I’m looking for an expression to convert 3d coordinate into 2d X,Y?
In after effects, there is a wonderful expression named "toComp" that converted 3d position into a 2d coordinate.
I’m looking for the same thing in nuke. =)
thanks
http://www.youtube.com/watch?v=N7cKhBzc0zE
Cheers !!
whats the problem is this how can i rectify this.
Friends i am using windows xp sp 3 built 2600 version 5.1, with 2GB DDR2 ram 2.8GHZ Pentium D computer with Nvidia 7300GT graphic card and Intel 965 motherboard.
Please suggest what i should do to solve the problem.
sorry for Bad English.
sawan
We are the home of the world’s #1 pre-school property "Thomas and Friends" and we are well into production of a long series of movies and TV shows that is transforming the iconic Thomas brand into an extremely high end CGI production.
We are particularly interested in artists with high end CGI production experience who also have a solid grounding in traditional animation.
In recreating the realistic environment of steam locomotives one of our busiest crews is our FX department. For immediate hire we are seeking:
FX Supervisor/Senior FX TD
Senior FX Animators (particularly artists expert in Fluid Simulation)
FX Animators
Experience in FX for animation productions (In the styles of Pixar, Disney, Dreamworks, Sony, Blue Sky, etc…) rather than live action FX is preferred.
To apply please contact: recruiting@nitrogenstudios.com
We’re looking forward to hearing from you!
A Lotus Flower made with Cinema 4D and Photoshop.
Marc
Elastic/a52 releases another colorful component of the Honda Accord Crosstour campaign for agency RPA.
Directed by Andy Hall, “Boxes” builds on the lively minimalism of “Instruments,” with transitional moments powered by the expansion and contraction of nested squares that look like Albers paintings on acid—neon-lit and full of kinetic possibility.
The rendering in this series reminds me a little of Smith & Foulkes’ work for HP. Both worlds are full of chunky, stylized forms and almost tangible streams of color—worlds I’d like to spend some time in, if I only knew how to find them.
Project Name: Honda Accord Crosstour “Boxes”
Running Time: :30
Release Date: 11.29.09
Client: Honda
Advertising Agency: RPA
Chief Creative Officer: David Smith
Creative Director: Pat Mendelson
Writer: Seth Prandini
Art Director: Chuck Blackwell
Executive Producer: Gary Paticoff
Production/Design Company: Elastic
Director: Andy Hall
DP: Toby Irwin
Live Action Producer: David Wolfson
Executive Producer: Jennifer Sofio Hall
Designers: An Nguyen, Henry de Leon, Eunice Kim, Max Ulichney
VFX/Finishing Company: a52
CG Lead: Max Ulichney
3D Artists: Paulo de Almada, Ian Ruhfass, Christina Lee, Rick Glenn, Kevin Culhane, Joe Chiechi
Lead Compositor: Shahana Khan
Rotoscoping: David Hochstadter
Colorist: Angus Wall
Assistant Producer: Heather Johann
Producer: Sarah Haynes
Executive Producer: Jennifer Sofio Hall
“Boxes” Music: “Pata Pata” by Miriam Makeba and Jerry Ragovoy
Performed by: Miriam Makeba
For example, Once a film is complete ( editing,vfx added etc..)
It now needs to be color corrected ( Adjust contrast, make blue eyes bluer, change color of a car, etc)
So my questions are:
1, How many colorists are assigned to the film?
2. Do they break it up into scenes ? (John does the rain scenes, Bob does the night scene, etc)?
3.How much time does it take to for the colorists to complete any given film. Or should I say, How much time does a Big Studio want you to take to finish your scenes?
The reason for my curiosity is because I have been working on a 45 minute
Indy film for 9 months. (don’t laugh)
My job is to do everything except editing. CG planes added, sky replacements, wire & track removals, day 4 night conversions, 3D tracking, 2D tracking, Stabilizing, color correction, and the list goes on… etc…..etc…
So I find myself asking….is this normal? Am I slow as Sh_t?
My last Day 4 night conversion (which was 8 clips) took 6 weeks!
Keep in mind, they broke every rule. Direct sun on the talent, camera pointed at blown out sky, grainy,etc..
So, I would love to hear from the pros,
Thanks,
Lou
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