Hasta La Motion!

Informed by our digitally savvy, in-the-know brand voice, we provided several promo and ID ‘recipes’ for IFC. Slicing, sorting and re-mixing content was a persistent theme. Top 5 Lists, Air Quotes, _____ in 10 seconds, Lists… they all reflect a blog-like approach to promoting content. And… in a way that easily translates cross-platform.

That pesky logo is there somewhere. Is it behind the skeleton? Next to the BBQ? In the rowing boat? Oh wait a minute, if I’m not mistaken I think the flags spell out Q U E S T in semaphore. Still looking for the logo though…

A song called “Back O’ the Moon” by Hubert Eisdell, combined with some pictures I took earlier this year. This recording is from the 1930s but the song was originally written in the 1910s. On last.fm I am the only person to have listened to this song, which should give an idea of how obscure it is. I guess this kind of music isn’t popular anymore. I downloaded the track from “The Virtual Gramophone” section of a Canadian website.

One of 16 broadcast Idents created for the Quest Channel rebrand 2014. Animation: http://www.analogstudio.co.uk Music & sound design: http://www.studiokamp.com

Sun 29th Jun 2014 | News

Fabric Software announced version 1.12 of Fabric Engine, the development framework for high performance visual effects tools. The new version enables studios to easily harness the power of GPU computation and includes a new character tools API, as well as Splice Drawing, a highly customizable integrated real-time renderer.

Paul Doyle, Fabric Software CEO said: “Performance and accessibility are at the heart of everything we do. With this release, we offer artists, TDs and R&D teams a huge step forward with GPU compute at zero cost, real-time rendering within their familiar DCC application, plus a host of character tools.”

GPU compute at zero cost – beta version

Using the graphics card (GPU) for computation can be extremely powerful but until now, it required specialized programming expertise and explicit coding for target hardware. In contrast, Fabric Engine enables TDs, as well as R&D engineers, to write code that can execute on both the GPU and the CPU with no additional coding required. It is then simply a matter of testing to see where it runs fastest. Zero cost experimentation means many more tools can be GPU-accelerated.

High performance real-time rendering inside the DCC application

Splice Rendering is a highly customizable real-time renderer that comes as part of the Fabric Engine integration with Autodesk’s Maya and Softimage. The performance gains are impressive compared with rendering within the host application alone. Performance tests included a Bullet simulation with 1500 instances and 4096 x 4096 textures that achieved 96 frames per second.

Combined with Fabric’s work on the GPU, this means it is now possible to have multiple complex characters running at real-time directly within the regular DCC application.

Character tools API

Fabric now includes a character API with core building blocks for constructing high level character tools, including crowd simulation, scene assembly and real-time pre-visualization. Easy-to-use and extensible, it supports FBX and proprietary-format characters, plus integration with Splice Drawing for real-time rendering.

Related Links

www.fabricengine.com