX Supervisors in all management and coordinating responsibilities.
·Maintain all schedules, contact sheets, work orders and job actuals.
·Keep VFX Supervisors informed on all schedule changes and important information pertaining to each project.
·Accurately record notes during dailies & rounds pertaining to artistic, technical and logistical information for all shots; enter them into an internal database and make sure that information is dispersed appropriately amongst the artists.
·Coordinate the schedule for artists to address notes with VFX Supervisors.
·Track shot progress and interface with artists, VFX Supervisors & VFX Producers.
·Set up and maintain organized binders for each project including all pertinent client & vendor paperwork.
·Gather artists’ timesheets and keep track of hours spent on each project.
·Coordinate and track all deliveries, including FTP uploads and downloads, as well as all physical shipping and receiving.
·Help manage office duties by answering phones & maintaining opening/closing procedures when needed.
Qualifications
·Must be proactive, detail-oriented and highly organized.
·Must possess excellent oral and written communication skills.
·Must have good understanding of the post production process.
·Must be proficient in Microsoft Word, Excel, FileMaker Pro and NOW scheduling software.
·Basic knowledge of editing & visual effects software is preferred.
·Must have a clear understanding of all aspects of the visual effects process/pipeline.
·Must truly enjoy being a VFX Coordinator and not just using it as a temporary stepping-stone to producing.
·Must have a friendly, positive, professional attitude.
·Must be a team player and juggle multiple tasks when necessary.
Dec
09
I.E. Effects: 3D Modeler
Posted in: The Job LotEmmy Award nominated visual effects company in Culver City, CA has immediate availability for a 3D modeler. This individual must be available to work on-site and must have a keen eye for design, product modeling and brand experience for broadcast, industrial and film work.
The following are expected from an ideal candidate:
Must have great texturing and shading skills
Must have experience with Hard Surface Modeling
Must be able to work positively in a team environment
Must be able to complete work in a timely manner and follow up on fixes as well as self manage
The following are expected from an ideal candidate:
Must have great texturing and shading skills
Must have experience with Hard Surface Modeling
Must be able to work positively in a team environment
Must be able to complete work in a timely manner and follow up on fixes as well as self manage
Application Requirements:
MODO / Lightwave modeling experience.
Lightwave Generalist
3+ years experience as a designer or equivalent position
&
rendering and compositing skills a plus.
Please send links, reel & resume to: Johnh@ieeffects.com
Thank you. :spiderman
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