Compositor for ambitious spot – $12,000

I just had a freelance project fall in my hands the last 2 weeks that is pretty intense. The scope and timeline are both incredibly ambitious.

Here’s the idea of what we have going on. We have a 2.5 week turn (starting Monday) on a relatively large-scale/low-budget commercial we will be shooting at Qwest Stadium in Seattle, WA. We are going to be shooting a small sequence of a football game on a football field against 40-60ft length of green screen. We are also shooting other elements, such as coaches, fans, photographers, etc against green screen so that they can be placed in the background. I am looking for someone (or some people) who can help with BG tracking and replacement, adding the fans into the stands, coaches and photographers in the background, etc.

We shoot Saturday on the PhantomHD and would cut together the narrative in 3 days, then deliver plates (pre-keyed if necessary). I am not certain what the number of shots would be, but it’s an ambitious number. Some are fast moving as well as out of focus BG’s, so the detail in many of the shots would be easy to hide.

Anyway, the timeframe is from the 21st through the 1st of October for VFX completion, and at this point, we have a paltry 12K to work with. We might be able to get another 4K. I know the work is intense to tackle something this scale, but I’m hoping to find someone that sees the potential in some much larger work. This project was inspired loosely by Nike Football Write the Future.

marty martin. director.
marty@themartymartin.com
www.themartymartin.com

VFX 403 [WIP] – Dauby

Hi guys, I’m in too.
I won’t be really original on my first challenge as I will try to recreate the atmosphere of the live performance of one of my favorite band, U2.

I’ll recreate their last awesome stage from the 360 tour which is called The Claw. And we’ll see how to add life to it !

Here is a picture of the whole thing

See you soon for the first updates !

Join Lucasfilm Singapore – ILM Singapore – Senior Compositor

The Senior Compositor combines and oversees others who combine live action and computer generated elements into visual effects shots that realize the vision and creative direction of the client and visual effects supervisor.

# Perform all tasks associated with the compositing process, including 2D tracking, matte extraction, layering of elements and color grading.
# Ability to perform digital matte painting, texture painting, or paint/roto work is a plus
# Together with the Lead Compositor evaluate the creative and technical approach for assigned shots.
# Complete work within the schedule while maintaining constant communication with production team and other artists.
# Ability to share techniques and mentor junior level talent.

Working Practices:

# Proven ability to work closely in a small team with tight schedules.
# Demonstrate the ability to prioritize and manage time well.
# Excellent organizational, communication, and interpersonal skills.
# Experience in dealing directly with clients.
# Good note-taking and written skills.
# Good time-keeping.

Requirements:
# 8+ years of experience in the high-end feature film visual effects.
# Demo reel required demonstrating strong artistic skills including knowledge of color, lighting, perspective, scale, and composition.
# Traditional art portfolio demonstrating traditional art skills is a plus.
# Experience with Maya or equivalent is a plus.
# Experience in a multi-platform environment is required.
# Expert knowledge of Shake, Nuke or equivalent is required.
# Completion of a formal education course in the Arts or Sciences.
# Scripting or programming experience is a plus.

To apply, click here:
https://www.lucasfilm.apply2jobs.com/Pro fExt/index.cfm?fuseaction=mExternal.show Job&RID=2360&CurrentPage=2

Join Lucasfilm Singapore – ILM Singapore – Senior Creature Technical Director

Senior Creature TDs are responsible for setting up and running flesh-surface, hair, cloth, rigid body simulations as well as able to wrangle rigging and creature pipeline issues proficiently under the direction and guidance of their supervisors.

Basic Skills:
* Set up and run proprietary cloth, hair, flesh surfaces and rigid body simulations
* Hero-creature enveloping using a combination of commercial software packages and proprietary tools
* Run flesh-volume simulations
* Wrangle creature rigging issues for artists in other disciplines
* Mentor entry level artists
* Script utilities/tools/plug-ins in various software packages
* Create dynamic simulations in packages such as Maya/XSI
* Wrangle creature pipeline issues for artists in other disciplines, such as:
* MOCAP data re-targeting in XSI/Maya;
* Act as wrangler for a creature and/or a specific technique used across multiple creatures

Requirements:

* 8+ years work experience required in 3D CGI for digital animation, visual effects or
producing cg characters and creatures for visual media.
* A demo reel demonstrating artistic and technical ability is required for this role.
* Bachelor’s degree or equivalent degree in Computer Science, computer visualization, or
computer animation required.
* Proficiency with Linux is required.
* Expertise with Maya and/or other high-end animation software is required.
* Experience with C++, mel, python, or other scripting languages is desirable.
* Feature Film experience required.
* Experience in corrective sculpting. Knowledge of anatomy and enveloping

To apply, click here:
https://www.lucasfilm.apply2jobs.com/Pro fExt/index.cfm?fuseaction=mExternal.show Job&RID=2411&CurrentPage=1

“Polar Bear” for Nissan Leaf: Greenwashing or Progress?

