Happy New End!

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French collective Bonzom (Passion Paris) celebrates the impending end of the world in this happy-go-lucky short. Riffing on B-movie posters from the bronze age of sci-fi, “Happy New End” blends hilarious writing and voiceover work with a campy cast of characters and a fantastic flair for details.

The premise—and the rapid succession of sight gags—reminds me of the old Tex Avery cartoons I adored as a kid that proposed how various technologies of the future would “improve” our lives. Bonzom’s put their own twist on that time-honored tradition, and they deserve their own cheers for a job well done!

Posted on Motionographer

Happy New End!

David Lobser: +/- “Unsung”

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Director David Lobser refashions a bit of Alice in Wonderland in this charming music video for +/-’s “Unsung.” Kissed with subtle CG, the visuals are as gentle and unassuming as the song itself. David did a great job balancing the beauty of leading lady Jessica Stoller with the folksy charm of her surroundings.

This video touches on something we’ve been mumbling about here at Motionographer Headquarters: We’re in the midst of a slow but steady renaissance of the music video. It’s not being driven by labels or even by a renewed interest in the creation of music videos. (Directors and bands have never stopped making music videos, regardless of who was watching them.)

What’s changed are the means of distribution (YouTube, Vimeo, etc.) and promotion (Facebook, Twitter, etc.). The game has fundamentally shifted away from a top-down, broadcast model to a bottom-up, grassroots model.

This is a huge boon to bands (and potentially to labels). The old promotional model was to force a video or song onto the air in the hopes that by throwing a wide enough net, you’d catch a few buyers. Now, videos are passed like hot potatoes from friend to friend—and friends are much more inclined to pay attention to each other than to a television station that only seems marginally interested in their lives.

The result is a high viewer-to-fan conversion rate without the associated costs of broadcasting. Some music labels, like Universal Music Group, have figured out a way to make it work for them; others are a bit slower to catch on. Regardless, bands are benefiting from the direct, trackable exposure that web distributed videos are giving them.

I realize this is all old news to you. I’m preaching to the choir. But what seems to be happening is still exciting: After being estranged by MTV and VH1, music videos are reentering the mainstream via the web. It’s something everyone predicted years ago, but now it seems to actually be happening. Hooray!

Thanks to Kristian Mercado for the tip on the video.


Credits

Song: Unsung
Album: Xs on Your Eyes
Director: David Lobser
Executive Producer: Steve Choo
Production: Jonny Fego, Meredith Binder
Production Company: My Active Driveway / Little Sister Productions
Matte Painting/Design: Kristian Mercado

Actors:
Girl: Jessica Stoller
Crew: Alice Hoff Hair/ Make up.
Chapin Hall/ Grip Swing
Christopher Studly/ Gaffer
Ian Mcalpin/ 1st AC
PA: Zach Lewis
DP / Camera: Ian Bloom

Edit: Steve Choo
Animation / Compositing /Chi Peng, Matt Monson
3d / David Lobser, Gwen Murray, David Avetisov, Clay Budin

Posted on Motionographer

David Lobser: +/- “Unsung”

Reminder: Cut & Paste Call for Competitors

This is just a quick reminder that Cut&Paste’s North American call for competitors ends in one week, on January 23rd. Get that entry form filled out and start polishing up your high-speed design skillz.

This year, Cut&Paste is adding 3D and Motion Design to their existing 2D tournament. I helped create the specs for the Motion Design tournament, and I think it’s going to be a lot of fun. Whether you’re a contestant or a spectator, I’ll see you at the NYC events.

Posted on Motionographer

Reminder: Cut & Paste Call for Competitors

Motion Theory Conducts A Natural Symphony

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Inspired by the “Sorcerers Apprentice,” Motion Theory and Director Mathew Cullen just completed “A Natural Symphony” for McCain’s chips. This poetic tale of a farmer’s relationship with his land shows him conducting the elements to grow the perfect crops.

The piece’s rich cinematography and subtle effects have become a staple in Motion Theory’s work. Its dynamic choreography should also be no surprise — from the director and studio that brought you the best of the HP Hands campaign and other choreography-driven pieces like Adele’s “Chasing Pavements”.

Yes, I know this isn’t too far from tails of Maestro. But, I think there are enough conceptual and visual differences for the glory of this piece to remain untainted.


Credits

Agency: Beattie, McGuinness & Bungay
Creative Directors: Trevor Beattie, Bil Bungay
Creative: Pat Burns, Gavin McGrath
Producer: Lucy Swallow

Production Company: Motion Theory, Rokkit
Director: Mathew Cullen
DP: Claudio Miranda
Executive Producers: Javier Jimenez (Motion Theory), Luke Jacobs (Rokkit)
Line Producer: Tracy Hauser

VFX Company: Motion Theory
Senior Art Director: Kaan Atilla
VFX Supervisor: Bryan Godwin
Producer: Amber Ventris
Compositing Supervisor: Stuart Cripps
Lighting Lead: Charles Paek
Lead Technical Director: John Tumlin
Rigging, FX Lead: Jesse Carlson
3D Artists: Ben Grangereau, Na Song, Jeffrey Arnold, Michael Clarke, Mauro Contaldi, Shiv Dholakia, Chris Logan, Hector Ortiz, Sam Sparks
Designers: Angela Zhu, Leanne Dare, Jenny Ko, Peggy Oei
Compositors: Andrew Ashton, Matt Motal (1.1 VFX), Deke Kincaid, Danny Koenig, Mario Peixoto, Rob Winfield
Matte Painters: Amy Paskow, Ram Bhat, Alan Sonneman
Post Production Manager: Sheri Patterson
Post Production Assistants: Rebecca Lindberg, Allyssa Allain

