X-Particles 4 Cloth Tutorial – Quick Start Guide


http://bit.ly/2HUZdfb – Learn how to create a simple cloth animation using X-Particles 4 using the new xpClothFX effect.

Though not necessary to follow along, I used Topcoat by Greyscalegorilla to create my own materials. Topcoat – http://bit.ly/topcoat-gsg

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MORE FREE TUTORIALS:
X-Particles Tutorials – http://bit.ly/xp-learn
More from Nick Campbell – http://bit.ly/gorilla-tuts
GSG Tutorials – http://bit.ly/gsg-tuts

GET X-PARTICLES AND TRAINING:
X-Particles 4.0 – http://bit.ly/xp-store
Gorilla Guide to X-Particles – http://bit.ly/ggxp-store

FOLLOW GREYSCALEGORILLA:
Website – http://bit.ly/gsg-site
Blog – http://bit.ly/gsg-blog
Twitter – https://bit.ly/2JncNIW
Instagram – https://bit.ly/2q7tZtJ
Facebook – https://bit.ly/2q8Gy7j

CINEMA 4D TOOLS AND TRAINING:
Save time and create amazing renders with our tools, Cinema 4D plugins, and training – http://bit.ly/gsg-store

Avicii In Memoriam: 1989-2018 | Billboard


Swedish DJ Avicii, real name Tim Bergling, died at age 28 on Friday, April 20.

Subscribe for The Latest Hot 100 Charts & ALL Music News! ►► https://bitly.com/BillboardSub
Billboard News: New Channel, Same Awesome ►► http://bit.ly/DailyMusicNews

Underground resistance – Transition


Make Your Transition!

AVICII: TRUE STORIES – Official Trailer


Directed by Levan Tsikurishvili
Avicii: True Stories Official Trailer 1 (2017) – Documentary
http://www.aviciitruestories.com

A Million Times at Changi by Humans since 1982


A Million Times at Changi is both a kinetic sculpture and functioning clock created by Stockholm-based artists´ collective Humans since 1982. With a ‘clock face’ made up of 504 smaller clocks and a width of 7.5m, the entire ‘clock face’ is wider than that of London’s Big Ben (7m). Each of the 1008 clock-hands (504-minute hands and 504-hour hands) are fitted with individual motors, giving the kinetic sculpture the ability to show various patterns, as well as the time and greetings in various languages across different times of the day. The artwork has been commissioned by Changi Airport Group and can now be seen in Terminal 2 at the entrance of the departure hall. “Metaphorically speaking, we liberated the clock from its sole function of measuring and reporting the time by taking the clock hands out of their ‘administrative’ roles and turning them into dancers.” –Humans since 1982 FACTS LOCATION: Changi Airport, Singapore, Terminal 2, Departure Hall DEVELOPMENT TIME: 4 years LAUNCH DATE: January 3. 2018 DIMENSION: 7.5 x 3.4 m WEIGHT: 1000 kg MATERIAL: Corian, steel, aluminium, electrical components, stepper motors, customised software, projector, speaker AMOUNT OF CLOCKS: 504 AMOUNT OF MOTORS: 1008 VIDEO SOUND: Sebastian Oliwa

The battle of the century

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Matt Patches from Thrillist had me collaborate on an incredible oral history of the Battle of NY in The Avengers. Check it out.

What’s it really like to be a VFX vendor on a big TV show?

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I asked Image Engine, who worked on Lost in Space.

Guest Column| Comics: The desi scenario – Abhijeet Kini

I strongly believe that Indian comics are here to stay. No matter what cynicism is directed at this medium in our country, the buzz is strong with comics today. So whenever I’m asked during panel discussions or interviews about ‘The current state of Indian comics’, I always has a positive response to it. I find that this kind of a response is something that people aren’t ready to get convinced with, but I feel that it’s a fact.

The problem is the pre- programmed mindsets that comics are only for children, and not for adults. Hence I still get a lot of people who come over and tell me at events that “oh, comics! I used to love reading them in my childhood days! So much fun that was. But now we have grown up!” And I always ask them back, “But what has stopped you from enjoying a comic today?” And generally, there’s no answer to that, except a very confused expression. Don’t we all love reading a Tinkle or an Amar Chitra Katha, no matter what our age?

The Indian Comic Cons are a blessing to the comic genre today, since it is due to this phenomenon, that we have a lot of new indie (independent) comic publishers who have come in the spotlight. Indian stalwarts like ACK and others have been fan favourites, and now there are new publishers who bring to the audience a variety of new comics. As an indie publisher myself, I’d be speaking for others in the same category when I say that it’s a fantastic feeling when people come and talk to you about your comics and buy them, thus supporting the genre.

Some are quick to point out that majority of the comic fans in India are totally into DC or Marvel and that kind of pushes indie comics into a corner. I will not deny the fact that the big two do have a huge fan following here, and I myself enjoy reading and collecting these. But I don’t think it’s fair to compare a legacy which has been around for decades, which has had a cultural impact for almost a century in America, which has so much money being pumped in that it has lead to cinematic universes on the silver screen, to something which is smaller, yet daring enough to exist.

