E-on Software developing for Mac Cocoa
Posted in: 1Actively developing Cocoa 64 bit versions of its key applications and releasing a Cocoa 64 bit beta version of Vue 8 in 2010.
Actively developing Cocoa 64 bit versions of its key applications and releasing a Cocoa 64 bit beta version of Vue 8 in 2010.
NPower Software announces official open beta of its next gen Maya CAD Translators plug-in for the Apple Macintosh platform
CreatureBox is a collaborative effort between Dave Guertin and Greg Baldwin. A quick glance at …
1st Ave Machine’s colorful alter ego, SpecialGuest, presents a new spot for Zune HD. This spot is Vinicius Costa’s commercial directorial debut with SpecialGuest, following his fantastic short film earlier this year.
From Vinicius: “For this spot I decided to represent high definition in a different way using light, contrast and colors.” No doubt! As with his other work, there’s endless playful, loving details lighting up the environment around them – hopping notes on the turntable, the mixing board faders amidst the vinyl records, the sonic mountains, the dimensionality of the other worlds through the Zune window, to name a few.
Director: Vinicius Costa
Creative Director: Aaron Duffy
Technical Directors: Dan Gregoras & Sam O’Hare
Lead Compositor: Weito Chow
3D Modeler: Joe Nguyen
Production Company: 1st Ave Machine
Executive Producer: Serge Patzak
Head of Production: Hae-Sook Song
Head of Creative Development: Claire Mitchell
Agency: Central Planning
Producer: Michael Lovelady
Associate Producer: Todd Carlson
Zune Creative Director: Ramiro Torres
Surrogates: Definitely Not More Human Than Human, at VFXWorld.
A new case study is up on the foundry’s site on using Nuke for the new Audi Q5 adverts.
http://www.youtube.com/watch?v=NHHFwpmFKHg
Nuke – Testimonials Passion Pictures Harness Nuke for Commercials ![]() © 2009 Audi, image courtesy of Passion Pictures "The 3D space is a really impressive feature of Nuke. It feels like the 3D compositing has been built from the ground up, rather than being a tack-on. Although we have not imported massive amounts of geometry, we know we can, and it works.” says Neil Riley, VFX Supervisor at Passion Pictures. Discover why Passion Pictures chose Nuke in this case study. "We are excited by the new possibilities Nuke opens up for us. The integration into our pipeline has been seamless." |
Making of Halo 3 ODST’s ‘The Life’ live-action short showcases Legacy Effects’ practical work.
CGSociety interviews Danny Damian – shader writer on Cloudy with a Chance of Meatballs.