Hasta La Motion!

Coming soon in 3D.

Ridley Scott, director of ‘Alien’ and ‘Blade Runner’, returns to the genre he helped define. With PROMETHEUS, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.

PROMETHEUS will be released in cinemas in 3D nationwide by Twentieth Century Fox.

Director
Ridley Scott

Written by
Jon Spaihts and Damon Lindelof

Cast
Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, Charlize Theron

After India’s (Mia Wasikowska’s) father dies in an auto accident, her Uncle Charlie (Matthew Goode), who she never knew existed, comes to live with her and her emotionally unstable mother Evelyn (Nicole Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.

For this project i was contacted by inspected records to create a visualisation for the artist “ZES” and his debut EP “Hindsight”. After listing through the EP and some brief research around the artist it became clear what direction i wanted to take this film in. Based of the mystery around who ZES is and what his mask looks like i came up with the concept of creating a world around the mask. The idea of creating a museum with the mask as focal point was one of my first concepts, this then expanded onto having each song represented as a painting in the museum. From each song we would go into the painting and explore that certain section of his world, then the audience is take back into the museum to journey onto the next painting. For the animation i used Cinema 4D to create the models and compositions, X particles to create the ink simulations for “Memories”, After effects for grading and the final edit was made in Premiere Pro with dynamic links into after effects. The overall production took me 1 week to make including rendering time. Hope you enjoy! To follow my work head over to my facebook page -facebook.com/deadskullofficial

Growing up in Senegal, Aboubacar Casse had hopes that basketball would one day lead him to a brighter future. His natural talent landed him in SEED Academy, a boarding-school environment that provides academic support, team-based basketball training, English language classes, and leadership development curriculum for Senegalese boys and girls. With the help and guidance of SEED, Casse was able to hone his basketball and academic skills enough to earn placement at St Andrews High School in Rhode Island. He has since moved on to further his education at Franklin Pierce University where he’s currently studying International Business and Marketing. Casse plans to one day return to his native Senegal where he hopes to inspire and influence the next generation of youth. To learn more about SEED, visit seedproject.org Big thank you to the team that helped put this together, and special thanks to Noah Levine and Aboubacar Casse for allowing us to tell this story. — Director: Charlie Mysak Cinematographer: Garrett Hardy Davis Editor: Chris Shimojima Sound Design: Chris Davis AC: Alonso Homs Movi: Nick Rubino-Bradway Gaffer: Nick Ellison Colorist: Kath Raisch at Company 3

Ra Paulette creates cathedral-like ‘eighth wonder of the world’ scuptural caves using nothing but hand tools. Working in the malleable sandstone cliffs of Northern New Mexico his creations rival the work of the great earth artists – Goldsworthy, Heiser, Smithson. But Ra’s work has gone unrecognized. Patrons who commission caves often cut him off due to artistic differences or lack of funds, leaving Ra struggling. Following his passion has cost him almost everything. Undaunted, at age 65, he’s decided to pursue his 10-year magnum opus on public land, without permission, working for no one but himself.