Onesize.nl : new reel
Posted in: 1Brand-new reel from the always impressive Onesize.nl — always love the work these guys direct and produce.
Brand-new reel from the always impressive Onesize.nl — always love the work these guys direct and produce.
Music video for the Dead Hoodlums : No Cowboy … directed by Ritxi Ostariz and illustrated by Maria Picasso. (thnx Sergi)
About SMNY:
New York and London-based design, animation and VFX studio, Smoke & Mirrors was founded by Creative Director/VFX Artist Sean Broughton (NY), Penny Verbe (UK) and Mark Wildig (UK). A creative and artist-driven company synonymous with vision and originality since its inception, Smoke & Mirrors has consistently succeeded because of its collaborative approach and ability to build lasting creative relationships with directors, producers, agencies and clients alike.
Production in the New York office is lead by Managing Director Jo Morgan and Executive Producer Celest Gilbert. Diverse projects range from work on the Harry Potter and Bond film series, to commercials campaigns for Mercedes, Burger King, Miller Lite and Sirius.
The Creds:
Client: HYATT Hotels Corp.
Spot Title: There’s a Place
Air Date: January 2009
Agency: BBDO/NY
CCO: Bill Bruce, David Lubars
EVP, Executive Creative Director: Don Schneider
Sr. VP Creative Director: Chris Cole, Mark Wegwerth
Sr. VP, EP: Helene Balzarini
Copywriter: Joe Lovering
Asst. Producer: Regina Iannuzzi
Prod Company: Knucklehead, London
Director: Joe Roman
Producer: Tim Katz
DP: Joost Van Gelden
EP: Helene Balzarini
Post/Effects: Smoke & Mirrors/NY
CD: Sean Broughton
Lead Flame Artist: Kirk Balden
Assist Flame Artist: Stephanie Isaacson
Managing Dir: Jo Morgan
EP: Celest Gilbert
Producer: Lauren Shawe
Editorial: Nomad Editing Company
Editor: Jason Painter
Asst. Editor: Tyler Peck
EP: Lynne Mannino
Telecine: The Mill
Lead Telecine Artist: Fergus McCall
Asst. Telecine Artist: Sal Malfitano
Producer: Claudia Guevara
Mix: Sound Lounge
Mixer: Tom Jucarone
Music: Emoto
Composer: Steve Hampton
i just found the turorial for the IBK.
while watching it he was using a node "core_matte"
where did he get that one from? can´t find it anywhere 🙂
cheers
alex
edit:
and why are all the tutorials so relaxed if they have white dots in the alpha channel? those composits will flicker like hell 🙁
Showered by cheers and well wishing paparazzi of other Kisses, a machine flings the superstar into one of three predetermined destinations. The job of the kiss is fulfilled; when it’s chosen by a young boy and handed off to his mother, whose elated face says it all.
About Kommitted:
Production company KOMMITTED Films was founded in 2005 by Director Nathan McGuinness, the Academy Award and Bafta nominated Co-Founder/Creative Director of the VFX company, Asylum. Shortly after, in 2006, veteran Executive Producer Marc Siegel was brought on to expand the directorial roster, feature film slate, and music video presence. Over a short time period, KOMMITTED Films has numerous recent high-profile spots for Target (peterson milla hooks/MN), Nintendo (Leo Burnett/Chicago) and Blackberry (RIM) (Arc Worldwide/Chicago).
The Creds:
Client: The Hershey Company
Spot Title: “Off To Work We Go”
Air Date: January 20, 2009
Agency: Arnold NYC
EVP Chief Creative Officer: John Staffen
Group Creative Director/Art Director: Kate Wadia
Copy Writer: Meghan Williams
Designer: Nate Guillard
Senior Producer: Jennifer Picarelli
Associate Producer: Marianne Toniolo
Prod Company: Kommitted
Director: Nathan McGuinness
DP: Dan Mindle
EP: Marc Siegel
Line Producer: Jodi Fisher
Animation/Visual Effects: Asylum
Animation Director: Piotr Karwas
CG Supervisor: Jason Schugardt
VFX Supervisor: Paul O’Shea
EP: Michael Pardee
Bidding Producer: Mike Hanley
Animator(s): Craig Van Dyke, Michael Warner
Conceptual Designer: Jeff Julian
Lead Lighter: Matthew Maude
Lighter(s): Brer St. Clair, Dan Abrams
CG Producer: Jeff Werner
VFX Producer: Diana Cheng
http://www.smoothdevil.com/index.php?page=job&job_id=773
closes: 28 Mar 2009
You could try rendering out of AS at 60 fps and then bring your sequence into AfterEffects at 30 fps, time remap the sequence to fit the time length of the shot, then render out at 29.97 interlaced. That should work. |
hummm. I export my animation in 50fps as .bmp images to convert them to 25…. how can I do this in fusion to find a good quality ?
t h a n x all.