TEG/Bearfight + Sehsucht: Tetley “Red”

tetley-red3

The Ebeling Group has expanded its family with the addition of London-based Bearfight, a collective headed up by Christopher Hewitt (formerly DSTRUKT).

To herald their arrival, Bearfight and TEG have released “Red,” a lyrical spot for Tetley Tea and agency John St./Toronto. The spot was co-directed by Hamburg studio Sehsucht, whose technical prowess helped achieve the breathtaking inky simulations that drive the project. The concept’s a bit well-worn, but the execution alone is worth celebrating.

UPDATE: After doing a bit of research, I’ve learned that Bearfight didn’t exist at the time of the spot’s production. Chris Hewitt did indeed work on the spot while at Sehsucht—just not under the name of Bearfight.

Posted on Motionographer

TEG/Bearfight + Sehsucht: Tetley “Red”

Job Post : Trace Pictures ~ Toronto

DESIGNERS/ANIMATORS/COMPOSITORS WANTED – TRACE PICTURES, TORONTO
* Trace needs talented designers, animators and compositors
* Broadcast/commercial experience required
* Adobe AE, Maya, Cinema 4D, Final Cut Pro an asset
* Salary to commensurate experience
* Resume/reels to jobs@tracepictures.com

We’re All Gonna Die – 100 meters of existence

Denmark based photographer Simon Høgsberg has spent the last 17 months making, what might be, the world’s longest photograph (100 m x 78 cm), reflecting on the uniqueness of ‘ordinary’ people : We’re All Gonna Die – 100 meters of existence

Planet 51 … Somewhere Far Far Away ….

[NEWS=”http://www.cgnews.com/wp-content/uploads/planet51_family_thumb.jpg”]18327[/NEWS]“Somewhere far far away, there is a place where everything is simple, children are care free and everything is pleasant”. This is Planet 51, a world without troubles where everyone lives happily ever after … until one Thanksgiving holiday. Directed by Jorge Blanco and scripted by Joe Stillman (Shrek & Shrek2), Planet 51 is an animated movie from Ilion Animation Studios in Spain, and stars the voices of Dwayne Johnson, Gary Oldman and John Cleese. This feature length film is a sci-fi adventure comedy about astronaut Captain Charles “Chuck” Baker, who believes he is the first ever being to land on Planet 51.

To his surprise, he discovers that the place is inhabited by little green people living in a white picket-fenced world, reminiscent of a cheerfully innocent 1950’s America.

The citizens of Planet 51 have only one fear … that one day they will be over-run by alien invaders … just like Chuck.

Chuck finds himself on the run, frantically trying to avoid capture by the local Anti-Alien Army, who are fuelled by a paranoia of an invasion from outer space. He finds himself befriended by Lem, a friendly teenager, who is fascinated by the world beyond his planet, and determined to help Chuck recover his spaceship and return home.

The film title is reportedly a reference to ‘Area 51’ a disputed storage and examination site of UFO material, supposedly recovered from New Mexico, after the 1947 Roswell UFO incident.

Planet 51 is due for release in November 2009.

About Ilion Animation Studios
Ilion Animation Studios was founded in 2002 to create state-of-the-art computer animated movies for worldwide theatrical release using its own purpose-built cutting-edge technology. Ilion Animation Studios and companies Zed and Pyro Studios, were founded and are run by Ignacio Perez Dolset (CEO of Ilion and Pyro) and Javier Perez Dolset (CEO of Zed).

Zed develops and markets entertainment and community products and services for mobile and the Internet. Pyro Studios, creator of the international best-seller video game saga Commandos, is dedicated to latest generation video game development for the international market.

CAST OF VOICES:
Dwayne Johnson
Jessica Biel
Justin Long
Seann William Scott
Gary Oldman
John Cleese

CREDITS

Director: Jorge Blanco
Co-directors: Marcos Martinez and Javier Abad.
Producers: Ignacio Perez Dolset, Guy Collins, with Peter D. Graves, Michael Ryan
Executive Producer: José A. Rodriguez
Writer: Joe Stillman

RELATED SITES:

www.ilion.com
Planet 51 Website

Cut & Paste deadline

The Cut&Paste entry deadlines are fast approaching : North America ~ January 23rd / Europe & Asia/Pacific ~ February 20th. You can enter on the Cut&Paste website.

