Hasta La Motion!

Unit TV are looking for a highly skilled artist to take a leading role in their busy VFX Department. They would be required to work on a wide range of client facing projects, to tight deadlines working with a team of operators.

The ideal candidate will have 5+ years industry experience, have exacting attention to detail and be able to manage projects from storyboards to delivery. A high standard of compositing skill is required, as well as the ability to work with 3D and Design, be client facing and have experience in shoot supervision and RED camera workflow. Advanced skills in Nuke and Shake with experience in After Effects and Maya would be ideal.

CV’s and reels to vfxjobs@unit.tv

Hi, we’re looking for a 3d max generalist to work on an animation tv series. The job will begin at december 14th until may 2010.
Please send reels or any question to: rodrigofiallega@gmail.com and we’ll contact you.
Thanks!!

Hi guys,
i try to handle those popular long time exposure effects like in the older ipod nano spot. i mean the drawn light rays that keep staying in 3d space while the car is moving on.

so, with the fusion particle system it nearly works out. the only problem i have is the look of the splines in exact 90 degree to it. here u can see space between the single particle planes that build the ray.

normaly the problem is solved with more particles and a higher subframe calculation, but i dont get the particles as close as i need to avoid the little spaces. no matter how many particles and subframe accuracy.

any ideas?

greedz!