Hasta La Motion!

### The fear of data loss ### Interactive installation created for National Ethnographic Museum in Warsaw as a part of TEEN AGE exhibition. “We don’t want our digital lives to fade away. If we want to preserve them, we need to make sure that the digital objects we create today can still be rendered far into the future” – Vint Cerf, former vice president of Google www.pangenerator.com www.ethnomuseum.pl ———– PROJECT CREDITS: Concept, design, production by panGenerator (project team – Krzysztof Cybulski, Krzysztof Goliński, Jakub Koźniewski) Construction support by Pracownia Tryktrak (www.pracownia-tryktrak.pl) Curators – Anna Grunwald, Beata Kuracińska Special thanks to Magdalena Dąbrowska & the whole museum team VIDEO CREDITS: Camera, editing and postproduction by Jakub Koźniewski Music and sound editing by Maciek Dobrowolski ( www.mdobrowolski.com ) Special thanks to Katarzyna Grzeszczak, Magda Grabowska, Karolina Świtała

Thanks for all the love from the local fisherman at Wine after Coffee, Booooooom, and Motionographer There’s a whole little fish world in each pond, puddle, and ocean. I’ve been lucky to see a part of this through my life of fishing. Each summer holds a special story with these fin-friends. I took some of the life advice fishing has taught me and put it all together. Thanks to my pops who showed me how to fish which has given me a life’s worth of patience. Music, Pathetic Singing, Direction, Design, Animation And thanks to God for these amazing talents and people in my life. https://www.behance.net/gallery/61563949/Gifts-of-the-Gills-Life-Advice-from-Fishing

Triple axels can turn skaters into legends. This is why.
Want to see Tonya’ Harding’s routine? You can find one version here:
https://www.youtube.com/watch?v=MdC5G7CDvbI

Note: The video states Mirai Nagasu was the second American to land a triple axel in competition (this was recorded before her Olympic success). In 2005, American Kimmy Miessner completed a triple axel in national competition, though not world competition. You can read about it here: http://www.espn.com/olympics/news/story?id=1967992

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In this episode of Vox Almanac, Phil Edwards explores the triple axel and why it’s such a big deal. The figure skating jump is legendary among ice skaters, from Tonya Harding’s 1991 triple axel to modern icon Mirai Nagasu’s attempts in competition. It turns out that the physics of the triple axel makes it a uniquely difficult jump — and one worth learning about.

As a forward-edge jump, the mechanics of a triple axel requires technical acumen from skaters while they still try to maintain an artistically interesting performance. Pioneers like Midori Ito and Tonya Harding had to jump, ramp up rotation speed, and then land all while trying to look good. This effort set them apart from competitors like Nancy Kerrigan, but it wasn’t easy to land a triple axel in competition.

And that difficulty might be why the triple axel endures as the pinnacle of figure skating performance — and why it’s sure to light up the 2018 Winter Olympics as well.

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