FJAAK’s debut album “FJAAK“ out now!
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When Lars, a postman, meets Karen’s gaze during his daily deliveries, it’s love at first sight. But Woofy, Karen’s dog, does not hear it that way. To him, the postman announces his arrival by the thundering sound of his vehicle so he intends to prevent Lars from approaching her too closely. To make sure this safety distance is respected, Woofy will make sure the Postman feels his presence. But fate will give Lars a boost: his old credenza is replaced by a brand new Renault Kangoo Z.E., electric…and silent. Therefore he can thwart the fierce surveillance of Woofy and finally see Karen again. Everything starts with an electric moment! The film was created by The Loft Publicis Conseil, directed by Akama, produced by WIZZ with Paris studio NKI nailing the 3D animation. Sound: Sixième Sens
Forms is a collaborative film series devised by London based, creative sound studio Mount Audio. The ongoing project sees Mount team up with leading visual artists each month to create unique audiovisual works. Forms IV features the inimitable aesthetic of multidisciplinary artist and designer Davy Evans. Davy combines analogue and digital techniques to create vibrant abstract imagery. Often using experimental photographic methods, light and liquid to replicate form and distortions, inspired by natural phenomena. Influenced by the artists analogue approach, Mount’s soundtrack is largely improvised and centres around an intimate piano progression. Playing off the visual’s glacial tones, the duo have combined ambient washes with delicate tuned percussion to create a deeply meditative accompaniment. You can find out more about the project below. https://formfiftyfive.com/showcase/forms-iv-davy-evans/ www.davyevans.co.uk hello@davyevans.co.uk
KLIK announced that Aneta Ozorek will be taking on the role as artistic director.
The Polish-born festival curator, illustrator, and film education expert has over 15 years of experience in the industry and will be spearheading KLIK’s international ambitions.
Ozorek has a strong background in curating and developing animation initiatives in Poland and other European countries. She is head of shorts section at Visegrad Animation Forum, programmer at the Cinema in Sneakers Film Festival in Warsaw, and curator of the film section of the Street Art Festival in Katowice.
In 2017, she was responsible for the promotion of 70 years of Polish animation at some of the biggest European events in the animation industry: Annecy, Cartoon Forum, MIPCOM, MIPJunior, Cinekid and many others. Additionally, she is the Polish ambassador of the European Animation Award and member of the European Children Film Association.
Aneta Ozorek
KLIK general director Bram Kranendonk says, “Aneta’s strong international connections tie in with the international ambitions that KLIK has set itself: to strengthen KLIK’s international position in the animation landscape through international collaborations with other festivals and organisations and to promote what the Dutch animation industry has to offer all around the world.”
As new artistic director of KLIK, Ozorek intends to further establish KLIK as a festival that finds unique ways to connect art and business; and to intensify the international promotion of Dutch animation in Europe and beyond. Ozorek elaborates: “Everything started with chaos: friends, poetry, an experimental approach, brave program decisions, and a passion for the art of the moving image. KLIK was always connecting and inviting, never exclusive. Always collaborating, never competing. To set up an inspiring path into the future, we aim to further establish KLIK as platform that connects the greatest names in animation history with debutantes and the biggest studios with independent artists. An innovative approach in connecting art and business will be a core element of the KLIK identity. We are witnessing a multitude of international partnerships that take animation to a global scale, rarely seen before. KLIK wants to contribute to this process by building a European and global strategy for the whole industry.”
Ozorek steps into the footsteps of former artistic director Yvonne van Ulden, who led the organisation for the past nine years and helped develop it into an international player in the animation industry.
The post KLIK Amsterdam Animation Festival gets new artistic director in Aneta Ozorek appeared first on AnimationXpress.
David Harbour, known for his role as Chief Jim Hopper in the Netflix drama series Stranger Things, provides cameo after cameo in Procter & Gamble Super Bowl commercial “It’s A Tide Ad”. Aired during the NFL Super Bowl LII 2018, the Tide Ad series has David Harbour claiming that every time you see clean clothes in a Super Bowl commercial, it’s a Tide ad. The TV and movie star takes viewers on a journey spanning a wide variety of advertising clichés selling cars, insurance, perfume, pain relief, Coca Cola and beer. How do these seemingly random ads relate to Tide? Well, it’s simple. If you see clean clothes, it’s a Tide ad. David Harbour playing tennis? Tide ad. David Harbour as an insurance adjuster? Nope. Tide ad. David Harbour sitting on the back of a Lithuanian Long horse, flanked by Old Spice pitchman Isaiah Mustafa? Tide ad. How about David Harbour mopping the floor in all white, dressed like Mr. Clean from the 2017 Super Bowl? Yes, even that is a Tide ad. By now you get it. Whenever you see clean clothes, it’s a Tide ad.