Editorial Company: String
Editor: Mark Hoffman
Assistant Editor: Greg Kim
Editorial Coordinator: Peter Nelson
Finishing: Danny Yoon (1.1 VFX)
Colorist: Siggy Ferstl (RiOT)

Music: Adrian Sutton
Producer: Blaze Music

Posted on Motionographer

Motion Theory Conducts A Natural Symphony

Crush’s Yoho Hang Yue for World Fishing Network

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Crush’s Yoho Hang Yue (reel) lent his expert comedic timing and spot-on character animation skils to the World Fishing Network for a series of chuckletastic IDs. The soothing compositions of silhouettes against warm backdrops sets up a false sense of calm that’s happily obliterated by each ID’s punchline.

Watch six of the IDs here. Visit Crush’s site.


Credits
Titles: Enormous, Tree, Speedboat, Wader, Cruiser, Motorboat
Client: World Fishing Network
Corey Russell – VP Programming, World Fishing Network

Agency: Full Ahead Productions Limited, Toronto
Creative Director/Writer: Peter Whittington

Production Company: Crush, Toronto
Director: Yoho Hang Yue
Crush Creative Directors: Yoho Hang Yue, Gary Thomas
Animation/Illustration: Yoho Hang Yue
Executive Producer: Patty Bradley
Producer: Tara Hall
Music & Sound Design: Scott Bucsis, Brass Coffee Sound, Toronto

Posted on Motionographer

Crush’s Yoho Hang Yue for World Fishing Network

Capacity: Cartoon Network Rebrand

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LA-based Capacity proved their ability to think big and follow through with their breakthrough NBC rebrand back in 2006. Since then, they’ve been kicking out ambitious projects with consistent attention to detail and huggable charm.

The latest jewel in their crown is a massive rebrand for Cartoon Network built around Noods, blank Dunny-esque figures created by the crew at Kidrobot. Props to CN for dreaming up such a clever, collaborative concept.

Capacity’s CN montage starts off in a minimal white space but builds in complexity and vibrancy as more characters, environments and seasons are introduced. My favorite stretch is the Halloween segment, with its moonlit figures and cute sight gags. I also love Yoda reducing General Grievous to a puddle of paint—a clever way to deconstruct the underlying concept of the rebrand.

The frenetic soundtrack (also created by Capacity) tinges the entire montage with a playful 8-bit tone and moves things forward with a cheery optimism befitting such a grand undertaking. Nice job all around!

Posted on Motionographer

Capacity: Cartoon Network Rebrand

Amnesty International: You Are Powerful

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Almost a month ago Amnesty International released this piece, directed by Kim Gehrig, to mark the 60th Anniversary of the Universal Declaration of Human Rights. The idea and execution are simple. Involvement in Amnesty International allows you to make a direct impact on the variety of issues on which they focus. This is illustrated by inserting average folks into archival footage of human rights atrocities.

Produced by Academy Films, “You Are Powerful” was premiered at the 2008 Secret Policeman’s Ball which has consistently curated visually and conceptually powerful work over the years. Notorious for attracting top talents as contributors, this project was no exception. With an assumptive “charity-sized” budget, Mother (London) conceived of this idea and was supported by an all-star team of companies and individuals (see below) to bring it to life.

Agency: Mother, London
Producer: Ed Sayer
Production Company: Academy Films, London
Director: Kim Gehrig
Producer: Lucy Gossage
DP: Mattias Montero
Post/Effects: Smoke & Mirrors, New York/London
CD: Sean Broughton @ SMNY
Flame Artist: Marios Theodosi @ Smoke & Mirrors, London
Managing Director: Jo Morgan @ SMNY
EP: Celest Gilber @ /SMNY
Producers: Belinda Grew, Paul Schleicher @ Smoke & Mirrors, London
Producer: Lauren Shawe @ SMNY
Post/Effects: Rushes/Framestore
Editor: Joe Guest @ Final Cut
Audio Post: Factory
Mixer: Ben Firth
Music: Until the Day is Done
Artist: Michael Stipe

Posted on Motionographer

Amnesty International: You Are Powerful

Universal Everything: Art Films for Nokia

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Universal Everything kicks off a series of Art Films they are creating for Nokia with this beautiful piece directed by Matt Pyke with the style and animation created by graphic 3d master Maxim Zhestkov. Typical advertising turned into art by Universal Everything, this looks to become another Advance Beauty with more spots on the way (Pyke is looking for “3d animation genius” support for future films if you are up to the task).

HD version here

See the remaining films from Carl Burgess, Field and SHFT here.

Posted on Motionographer

Universal Everything: Art Films for Nokia

Greg Herman: More Chi 2.0

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It’s been a long time coming, but Motionographer’s very own Greg Herman has finally relaunched his web presence, More Chi. It was totally worth the wait.

Greg is one of those rare creatures that does it all—and does it very well. He honed his animation and design skills as a member of the original Digital Kitchen NY team, but he’s also an artist in his own right. His loves of photography and painting can be seen in his work, and he’s developing his directorial voice with two short film projects that are currently in the works.

(Oh, and if you ever put him behind a drum set, prepare to have your ears melted off your head.)

Now stationed in the beautiful surroundings of Black Mountain, North Carolina, Greg is freelancing and dreaming big.

Posted on Motionographer

Greg Herman: More Chi 2.0

Gianluca Fallone

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Gianluca Fallone from Argentina is moving to London