Yes, the Indian comics industry maybe a little dwarf compared to the giants, DC and Marvel but why should these be held as a benchmark? Little would people grasp the fact that India too has a comic history, albeit not extremely well documented. If something that has existed for years impacts culture and gives people names to remember, then Tinkle, Chacha Chaudhary, Raj comics, Diamond and others have given ample for people to talk about. Try asking someone (or yourself) the top four names of Indian comic characters, and I’m pretty sure we all know the answers to that.

Comics in India today are used not just for entertainment, but several comics are created to spread social messages and awareness. This is not just a noble idea to efficiently use this medium to reach out to more people (yes, comics are easier to understand and reach out to more) but also is using the medium’s potential to the fullest. One doesn’t need to read through pages of preachy messages; a comic makes grasping of a message easier and more fun, thanks to the visual element!

Case in point is the Comics for Change initiative, wherein Abhijeet Kini Studios with the Dainik Bhaskar group, had created a series of comics talking about sustainable resources, food and water wastage. The response was terrific and that made not just children, but also adults understand basic concepts which are pro-humanity. There are several other comics around us which cater to causes, and that is a very important fact. Yes, India has successfully utilised the power of comics on the social awareness front.

As for the indie genre, my only message to comic fans and readers is to keep supporting this little sub genre. Yes, you may not get the paper quality or the page sizes and volumes that DC and Marvel do, but you sure would get story-lines that would make you think and relate to. Now wouldn’t that be fun? After all, if you compare Gotham to Mumbai, one is a city that’s made up, and the other’s a city that’s made up of real people. Wouldn’t a reflection of reality in comics be more fascinating?!

(This article has been contributed by Abhijeet Kini Studios, founder, Abhijeet Kini and AnimationXpress.com does not necessarily subscribe to these views).

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GPL India partners with PokerStars India for long-run poker league

GPL India announced that PokerStars India will be their game partner for the two month long-run poker league. The online qualification for the first season of GPL India will be open from May to August on PokerStars India, where enthusiasts can compete for the chance to join one of GPL India’s first-year teams.

The GPL India’s six city-based teams will compete over a four week long regular season. Two players from each city: Mumbai, Chennai, Kolkata, Bengaluru and Delhi, will qualify directly via PokerStars India, with the remaining three team members chosen by the team managers from a pool of qualifying Global Poker Index (GPI) ranked players during GPL India’s Draft Day which is tentatively set for early to mid September 2018.

GPL India teams will each be comprised of five players and led by one of GPL India’s superstar managers:  Chennai Sharks manager, Vikram Kumar; #1 GPI-ranked female player in India and Delhi Diehards manager, Muskan Sethi; Pokerbaazi pro, poker coach and Alphas manager, Abhishek Rathod; Mumbai Jetsetters manager, Kavinn Shah; Kolkata Creators manager, Aditya Agarwal and Bengaluru Hackers manager, Vidwath Shetty.

The top four scoring teams will move on to the GPL India finals to play for the title and five platinum passes – each valued around two million and the PokerStars Championship in the Bahamas in January 2019, where one can win additional 650 million prize money.

GPL India’s regular season will begin right after the draftees are announced, with all six teams competing against one another in the Six-Max and Heads-Up No-Limit Hold’em Poker variants online and live in GPL’s India Studio to decide weekly winners, based on their skills. The GPL India Finals are set to happen in November. It is a live-streamed, two day finale for the game of skill that will see the league’s top four scoring teams compete to decide who will be GPL India’s first National Champions.

In December 2017, Mediarex confirmed a multi-year strategic partnership with Kwan Entertainment, to bring the Global Player League to India, in a move that would give poker enthusiasts an avenue to experience and potentially participate in the GPL’s innovative take on the modern e-sports league concept.

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‘Pikkuli’ flies worldwide with Monster Entertainment’s many deals

Monster Entertainment has signed a number of deals with broadcasters around the globe for the first season of a non-dialogue series, Pikkuli. The deals include: Globosat in Brazil for Pay TV, Al Jazeera in Qatar for exclusive free to air, Pay TV, and non-exclusive FVOD and SVOD, LXL ideas India for broadcast rights and JY Animation in China for exclusive VOD.

The little bird, Pikkuli plays and explores with family and friends by his side. He is scared of flying and so he swims like a penguin and hops like a chicken. Pikkuli compares himself to his talented big sister and reckless brother as it’s not easy to be so different. Athletic bird father and caring mommy bird know their youngest child is a bit odd, but they love him. With their help he finds his strengths. His best friend, Honkkeli, is a wobbly shorebird with legs, neck and a beak that don’t seem to fit together.

Pikkuli consists of 26 episodes wherein the bird learns to share toys with his siblings, tries to get goodies by pretending to have flu, gets a new pet and learns a lot of responsibilities and love. He celebrates his birthday and builds a hut of his own. Perhaps one day he will learn to fly, but for the time being, he prefers bouncing.

Pikkuli is produced by Sun In Eye Productions, with a second season coming soon and a narrated version now available.

The post ‘Pikkuli’ flies worldwide with Monster Entertainment’s many deals appeared first on AnimationXpress.