Origami In the Pursuit of Perfection

BBC Alba, always looking towards the Pole Star.

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Glasgow based agency Design is Central recently created this series of sublime idents for the new Scottish Gaelic language channel BBC Alba.

The look of the idents are based around the Pole Star, and the idea of an attraction and movement towards it. A concept which is slightly reminiscent of that used by Welsh broadcaster S4/C, is still nonetheless beautifully executed.

Complimenting the idents are a series of menu boards after the jump.

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Goodbye Capt. Cosmic

bob6.jpg

Any self respecting Bay Area nerd knew Bob Wilkins from his days as the host of “Creature Features” and “Captain Cosmic” (my secret crypto-code fan club card is number 08236 in case you are interested) on Channel 2 (KTVU) during that bygone age of the mid to late 70’s. Bob passed away on January 7, 2009 due to complications from Alzheimers. Both of his shows had a profound effect on my life and Bob’s enthusiasm for all things Horror and Sci-Fi has fueled my passion for VFX for as long as I can remember. This is the man (along with his faithful side-kick 2T2) that single handedly introduced me to Ultraman, Johnny Sokko and his Flying Robots, Starblazers and who could forget Bambi vs Godzilla. I don’t know if he set out to do anything more than capitalize on the Star Wars craze that was sweeping the nation at the time, but whatever the reason Wilkins ended up bringing a lot of joy to the kids of the Bay Area. So long Bob, thanks, and remember “Truth Prevails”.

LINK to memorial slide show on Bob’s site

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oh yeah studio

All the work on this site was done without client intervention. oh yeah studio

Studioaka – Lost and Found

Poltergeist fx

American Cinematographer podcast with Poltergeist lenser Matthew Leonetti, ASC and vfx supe Richard Edlund, ASC.

Nasty!


yfg nasty 3! from kr!$+@1k? on Vimeo

Making of the Royal Assassin

Short tutorial by an artist on how he painted the illustration from start to finish in 15 hours

Junior Maya Generalist

A Winchester, UK based post-production company who focuses on VFX for commercials and documentaries is currently seeking a Junior Maya Generalist to join their team for a three month project.

You must have excellent all round skills in Maya particularly in modeling and animation. An understanding of ZBrush would be a benefit.

http://www.smoothdevil.com/index.php?page=job&job_id=754

closes: 8 Mar 2009

Robot Films’ Syndrome Thinks Outside the Box for T-Pain

[NEWS=”http://www.cgnews.com/wp-content/uploads/tpain_good_thumb.jpg”]18167[/NEWS]Every so often a music video comes along that breaks new ground with its creativity, and this trilogy of videos for T-Pain helmed by directing collective Syndrome out of Robot Films is a perfect example of just that. Utilizing vibrant color fluctuations, Syndrome was able to launch these videos into a realm all their own. In Can’t Believe It, the plethora of unique ingredients include miniature apparitions of T-Pain and Lil Wayne and a cyber-roller coaster ride among other things. An ongoing galactic backdrop, with simultaneous circus and carnival themes make the video nearly impossible to classify.

In Chopped and Screwed, T-Pain and fellow hip hop star, Ludacris are portrayed in an animated wonder world with T-Pain depicted as a lion and transforming scenarios. The bold colors and elaborate camera moves transcend us into an extravagant, surreal world.

Freeze features T-Pain’s collabo track with Chris Brown and exhibits fluid motion and contemporary dance moves dipping and weaving in an otherworldly environment. Pulsating digital animation, neon colors and dance offs performed amid dynamic 3D aesthetics are only a few unconventional, yet engaging aspects of this video.

While most hip hop videos are faced with ongoing criticism for redundancy, these efforts show an evolution that feature similar aspects of the usual formula, but explore a variety of new and creative alternatives.

Quote:

“These videos have been an amazing experience for us. T-Pain and Jive gave us their full trust and creative freedom to bring our flavor to their already unique aesthetic. We are grateful for the opportunity and realize how rare that is, especially in today’s market. With that said, it was important for us to establish a cohesive look and feel which played off the album’s cover as this series of videos were specifically designed to be an overall branding campaign for T-Pain.” Syndrome comments on T-Pain project.


Quote:

“Upon shooting Can’t Believe It, it was clear that this was going to be a lot of fun and something special. The vibe and energy clicked very naturally between Pain and ourselves and that energy spilled all over these videos. It’s one thing to have an artist stand in front of a green screen and perform, but when they interact and play off of what the treatment calls for, that interaction takes it to another level by adding the emotion and soul. T-Pain really went hard with his performances and got what we were going for ultimately being the key ingredient to bringing the concepts to fruition.” Syndrome elaborates on T-Pain work.


Quote:

“When we were first kicking around ideas for Can’t Believe It, it was important to all of us that we find a way to reference all the far flung locations in Pain’s lyrics in a fresh and imaginative way. Chartering a 747 for a week long shoot in Aspen, Wisconsin, Costa Rica and Toronto proved not to be cost effective, so we decided that a post-intensive approach was the way to go. From there, it was a no brainer that Syndrome were right for the job. We were all tremendous fans of their work and had been looking forward to an opportunity to work with them. Little did we know the end result would surpass all expectations and blow our collective minds. The way the guys perfectly captured T-Pain’s charisma, humor and imagination, highlighting those qualities and more with their ground breaking visuals, it was clear that they would do all three of the videos we had slated. What we didn’t know was that they would achieve the near impossible by topping their previous effort each time out. I have never gotten so many enthusiastic calls and emails about a series of videos. I can’t wait to see what the guys come up with next. I just hope it’ll be for one of my projects.” Max Nichols, VP of Video Production at Zomba Label Group.


About Robot Films:
Robot Films is a Los Angeles-based creative lab producing music videos, feature and short film, web content, TV and commercials. Lead by veteran Founder/Director Chris Robinson and Executive Producer Amanda Fox, Robot offers a wide range of services, boundless energy, and vast experience . In addition, Robot houses directing collective and design/animation group, Syndrome who are prolific directors and often collaborate on Robot directed jobs. Syndrome is a multi-disciplined trio comprised of Directors/Designers Micah Hancock, James Larese, and Mars Sandoval. Syndrome’s primary focus is merging science with soul, and manipulating technology for the sake of creative growth and artistic expression.

CREDITS
Artist: T-Pain
Song Title(s): Can’t Believe It, Chopped and Screwed, Freeze
Airdate: January 2009

Label: Zomba Label Group

Prod Co: Robot Films/LA
Director(s): Syndrome
EP: Amanda Fox