Social media elements to the campaign included Twitter cameos by Betty White, Pittsburgh @Steelers All-Pro WR Antonio Brown, Danica Patrick, last year’s Tide Super Bowl presenter Terry Bradshaw, and Old Spice presenter Isaiah Mustafa.
The It’s A Tide Ad campaign was developed at Saatchi & Saatchi New York by chief executive officer Andrea Diquez, chief creative officer Javier Campopiano, executive creative director Paul Bichler, creative directors Daniel Lobaton and Chad Baker, associate creative directors Max McKeon, Rafael Segri, Frederico Mattoso, art directors Jacopo Biorcio and Erin Evon, senior art director Maddy Kramer, copywriter Blake Morris, director of integrated production Jenny Read, executive producer Dani Stoller, director of business affairs Robin Oksenhendler, senior business affairs manager Lisa Rimmer, strategy director Nayantara Mukherji, digital director Alan Lin, strategist Corina Arnal, regional account director Nick Miaritis, account director Ryan Martin, senior account supervisor Jennifer Brotman, account supervisor Guillermo Betancourt, ecommerce account manager Jed Karnowski, account executive Jennifer McGill and assistant account executive Courteney Case, working with Procter & Gamble North America Fabric Care Sundar Raman, brand director North America Fabric Care Delivery Vedran Miletic, BBIC Kimberly Doebereiner, advertising production manager Paul Chick, brand manager Jennifer Maxwell, assistant brand manager Alex Perez, and brand communications manager Matthew Wormington.
Filming was shot by film production collective Traktor via Rattling Stick with director of photography Hoyte Van Hoytema, executive producers Joe Biggins, Jeff Shupe, Richard Ulfvengren, head of production Richard McIntosh, producer Rachel Curl, production supervisor Chloe Stella.
Editor was Jeff Ferruzzo at Arcade Edit with producer Andrew Cravotta. Colourist was Tom Poole at Company 3.
Visual effects were produced at The Mill by creative director Becky Porter, 2D lead artist Narbeh Mardirossian, 3D lead artist Tom Grahm, 2D artists Ashley Forbito, Lisa Ryan, Jake Maymudes, Mandy Sorenson, Chris Hunsberger, Stefan Smith, Jason Bergman, Gareth Parr, Sam Evenson, 3D artists Charles Storniolo, Jason Kim, Sharlene Lin, matte painter Ed Laag, motion graphics team Greg Park and Kyle Romaneck.
Sound was mixed by Philip Loeb at Heard City. Music was produced at Personal Music by composer Alexis Estiz with producer Courtney Jenkins.
Media was handled at Hearts & Science.
Solo: A Star Wars Story. Trailer Tomorrow. In theaters May 25.
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Watch the new teaser trailer for Solo: A Star Wars Story and see it in theaters May 25.
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After 3 months of work and probably more than 500 fails, I’m happy to present you my best video ever.
Since magnets and marbles I’ve always wanted to make a big chain reaction in one take with this 2D style !
It’s also a “one marble path” which means you have to follow the same marble for all the tricks (in that case the little blue one.) Because everything is in a tilted plane, the hard part was to find different ways of having the marble riding up along the table (magnets, falling weight, catapult …). To do that, the marble has to be light. And because everything has to be triggered by this little marble, all the tricks are very unstable. Most fails happened when an element fall down earlier than expected.
I learned a lot about chain reaction, and I discovered the amazing power of the hot glue gun !
“Some parasitic nematodes have an endosymbiosic relationship with the bacteria Wolbachia. Here, we reconstruct this symbiotic relationship and break it down, finding ourselves at the model’s writhing core.” Network Reconstruction Of Nematode Symbionts By Peter Burr & Alexandra Grote Sound Design By John Also Bennett Additional Animation By Brandon Blommaert Produced By Labocine With The Support Of Imagine Science Films Science Sandbox | Simons Foundation Special Thanks to Tribeca Film Institute Adorama Carl Burton
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
