Hasta La Motion!

Leading post-production facility Post Logic Studios, a division of Prime Focus Group, announced today the hire of colorist Craig Budrick. Budrick is an industry veteran with nearly two decades’ experience as a colorist. He joins Post Logic from Technicolor, where for the last two years he worked on remastering feature film projects for BluRay, including “Airplane,” “Wayne’s World” and “Planes, Trains & Automobiles.”

“We are extremely pleased to have Craig come on board,” said Larry Birstock, CEO, Post Logic Studios. “We have a relationship that goes back almost 20 years. He’s an incredible talent with a wealth of knowledge and expertise, and will be an enormous asset to our mastering clients.”

Budrick began his career as a colorist at Sunset Digital, formerly Sunset Post, where in 1987 he was first hired as a tape operator and vault supervisor before moving on in 1991 to become a telecine and edit assistant. Budrick remained with Sunset Digital for the next eight years mastering television series such as “Frasier” and “Almost Perfect,” and remastering features including “The Crow” and “The Nightmare Before Christmas.” In 1999 Budrick worked with both Matchframe and Complete Post, mastering dailies for a number of movie projects. In 2000, Budrick rejoined Sunset Digital, where he worked as a colorist until 2006, when he signed on with Technicolor, retransferring such television projects as “Cheers,” “Hawaii Five-O” and the original “Star Trek” series for BluRay and DVD.

“I’m very excited to be joining Post Logic,” said Budrick. “The people here are fantastic to work with, and the technology at the facility is first-rate. I’m already hard at work, and am looking forward to upcoming projects.”

About Post Logic Studios
A leader in digital intermediate and feature film restoration, Post Logic Studios is a part of the Prime Focus Group family, an integrated global network of visual effects and post-production companies servicing clientele around the world with technologically advanced facilities in Hollywood, New York, London and India. With access to hundreds of talented visual effects and 3D artists from within Prime Focus Group, Post Logic has continued to expand into new and emerging arenas within the post-production realm, providing unmatched digital intermediate, digital mastering, editorial assembly, restoration, visual effects and audio post production services to feature film and television clients from its flagship Hollywood facility and Manhattan-based satellite, Post Logic Studios N.Y. For more information, please visit www.postlogic.com or call 323-461-7887.

Things have changed a bit in 70 years!

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Hi,
i am elaborating a budget for a video work, and is the first time i´ll work in HD format. I have previously worked in dv formats or in still images of medium to hight resolution.

this time, i´ll have to comp some 3d water walls impacting on people and such things..
My question is, concerning my factible render times out of 3dsmax, if it is an usual practice to render at a slightly lower resolution. considering that digital generated image should be somehow crisper and supposing i could enlarge them at comping time in HD.

I hope this makes sense and waiting to know yor thoughts.
thanks in advance