Interview with Mike Tomaino

An interview with Mike Tomaino about his open-source level creation program Platinum Arts Sandbox

genarts buys speedsix

YAY!! cant wait for new plugs 🙂

http://www.genarts.com/pr-speedsix.html

Happy New End!

happy-new-end

French collective Bonzom (Passion Paris) celebrates the impending end of the world in this happy-go-lucky short. Riffing on B-movie posters from the bronze age of sci-fi, “Happy New End” blends hilarious writing and voiceover work with a campy cast of characters and a fantastic flair for details.

The premise—and the rapid succession of sight gags—reminds me of the old Tex Avery cartoons I adored as a kid that proposed how various technologies of the future would “improve” our lives. Bonzom’s put their own twist on that time-honored tradition, and they deserve their own cheers for a job well done!

Posted on Motionographer

Happy New End!

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Rhinofx Recreates Post-War Germany For The Reader

[NEWS=”http://www.cgnews.com/wp-content/uploads/reader_thumb.jpg”]18322[/NEWS]Ever expanding their feature film credits, Rhinofx recently completed the VFX work for The Weinstein Company’s highly-touted feature, The Reader, starring Ray Fiennes and Kate Winslet. The film tells a complex story of post-WWII Germany, with the secrets and mysteries of the Nazi-era unraveling across four decades. Rhinofx was enlisted to do extensive effects work on the film, delivering the realistic feel of the changing backdrop of the country and the destruction still evident throughout the region. The historic drama is the product of Academy Award-nominated director Stephen Daldry, known for the acclaimed work on both Billy Elliot and The Hours.

The film opened in limited release on December 10th 2008, and has been extremely well-received, already claiming one Golden Globe and several award nominations. Extending their longstanding relationship, Weinstein and Daldry recruited Rhino to help rebuild the devastation that plagued Germany in the 1950s.

Quote:

VFX Supervisor Jim Rider explains, “Stephen wanted to make every detail and setting as realistic as possible. Because Germany has evolved so much since 1955, we were called in to recreate the country and time, and really enhance the sense of accuracy and authenticity. It was definitely a challenge, but the results add another layer of depth and credibility to the storyline.”


The footage, shot on location in Germany, was modified to reflect the postwar restoration period. Transforming and deconstructing the modern landscape, the Rhinofx team used effects work to bomb out and board up buildings, blow holes in roofs, and leave ruins reminiscent of the war-torn country.

Quote:

“We’ve really established a unique position in New York, and across other major markets by taking both character-driven and effects-driven features that entail very technical execution. Because of our studio’s talent and in-house resources, we are able to deliver the entire spectrum of CG and 3D visual solutions, as well as the overall finishing that truly enhances the quality of any film.” Camille Geier, Rhino’s COO.


Rhinofx has broadened their ability to deliver full-service VFX for a wide range of feature types. Working out of their Connecticut film studio, Rhinofx has recently contributed their efforts to Dimension Films’ Soul Men, as well as David Keopp’s Ghost Town for Dreamworks. In addition, Rhino is currently finishing work on I Love You Philip Morris, a dark comedy starring Jim Carrey and Ewan McGregor, which is set to debut at the Sundance Film Festival in January as part of the Premieres category.

About Rhinofx:
Since its launch in 2000, Rhinofx has created award-winning visual effects, design, and animation for commercials, VFX for feature films, episodic television, webisodic mini-series, and videogame cinematics. The company’s principals and artists have also led the industry’s exploration into the boundless potential of branded digital content. By cultivating extensive relationships with key brands, advertising agencies, and film/TV studios, Rhinofx utilizes its creative directors and artists to develop and execute powerful branded entertainment to build both identity and awareness.