Love it or hate it, Nissan has released a provocative new ad to unveil the automakers first electric car, Nissan Leaf. In Polar Bear —directed by Daniel Kleinman with post-production by MPC— the company tugs at the heartstrings of viewers by showing an arctic bear fleeing from its eroding habitat in search of a better home. The result is strangely moving, while at the same time, pretentious. Lets play devils advocate.

In many ways, Polar Bear is a snapshot of now: an ad that takes the pulse of the times and sums up how we are at this very instant. It’s an ad that, for better or worse, will give you goosebumps. It’s so elegantly packaged —so squeaky clean— which for some, may be too slick. Lets be honest, we’ve seen these ads before. Nissan is not the first —surely not the last— to market themselves as environmentally friendly. Laced with schmaltzy narratives, corporations pontificate about the greater good, while behind the scenes, rake in awesome profits. Moreover, Polar Bear is not the kind of content we usually post on Motionographer, so why post it?

The reality is obvious: many companies today are looking for creative ways to cash in on going green. Greenwashing, or misleading the public in matter of a companies environmental practices, has become commonplace. And while advertising has always appealed to altruistic lure, the verdict on Polar Bear is up in the air. However potent, it remains to be seen if the spot will be a bellwether for change or commercial hyperbole. In Nissan’s case, their environmental record is nothing special, but hope to get big by going small.

Time will tell if the company puts its money where its mouth is, but in the meantime, we’ll muse. In an attempt to start a conversation, we’d like you to weigh in. Is Polar Bear an example of corporate greenwashing or a step forward in the right direction?

More here on the fully electric, Nissan Leaf.

Posted on Motionographer

Join Lucasfilm Singapore – ILM Singapore – Senior Animator

The Senior Animator creates high quality motion of computer graphics creatures and objects within a shot, using a variety of animation software programs, and working under the general supervision of Lead Animator and Supervisors.

# Responsible for the successful animation of a series of shots on a specific project.
# Participates as a team member in determining various aesthetic solutions; provides feedback to other members of the production by attending dailies on a regular basis.
# Maintains or exceeds a consistent level of productivity while meeting deadlines and producing high quality work.
# Expected to mentor entry level Animators and must be able to assist them with their shots.
# Performs other tasks related to the creation of computer-generated animation.

Requirements:

# 8+ years experience working in cel, stopmotion or computer animation.
# Expert knowledge of traditional animation principles, acting, film production and compositional design.
# Ability to take on a delegated task with a minimum of supervision.
# Knowledge of Unix and shell scripting; expert knowledge of Maya, proprietary and other software programs.
# Good organization and communication skills.

To apply, please click here:
https://www.lucasfilm.apply2jobs.com/Pro fExt/index.cfm?fuseaction=mExternal.show Job&RID=2384&CurrentPage=2

Join Lucasfilm Singapore – ILM Singapore – Senior Digimatte Artist

Digital Matte Artists have the ability to create photo-real environments and landscapes exhibiting a strong foundation in photo-realistic traditional and digital art skills with an emphasis on landscapes. Performs tasks related to integrating added imagery into a shots, preserving a unified sense of lighting, perspective, and color. Also responsible for creating original 2D and 3D content that may comprise part or all of an environment.

# Combines painting skills in animation software, with a knowledge of photography, practical and digital modeling, and design, to create 2D and 3D paintings for digital environments.
# Works closely with the Lead Digital Matte Painter and Supervisors to ensure that plates meet planned concept design requirements.
# Work with ILM production teams to establish appropriate methods and accurate estimates on shot production.
# Complete work within the bid timeframe, while maintaining constant communication with production teams and other CG artists.

Requirements:
# Bachelor’s degree in art, industrial design, theatrical design or painting preferred.
# 8+ years of related production experience with at least 5 years of feature film experience.
# Demo reel and/or portfolio required
# A proficiency in Adobe Photoshop is required.
# Strong knowledge of camera focal lengths, good sense of composition and an understanding of different out-put requirements. Requires knowledge of 2D and 3D animation, software, and motion.
# Strong knowledge and ability in perspective, value matching 35 mm photography, flatbed scanning, and motion.
# Knowledge of 3D modeling and rendering programs.
# Understanding of 2D compositing software.

