Van Ling talks T2 Blu-ray
Posted in: 1Van Ling talks to Movieweb about the Blu-ray edition of Terminator 2: Judgment Day.
Van Ling talks to Movieweb about the Blu-ray edition of Terminator 2: Judgment Day.
Mr. Hide and The Sweet Shop have created a fantastical human-scape in this recent spot for Prius via Saatchi & Saatch, LA. For his first spot outside of the Japanese market, Hide brings a strong sense of humanity and visually arresting nuance.
This ambitious testament to the detail-oriented Director is supported by an Art Department and Production team who enlisted 200 extras in 269 costumes to build this cleverly choreographed world. This one is meant to be watched more than once.
On a side note, Mr. Hide’s feature, Donju is set to premier at Cannes.
Title: ‘Harmony’
Client: Toyota
Product: Toyota Prius
Agency, City: Saatchi & Saatchi, Los Angeles
Executive Creative Director: Mike McKay
Creative Director: Andrew Christou
Integrated Design Creative Designer: Ryan Jacobs
ACD/Art Director: Sean Farrell
Art Director: Tito Melega
Writer: Simon Mainwaring
Director Integrated Production/Multimedia: Tanya LeSieur
Senior Agency Producer: Jennifer Pearse
Production Company & City: The Sweet Shop, LA
Director: Mr. Hide
Executive Producer: Stephen Dickstein, Susan Rued Anderson
DOP: John Toon
Art Director: Guy Treadgold
Production Designer: Rick Kofoed
Offline Editor & Company: Nathan Pickles
Online Editor & Company: Avi Oron, Bikini Edit
Post Production: Perceptual Engineering/Fin Design/Brickyard
Production Service Company: The Sweet Shop, Auckland
Global Executive Producer: Sharlene George
Line Producer: Larisa Tiffin
Casting Director: Suzanne McAleer
Sound Design: Human
Audio Mix: Lime Studios
div xmlns=http://www.w3.org/1999/xhtmla href=http://vfxworld.com/?atype=articlesid=3985Angels Demons: Vatican VFX on Steroids/a, at VFXWorld./div
I dont understand the needs behind Strechy IKs, i guess like the name says it is a way to strech a limb but i opened Maya created a limb and skinned it to a basic joint chain, applied translate on FK joint and the limb also streched to follow along the extension of bones. Isn’t it a simpler solution? What does Strechy IKs allow that the setup i outlined can’t?
Thank for helping me understand.
School’s out at Supinfocom, and the end of year projects keep rolling in. Everything we’ve seen so far is astounding, and “Café Serré” only adds to the school’s already imposing reputation.
Created by Vincent E Sousa, Bertrand Avril, Yann de Préval and Denis Bouyer, the film ticks along with a series of brilliant sight gags that fit together like a finely crafted puzzle—all with just two characters and a single set.
I love the lighting in the establishing shots. Drink in the architectural details of the interior and the soft interplay of light on its various surfaces. Lovely.
The camera work, while mostly stationary, moves the story forward with confidence, using simple two-shots, close-ups and some subtle rack-focus to keep the action tight in the frame.
“Café Serré” was made for the Canal J Contest, created five years ago. Its participants are all from French Animation Schools, so you know the competition is stiff. This year, 7 schools participated, contributing 54 different short films. You can see the other competitors here.
Want more? Check out this selection of work from other Supinfocom students:
Every web-nerd’s favorite comic strip xkcd just wrapped up a 5 part series called “The Race” featuring stick figure likenesses of Nathan Fillion, Summer Glau and chock full’o inside VFX/Sci-Fi geek humor. It’s laugh out loud funny. if your into that sort of thing.
(LINK) to Part 1
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Evelien Lohbeck é una giovane olandese che si è laureata in animazione nel 2008 all’accademia d’arte St.Joost di Breda.
Noteboek consiste di quattro brevi filmati che fanno parte del sua tesi. Praticamente il suo quaderno degli appunti si trasforma in computer, fotocopiatrice, o tostapane in un semplice connubio di girato ed animazione.
Potete vedere singolarmente questi filmati sul suo sito personale.
Articolo redatto da Sergio Damele
I’m interested in knowing how to make an anaglyph clip. I know you need two cameras to film with, but is there anyway to talk footage filmed from one camera and make it look like a real anaglyph shot? What program would be used to create such effect?
Thanks,:)
Zevie