To apply, click here:
https://www.lucasfilm.apply2jobs.com/Pro fExt/index.cfm?fuseaction=mExternal.sear chJobs

Join Lucasfilm Singapore – ILM Singapore – Senior Lighting Technical Director

Senior Lighting Technical Directors (TD) work with direction from the CG Supervisors and Digital Artist Supervisors to create the look of computer generated objects and scenes. They are responsible for lighting, shading, rendering, and some compositing.

* Work with competency, energy and enthusiasm within a team environment with daily supervision to complete a shot.
* Demonstrates good listening and communication skills by openly receiving direction and criticism by asking good questions to confirm clear understanding of the directions and how to approach what needs to be done. Once clear, implements the requested changes immediately and raises flags right away if a solution is not quickly found or if there are any delays, making sure the Supervisors and Production are kept in the loop and are up-to-date on the status of one’s shot work.
* Demonstrates basic presentation/communication skills in dailies/shot review by clearly and briefly outlining what has been accomplished and what next should be addressed in the shot.
* Demonstrates the development of an eye toward anticipating potential problems and knowing what could look better in one’s shot.
* Demonstrates the ability to prioritize tasks managing time well, providing everyone with accurate time estimates on shot task completion
* Responsible for mentoring other digital artists in Lighting and Rendering.

Requirements:

* 8+ years work experience required in visual effects.
* Demo reel demonstrating artistic and technical ability is required for this role.
* Feature film experienced required
* Bachelor’s degree in Computer Science or Computer Graphics
* Possesses strong computer programming abilities with visual arts skills.
* Strong working knowledge of Linux, C programming Python and shell scripting is required.
* Familiar with Maya, Comptime, Zeno, Commodore and Repo.

To apply, click here:
https://www.lucasfilm.apply2jobs.com…&CurrentPage=3

Join Lucasfilm Singapore – ILM Singapore – Senior FX Technical Director

FX Technical Directors are responsible for generating FX animation, procedural simulation, dynamic simulation, particle and fluid systems for feature film visual effects. Responsibilities also include the lighting, rendering and basic compositing of those FX elements.

* Designs and creates FX animation, procedural simulation, dynamic simulation, particle and fluid systems.
* Lights and renders FX elements and creates basic composite to demonstrate the usability of the elements.
* Advanced simulation experience with either Houdini, Maya, XSI, 3DS Max or other software, and ability to write expressions or authoring of shaders are required.
* Linux and scripting ability in Python preferred, and experience in MEL highly desired; C++ skills also applicable.
* Responsible for mentoring other digital artists in FX simulation work.

Requirements

* Demo reel demonstrating artistic and technical ability is required for this role.
* 8+ years work experience required in visual effects.
* Feature film experienced required
* Bachelor’s degree or equivalent degree in Computer Science, computer visualization, or computer animation required.
* Proficiency with Linux is required.
* Expertise with Maya and/or other high-end animation software is required.
* Experience with C++, mel, python, or other scripting languages is desirable.

To apply, click here:
https://www.lucasfilm.apply2jobs.com/ProfExt/index.cfm?fuseaction=mExternal.showJob&RID=2407&Cu rrentPage=4

Join Lucasfilm Singapore – ILM Singapore – FX Technical Director

FX Technical Directors are responsible for generating FX animation, procedural simulation, dynamic simulation, particle and fluid systems for feature film visual effects. Responsibilities also include the lighting, rendering and basic compositing of those FX elements.

* Designs and creates FX animation, procedural simulation, dynamic simulation, particle and fluid systems.
* Lights and renders FX elements and creates basic composite to demonstrate the usability of the elements.

Requirements:
* Advanced simulation experience with either Houdini, Maya, XSI, 3DS Max or other software, and ability to write expressions or authoring of shaders are required.
* Linux and scripting ability in Python preferred, and experience in MEL highly desired;
* C++ skills also applicable.
* 3-5+ years production experience or feature film experience with effects simulation work preferred.
* Bachelor’s degree in computer science, engineering or computer graphics.
* Demo reel required.

To apply, click here:
https://www.lucasfilm.apply2jobs.com/Pro fExt/index.cfm?fuseaction=mExternal.show Job&RID=2404&CurrentPage=3